Author: C. M. Ingleby
Publisher: BoD – Books on Demand
ISBN: 3385259274
Category : Fiction
Languages : en
Pages : 182
Book Description
Reprint of the original, first published in 1875.
Shakespeare Hermeneutics
Author: C. M. Ingleby
Publisher: BoD – Books on Demand
ISBN: 3385259274
Category : Fiction
Languages : en
Pages : 182
Book Description
Reprint of the original, first published in 1875.
Publisher: BoD – Books on Demand
ISBN: 3385259274
Category : Fiction
Languages : en
Pages : 182
Book Description
Reprint of the original, first published in 1875.
Shakespeare Hermeneutics, or The Still Lion
Shakespeare Hermeneutics. Or, the Still Lion, Being an Essay Towards the Restoration of Shakespeare's Text
Author: Clement Mansfield Ingleby
Publisher: BoD – Books on Demand
ISBN: 3385394007
Category : Fiction
Languages : en
Pages : 178
Book Description
Reprint of the original, first published in 1875.
Publisher: BoD – Books on Demand
ISBN: 3385394007
Category : Fiction
Languages : en
Pages : 178
Book Description
Reprint of the original, first published in 1875.
Hermeneutic Shakespeare
Author: Min Jiao
Publisher: Taylor & Francis
ISBN: 100085664X
Category : Drama
Languages : en
Pages : 130
Book Description
This volume takes a deep dive into the philosophical hermeneutics of Shakespearean tradition, providing insight into the foundations, theories, and methodologies of hermeneutics in Shakespeare. Central to this research, this volume investigates fundamental questions including: what is philosophical hermeneutics, why philosophical hermeneutics, what do literary and cultural hermeneutics do, and in what ways can literary and cultural hermeneutics benefit the interpretation of Shakespearean plays? Hermeneutic Shakespeare guides the reader through two main discussions. Beginning with the understanding of "Philosophical Hermeneutics", and the general principles of literary and cultural hermeneutics, the volume includes philosophers such as Friedrich Ast, Daniel Friedrich Schleiermacher, and Wilhelm Dilthey, as well as Ludwig Wittgenstein, Martin Heidegger, Hans-Georg Gadamer, and more recently, Steven Connor. Part Two of this volume applies universal principles of philosophical hermeneutics to explicate the historical, philosophical, acquired, and applied literary interpretations through the critical practices of Shakespeare’s plays or their adaptations, including Henry V, The Merchant of Venice, Hamlet, and The Comedy of Errors. Aimed at scholars and students alike, this volume aims to contribute to contemporary understanding of Shakespeare and literature hermeneutics. Chapters 2, 5, and 6 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Funded by Guangdong University of Foreign Studies.
Publisher: Taylor & Francis
ISBN: 100085664X
Category : Drama
Languages : en
Pages : 130
Book Description
This volume takes a deep dive into the philosophical hermeneutics of Shakespearean tradition, providing insight into the foundations, theories, and methodologies of hermeneutics in Shakespeare. Central to this research, this volume investigates fundamental questions including: what is philosophical hermeneutics, why philosophical hermeneutics, what do literary and cultural hermeneutics do, and in what ways can literary and cultural hermeneutics benefit the interpretation of Shakespearean plays? Hermeneutic Shakespeare guides the reader through two main discussions. Beginning with the understanding of "Philosophical Hermeneutics", and the general principles of literary and cultural hermeneutics, the volume includes philosophers such as Friedrich Ast, Daniel Friedrich Schleiermacher, and Wilhelm Dilthey, as well as Ludwig Wittgenstein, Martin Heidegger, Hans-Georg Gadamer, and more recently, Steven Connor. Part Two of this volume applies universal principles of philosophical hermeneutics to explicate the historical, philosophical, acquired, and applied literary interpretations through the critical practices of Shakespeare’s plays or their adaptations, including Henry V, The Merchant of Venice, Hamlet, and The Comedy of Errors. Aimed at scholars and students alike, this volume aims to contribute to contemporary understanding of Shakespeare and literature hermeneutics. Chapters 2, 5, and 6 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Funded by Guangdong University of Foreign Studies.
The Victorian Cult of Shakespeare
Author: Charles LaPorte
Publisher: Cambridge University Press
ISBN: 1108853463
Category : Literary Criticism
Languages : en
Pages : 227
Book Description
In the Victorian era, William Shakespeare's work was often celebrated as a sacred text: a sort of secular English Bible. Even today, Shakespeare remains a uniquely important literary figure. Yet Victorian criticism took on religious dimensions that now seem outlandish in retrospect. Ministers wrote sermons based upon Shakespearean texts and delivered them from pulpits in Christian churches. Some scholars crafted devotional volumes to compare his texts directly with the Bible's. Still others created Shakespearean societies in the faith that his inspiration was not like that of other playwrights. Charles LaPorte uses such examples from the Victorian cult of Shakespeare to illustrate the complex relationship between religion, literature and secularization. His work helps to illuminate a curious but crucial chapter in the history of modern literary studies in the West, as well as its connections with Biblical scholarship and textual criticism.
Publisher: Cambridge University Press
ISBN: 1108853463
Category : Literary Criticism
Languages : en
Pages : 227
Book Description
In the Victorian era, William Shakespeare's work was often celebrated as a sacred text: a sort of secular English Bible. Even today, Shakespeare remains a uniquely important literary figure. Yet Victorian criticism took on religious dimensions that now seem outlandish in retrospect. Ministers wrote sermons based upon Shakespearean texts and delivered them from pulpits in Christian churches. Some scholars crafted devotional volumes to compare his texts directly with the Bible's. Still others created Shakespearean societies in the faith that his inspiration was not like that of other playwrights. Charles LaPorte uses such examples from the Victorian cult of Shakespeare to illustrate the complex relationship between religion, literature and secularization. His work helps to illuminate a curious but crucial chapter in the history of modern literary studies in the West, as well as its connections with Biblical scholarship and textual criticism.
Apocalyptic Shakespeare
Author: Melissa Croteau
Publisher: McFarland
ISBN: 0786453516
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
This collection of essays examines the ways in which recent Shakespeare films portray anxieties about an impending global wasteland, technological alienation, spiritual destruction, and the effects of globalization. Films covered include Titus, William Shakespeare's Romeo & Juliet, Almereyda's Hamlet, Revengers Tragedy, Twelfth Night, The Passion of the Christ, Radford's The Merchant of Venice, The Lion King, and Godard's King Lear, among others that directly adapt or reference Shakespeare. Essays chart the apocalyptic mise-en-scenes, disorienting imagery, and topsy-turvy plots of these films, using apocalypse as a theoretical and thematic lens.
Publisher: McFarland
ISBN: 0786453516
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
This collection of essays examines the ways in which recent Shakespeare films portray anxieties about an impending global wasteland, technological alienation, spiritual destruction, and the effects of globalization. Films covered include Titus, William Shakespeare's Romeo & Juliet, Almereyda's Hamlet, Revengers Tragedy, Twelfth Night, The Passion of the Christ, Radford's The Merchant of Venice, The Lion King, and Godard's King Lear, among others that directly adapt or reference Shakespeare. Essays chart the apocalyptic mise-en-scenes, disorienting imagery, and topsy-turvy plots of these films, using apocalypse as a theoretical and thematic lens.
Critical Hermeneutics and Shakespeare's History Plays
Author: William M. Hawley
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 248
Book Description
This book provides new insights into the theatrical and philosophical foundations of Shakespeare's history plays through a dialogue with the theories of Jacques Derrida, Michel Foucault, and Paul Ricoeur. Widely regarded to be anti-historical and nihilistic, Derrida and Foucault are shown to hold as responsible an attitude toward politics, truth, and art as Ricoeur. In the author's close critique of the ten plays, the sometimes conflicting views of these theorists reveal Shakespeare's developing historical understanding. Rather than promulgating a single historical perspective, Shakespeare's «historiography» plays afford pluralistic views of myth, politics, gender, sexuality, intersubjectivity, and religion because of their profound theatricality. Shakespeare's «detour» into history and culture thus joins the skeptical dimension of critical hermeneutics.
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 248
Book Description
This book provides new insights into the theatrical and philosophical foundations of Shakespeare's history plays through a dialogue with the theories of Jacques Derrida, Michel Foucault, and Paul Ricoeur. Widely regarded to be anti-historical and nihilistic, Derrida and Foucault are shown to hold as responsible an attitude toward politics, truth, and art as Ricoeur. In the author's close critique of the ten plays, the sometimes conflicting views of these theorists reveal Shakespeare's developing historical understanding. Rather than promulgating a single historical perspective, Shakespeare's «historiography» plays afford pluralistic views of myth, politics, gender, sexuality, intersubjectivity, and religion because of their profound theatricality. Shakespeare's «detour» into history and culture thus joins the skeptical dimension of critical hermeneutics.
Herder's Hermeneutics
Author: Kristin Gjesdal
Publisher: Cambridge University Press
ISBN: 1107112869
Category : History
Languages : en
Pages : 247
Book Description
This book offers new perspectives on the historical origins and contemporary challenges of modern hermeneutics through a detailed exploration of Herder's Enlightenment philosophy.
Publisher: Cambridge University Press
ISBN: 1107112869
Category : History
Languages : en
Pages : 247
Book Description
This book offers new perspectives on the historical origins and contemporary challenges of modern hermeneutics through a detailed exploration of Herder's Enlightenment philosophy.
Understanding Hermeneutics
Author: Lawrence Kennedy Schmidt
Publisher: Routledge
ISBN: 1134943768
Category : Philosophy
Languages : en
Pages : 193
Book Description
This series provides short, accessible and lively introduction to the major schools, movements and traditions in philosophy and the history of ideas since the beginning of the Enlightenment. All books in the series are written for undergraduates meeting the subject for the first time. Hermeneutics concerns itself with the theory of understanding and the interpretation of language. The question of how to correctly interpret and understand others remains one of the most contested branches of philosophy. In Understanding Hermeneutics Lawrence Schmidt provides an introduction to modern hermeneutics through a systematic examination of the ideas of its key philosophical proponents. Chapter 1 examines the ideas, of the Protestant theologian, Friedrich Schleiermacher, who argues that misunderstanding is always possible so we must always employ interpretation if we are to understnad correctly. Chapter 2 discusses the ideas of Dilthey, who maintains that understanding in the humanities is fundamentally different from explanation in the natural sciences, and who presents a methodology to judge what another person means or feels by means of their language and also their gestures, facial expressions, and manners of acting. Chapter 3 explores the ideas of Heidegger who radicalizes the concept by shifting its focus from interpreting texts to an existential interpretation of human being. In Chapter 4 the recent ideas of Gadamer are examined, which extend to examining the structures of hermeneutic experience and to question the supremacy of the natural sciences as models for truth. The final chapters consider some of the criticisms and controversies surrounding hermeneutics, including the work of Habermas, Hirsch, Ricoeur and Derrida, and the prospects for the future of hermeneutics.
Publisher: Routledge
ISBN: 1134943768
Category : Philosophy
Languages : en
Pages : 193
Book Description
This series provides short, accessible and lively introduction to the major schools, movements and traditions in philosophy and the history of ideas since the beginning of the Enlightenment. All books in the series are written for undergraduates meeting the subject for the first time. Hermeneutics concerns itself with the theory of understanding and the interpretation of language. The question of how to correctly interpret and understand others remains one of the most contested branches of philosophy. In Understanding Hermeneutics Lawrence Schmidt provides an introduction to modern hermeneutics through a systematic examination of the ideas of its key philosophical proponents. Chapter 1 examines the ideas, of the Protestant theologian, Friedrich Schleiermacher, who argues that misunderstanding is always possible so we must always employ interpretation if we are to understnad correctly. Chapter 2 discusses the ideas of Dilthey, who maintains that understanding in the humanities is fundamentally different from explanation in the natural sciences, and who presents a methodology to judge what another person means or feels by means of their language and also their gestures, facial expressions, and manners of acting. Chapter 3 explores the ideas of Heidegger who radicalizes the concept by shifting its focus from interpreting texts to an existential interpretation of human being. In Chapter 4 the recent ideas of Gadamer are examined, which extend to examining the structures of hermeneutic experience and to question the supremacy of the natural sciences as models for truth. The final chapters consider some of the criticisms and controversies surrounding hermeneutics, including the work of Habermas, Hirsch, Ricoeur and Derrida, and the prospects for the future of hermeneutics.
Reception Theory and Biblical Hermeneutics
Author: David Paul Parris
Publisher: Wipf and Stock Publishers
ISBN: 1630878154
Category : Religion
Languages : en
Pages : 336
Book Description
Traditional methods employed in biblical interpretation involve a two-way dialogue between the text and the reader. Reception theory expands this into a three-way dialogue, with the third partner being the history of the text's interpretation and application. Most contemporary biblical interpreters have ignored this third partner, although recently the need to include the history of interpretation has gained some attention. This book explores the hermeneutical resources that reception theory provides for engaging the history of biblical interpretation as a third dialogue partner in biblical hermeneutics. The first third of this work explores the philosophical background and hermeneutical framework that Hans-Georg Gadamer provides for reception theory. The center of this study examines how this hermeneutical approach is fleshed out by Hans Robert Jauss. Jauss not only builds upon Gadamer's work, but his literary hermeneutic provides a model applicable to the biblical text and its tradition of interpretation. The focus for the final third of the book shifts toward three studies that seek to demonstrate the applicability of various aspects of reception theory to biblical interpretation.
Publisher: Wipf and Stock Publishers
ISBN: 1630878154
Category : Religion
Languages : en
Pages : 336
Book Description
Traditional methods employed in biblical interpretation involve a two-way dialogue between the text and the reader. Reception theory expands this into a three-way dialogue, with the third partner being the history of the text's interpretation and application. Most contemporary biblical interpreters have ignored this third partner, although recently the need to include the history of interpretation has gained some attention. This book explores the hermeneutical resources that reception theory provides for engaging the history of biblical interpretation as a third dialogue partner in biblical hermeneutics. The first third of this work explores the philosophical background and hermeneutical framework that Hans-Georg Gadamer provides for reception theory. The center of this study examines how this hermeneutical approach is fleshed out by Hans Robert Jauss. Jauss not only builds upon Gadamer's work, but his literary hermeneutic provides a model applicable to the biblical text and its tradition of interpretation. The focus for the final third of the book shifts toward three studies that seek to demonstrate the applicability of various aspects of reception theory to biblical interpretation.