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Author: Sabine Reich Publisher: GRIN Verlag ISBN: 3638498263 Category : Literary Criticism Languages : en Pages : 16
Book Description
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2, University of Erfurt, course: Shakespearean Drama, language: English, abstract: 1. PREFACE This term paper has the women of Shakespeare’s time in focus with a special interest in the figure of Lady Macbeth in his play “Macbeth”. My goal to achieve will be to draw a line between the understanding of women in Shakespearean England and his forming Lady Macbeth as a destructive female figure in this drama. Macbeth was written predominantly as a stage play around 1605/06. The significance of gender and sex in this play is most obvious in the conception of Lady Macbeth. In Shakespeare’s former plays women had only minor roles with a lesser quantity of speech acts. Although Lady Macbeth still has merely a third of her husband’s lines, she is still the second largest role of the play. But focus should not only be laid upon quantity as such. Concerning the reception of Shakespeare’s Macbeth, it becomes clear that Lady Macbeth’s central role as wife, seductress and passive leader of events make her nearly as important as Macbeth himself. [...]
Author: Sabine Reich Publisher: GRIN Verlag ISBN: 3638498263 Category : Literary Criticism Languages : en Pages : 16
Book Description
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2, University of Erfurt, course: Shakespearean Drama, language: English, abstract: 1. PREFACE This term paper has the women of Shakespeare’s time in focus with a special interest in the figure of Lady Macbeth in his play “Macbeth”. My goal to achieve will be to draw a line between the understanding of women in Shakespearean England and his forming Lady Macbeth as a destructive female figure in this drama. Macbeth was written predominantly as a stage play around 1605/06. The significance of gender and sex in this play is most obvious in the conception of Lady Macbeth. In Shakespeare’s former plays women had only minor roles with a lesser quantity of speech acts. Although Lady Macbeth still has merely a third of her husband’s lines, she is still the second largest role of the play. But focus should not only be laid upon quantity as such. Concerning the reception of Shakespeare’s Macbeth, it becomes clear that Lady Macbeth’s central role as wife, seductress and passive leader of events make her nearly as important as Macbeth himself. [...]
Author: N. Liebler Publisher: Springer ISBN: 113704957X Category : Literary Criticism Languages : en Pages : 248
Book Description
This book constitutes a new direction for feminist studies in English Renaissance drama. While feminist scholars have long celebrated heroic females in comedies, many have overlooked female tragic heroism, reading it instead as evidence of pervasive misogyny on the part of Shakespeare and his contemporaries. Displacing prevailing arguments of "victim feminism," the contributors to this volume engage a wide range of feminist theories, and argue that female protagonists in tragedies - Jocasta, Juliet, Cleopatra, Mariam, Webster's Duchess and White Devil, among others - are heroic in precisely the same ways as their more notorious masculine counterparts.
Author: S.P. Cerasano Publisher: Routledge ISBN: 1134962053 Category : Literary Criticism Languages : en Pages : 253
Book Description
Renaissance Drama By Women is a unique volume of plays and documents. For the first time, it demonstrates the wide range of theatrical activity in which women were involved during the Renaissance period. It includes full-length plays, a translated fragment by Queen Elizabeth I, a masque, and a substantial number of historical documents. With full and up-to-date accompanying critical material, this collection of texts is an exciting and invaluable resource for use in both the classroom and research. Special features introduced by the editors include: * introductory material to each play * modernized spellings * extensive notes and annotations * biographical essays on each playwright * a complete bibliography Methodically and authoritatively edited by S.P. Cerasano and Marion Wynne-Davies, Renaissance Drama by Women is a true breakthrough for the study of women's literature and performance.
Author: Juliet Dusinberre Publisher: Springer ISBN: 1349245313 Category : Literary Criticism Languages : en Pages : 375
Book Description
Shakespeare and the Nature of Women was the first full-length feminist analysis of the plays of Shakespeare and his contemporaries, ushering in a new era in research and criticism. Its arguments for the feminism both of the drama and the early modern period caused instant controversy, which still engrosses scholars. Dusinberre argues that Puritan teaching on sexuality and spiritual equality raises questions about women which feed into the drama, where the role of women in relation to authority structures is constantly renegotiated. Using a critical language which predates Foucault and other major theorists, Shakespeare and the Nature of Women argues that Renaissance drama highlights ways in which the feminine and the masculine are socially constructed. The presence of the boy actor on stage created an awareness of gender as performance, now crucial to contemporary feminist thought. Shakespeare and the Nature of Women claimed for women a right to speak about the literary text from their own place in history and culture. The author's Preface to the second edition traces contemporary developments in feminist scholarship, which still wrestles with the book's main thesis: Renaissance feminism, feminist Shakespeare.
Author: Farah Karim-Cooper Publisher: Edinburgh University Press ISBN: 074862712X Category : Performing Arts Languages : en Pages : 233
Book Description
This original study examines how the plays of Shakespeare and his contemporaries dramatise the cultural preoccupation with cosmetics. Farah Karim-Cooper analyses contemporary tracts that address the then-contentious issue of cosmetic practice and identifies a 'culture of cosmetics', which finds its visual identity on the Renaissance stage. She also examines cosmetic recipes and their relationship to drama as well as to the construction of early modern identities.
Author: Dorothea Kehler Publisher: Scarecrow Press ISBN: 9780810824188 Category : Drama Languages : en Pages : 358
Book Description
This anthology aligns feminist essays about Shakespeare with essays on other dramatists of the English Renaissance, particularly Peele, Marlowe, Webster, Marston, and Middleton. Foregrounding the intertextuality of Elizabethian drama, the thirteen essays_eleven of them new_explore the contribution of the stage to various feminist subjects, drawing on diverse theoretical approaches_formalists, materialist, historical, new historicist, deconstructionist, psychoanalytic, rhetorical_and resisting the figuration of feminist criticism as simple or univocal. Essayists include Laura Bromley, Mary Ann Bushman, Christy Desmet, Coppelia Kahn, Margaret Mikesell, Thomas Moisan, Jeanie Grant Moorem Phyllis Rackin, James Schiffer, Jeremy Tambling, Carolyn Whitney-Brown, and the editors. With extensive bibliographies.
Author: Andrew J. Majeske Publisher: Fairleigh Dickinson Univ Press ISBN: Category : Literary Criticism Languages : en Pages : 214
Book Description
Justice, Women, and Power in English Reniassance Drama is a collection of essays that explores the relationship of gender and justice as represented in English Renaissance drama. Many of the essays are concerned with interrogating the ways that women relied upon and/or reacted to the legal (and overarching political) systems in early modern England. Other essays examine issues involving the role of narrative, evidence, and gendered expectations about justice in the plays of this time period. An implicit concern of these essays is whether women were empowered or dis-empowered in this interaction with the legal/political system.
Author: Katharine Goodland Publisher: Ashgate Publishing, Ltd. ISBN: 9780754651017 Category : Literary Criticism Languages : en Pages : 276
Book Description
Looking at the plays of Shakespeare, Kyd, and Webster this book presents a new perspective on early modern drama grounded upon three original interrelated points. The author explores how the motif of the mourning woman on the early modern stage embodies the cultural trauma of the Reformation in England; brings to light the extent to which the figures of early modern drama recall those of the recent medieval past; and addresses how these representations embody actual mourning practices that were, after the Reformation, increasingly viewed as disturbing.
Author: Sabine Reich
Author: Sabine Reich
Author: N. Liebler
Author: S.P. Cerasano
Author: Juliet Dusinberre
Author: Farah Karim-Cooper
Author: Dorothea Kehler
Author: Cristina León Alfar
Author: Andrew J. Majeske
Author: Dympna Callaghan
Author: Katharine Goodland