Shakespeare on the German Stage: Volume 2, The Twentieth Century PDF Download

Author: Wilhelm Hortmann
Publisher: Cambridge University Press
ISBN: 9780521343862
Category : Drama
Languages : en
Pages : 532

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Book Description
Shakespeare has been a central figure in German literature and theatre. This book tells the story of Shakespeare in the German-speaking theatre against the background of German culture and politics in the twentieth century. It follows the earlier volume by Simon Williams on the reception of Shakespeare during the previous 300 years (Shakespeare on the German Stage, 1586-1914). Hortmann concentrates on the two most important and fruitful periods: the years of the Weimar Republic (1919-1933) and the turbulent decades of the sixties and seventies, when the German theatre was revitalised by a stormy marriage of avant-garde art and revolutionary politics. A section by Maik Hamburger covers developments in the theatres of the German Democratic Republic. Hortmann focuses on the most representative and colourful directors and actors, describing and illustrating individual productions as examples of particular trends or movements.

Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521648509
Category : Drama
Languages : en
Pages : 108

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Book Description
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to critical questioning. Articles in Volume 66 will include: Dario Fo, the Commune, and the Battle for the Palazzina Liberty; Dramaturgy according to Daedalus; 'Other' Spaces of Translation: the Theatre of Bernard-Marie Koltès; 'Everybody Got Their Brown Dress': Millennium Revivals of the Medieval Mysteries; 'Suffrage Shrews': Mary Pickford's Katherina and the Stratford Visit to Los Angeles; Alternative Theatre in Poland since 1989.

Author: Monika Smialkowska
Publisher: Cambridge University Press
ISBN: 1009280872
Category : Literary Criticism
Languages : en
Pages : 331

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Book Description
Uncovers how global Shakespeare Tercentenary commemorations addressed crises of imperial and national identities during the First World War.

Author: Terence Hawkes
Publisher: Routledge
ISBN: 1134505930
Category : Literary Criticism
Languages : en
Pages : 177

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Book Description
Shakespeare in the Present is a stunning collection of essays by Terence Hawkes, which engage with, explain, and explore 'presentism'. Presentism is a critical manoeuvre which uses relevant aspects of the contemporary as a crucial trigger for its investigations. It deliberately begins with the material present and lets that set the interrogative agenda. This book suggests ways in which its principles may be applied to aspects of Shakespeare's plays. Hawkes concentrates on two main areas in which Presentism impacts on the study of Shakespeare. The first is the concept of 'devolution' in British politics. The second is presentism's commitment to a reversal of conceptual hierarchies such as primary/secondary and past/present, and the interaction between performance and reference. The result is to sophisticate and expand our notion of performing and to refocus interest on what the early modern theatre meant by the activity it termed 'playing'.

Author: David George
Publisher: Lulu.com
ISBN: 1387802593
Category : Fiction
Languages : en
Pages : 532

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Book Description
Irregular, Doubtful, and Emended Accidentals in F1 In the Textual Notes, the lemma is the reading of this edition's text. In these notes, for emendations to F1, the lemma is followed by the siglum or sigla of the edition(s) from which the emendation is taken, and then by the rejected F1 reading and the siglum or sigla of the 17th-c. editions reading differently from the lemma. Where no source is given for the emendation, the adopted reading is not in any of the folios. Doubtful and irregular readings are merely listed. (ǀ) indicates that the reading is found in a full line, i.e., one that runs all or nearly all of the way to the right margin; (?) indicates doubt or an alternative to the reading adopted, although not necessarily correct in the judgment of the editor. Elsewhere means that a spelling other than that in the lemma is to be found wherever else that word appears in the F1 text.

Author: Line Cottegnies
Publisher: Bloomsbury Publishing
ISBN: 1474280110
Category : Drama
Languages : en
Pages : 351

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Book Description
Arden Early Modern Drama Guides offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Essays from leading international scholars give invaluable insight into the text by presenting a range of critical perspectives, making the books ideal companions for study and research. Key features include: Essays on the play's critical and performance history A keynote essay on current research and thinking about the play A selection of new essays by leading scholars A survey of resources to direct students' further reading about the play in print and online This volume offers a thought-provoking guide to King Henry V, surveying the play's rich critical and performance history, with a particular emphasis on its reputation in France as well as Britain and the US. A chapter on non-Anglophone reactions to the play, alongside new essays on British identity, religion, medieval warfare and the questioning of Henry V's heroism, open up ground-breaking perspectives on the play. The volume also includes discussions of King Henry V's rich theatrical and filmic heritage, and a guide to learning and teaching resources and how these might be integrated into effective pedagogic strategies in the classroom.

Author: William Shakespeare
Publisher: Bloomsbury Publishing
ISBN: 1408142899
Category : Drama
Languages : en
Pages : 537

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Book Description
The core of the ground-breaking, three text edition, this self-contained, free-standing volume gives readers the Second Quarto text (1604-5) and includes in its Introduction, notes and Appendices all the reader might expect to find in any standard Arden edition. As well as a full, illustrated Introduction to the play's historical, cultural and performance contexts and a thorough survey of critical approaches to the play, an appendix contains the additional passages found only in the 1623 text."The new Arden Hamlet is a pathbreaking edition, one that promises to change irrevocably our understanding of Shakespeare's greatest play."- Professor James Shapiro, author of 1599: A Year in the Life of William Shakespeare'Hamlet's latest editors have undertaken a heroic task with great skill and thoroughnesss.' - Stanley Wells, The Observer"(The) new Arden Hamlet is quite simply the most comprehensive edition of the play currently available, a status I suspect it will enjoy for many years to come" - The British Theatre Guide"Stunning! There is absolutely no doubt about this being the text to buy if you are studying the play at A Level. And the same stands for those students who will be studying the play at university. This critical edition gives the reader the Second Quarto Text (1604-1605), annotated with intelligence and care, a wealth of historical and cultural references and a survey of different critical approaches to the play."- The Use of English, The English Association

Author: Susan Zimmerman
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838642705
Category : English drama
Languages : en
Pages : 291

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Book Description
SHAKESPEARE STUDIES is an international volume published every year in hard cover that contains essays and studies by critics and cultural historians from both hemispheres. Although the journal maintains a focus on the theatrical milieu of Shakespeare and his contemporaries, it is also concerned with Britain's intellectual and cultural connections to the continent, its socio-political history, and its place in the emerging globalism of the period. In addition to articles, the journal includes substantial reviews of significant publications dealing with these issues, as well as theoretical studies relevant to scholars of early modern literature. Volume XXXVIII features another in the journal's ongoing series of Forums on an issue of importance to Renaissance studies. Organised and introduced by Greg Colon Semenza, this Forum, 'After Shakespeare and Film', includes the interdisciplinary perspectives of nine contributors on the positioning of Shakespeare studies in digital and other contemporary technologies. The volume also features an article on representing 'blackness' in Shakespearean productions from 1821 to 1844, and another on the influence of 19th-century melodrama on the Shakespeare critical tradition, as well as a review article on 'Shakespeare and the Gothic Strain'. Reviews in this issue address such disparate topics as Shakespeare and the problem of adaptation, Renaissance culture and the rise of the machine, and locating privacy in Tudor England.

Author: Wilhelm Hortmann
Publisher: Cambridge University Press
ISBN: 9780521121682
Category : Drama
Languages : en
Pages : 0

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Book Description
This history of Shakespeare in the German-speaking theater is set against the background of German culture and politics in the twentieth century. Following on the earlier volume by Simon Williams, Shakespeare on the German Stage, 1586-1914, Hortmann concentrates on the years of the Weimar Republic (1919-1933) and the turbulent decades of the sixties and seventies. The work of individual directors, designers and actors is described and performances are plentifully illustrated. A section by Maik Hamburger describes the theater of the German Democratic Republic.

Author: Stanley Wells
Publisher:
ISBN: 9780195160932
Category : Biography & Autobiography
Languages : en
Pages : 494

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Book Description
From the entry of Shakespeare's birth in the Stratford church register to a Norwegian production of Macbeth in which the hero was represented by a tomato, this enthralling and splendidly illustrated book tells the story of Shakespeare's life, his writings, and his afterlife. Drawing on a lifetime's experience of studying, teaching, editing, and writing about Shakespeare, Stanley Wells combines scholarly authority with authorial flair in a book that will appeal equally to the specialist and the untutored enthusiast. Chapters on Shakespeare's life in Stratford and in London offer a fresh view of the development of the writer's career and personality. At the core of the book lies a magisterial study of the writings themselves--how Shakespeare set about writing a play, his relationships with the company of actors with whom he worked, his developing mastery of the literary and rhetorical skills that he learned at the Stratford grammar school, the essentially theatrical quality of the structure and language of his plays. Subsequent chapters trace the fluctuating fortunes of his reputation and influence. Here are accounts of adaptations, productions, and individual performances in England and, increasingly, overseas; of great occasions such as the Garrick Jubilee and the tercentenary celebrations of 1864; of the spread of Shakespeare's reputation in France and Germany, Russia and America, and, more recently, the Far East; of Shakespearian discoveries and forgeries; of critical reactions, favorable and otherwise, and of scholarly activity; of paintings, music, films and other works of art inspired by the plays; of the plays' use in education and the political arena, and of the pleasure and intellectual stimulus that they have given to an increasingly international public. Shakespeare, said Ben Jonson, was not of an age but for all time. This is a book about him for our time.