Author: Helen Cooper
Publisher: Cambridge University Press
ISBN: 0521683068
Category : Literary Criticism
Languages : en
Pages : 39
Book Description
Helen Cooper's inaugural lecture traces the influence of medieval literature on the Renaissance, particularly in Shakespeare's work.
Shakespeare and the Middle Ages
Author: Helen Cooper
Publisher: Cambridge University Press
ISBN: 0521683068
Category : Literary Criticism
Languages : en
Pages : 39
Book Description
Helen Cooper's inaugural lecture traces the influence of medieval literature on the Renaissance, particularly in Shakespeare's work.
Publisher: Cambridge University Press
ISBN: 0521683068
Category : Literary Criticism
Languages : en
Pages : 39
Book Description
Helen Cooper's inaugural lecture traces the influence of medieval literature on the Renaissance, particularly in Shakespeare's work.
Shakespeare and the Middle Ages
Author: Martha W. Driver
Publisher: McFarland
ISBN: 0786491655
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
Every generation reinvents Shakespeare for its own needs, imagining through its particular choices and emphases the Shakespeare that it values. The man himself was deeply involved in his own kind of historical reimagining. This collection of essays examines the playwright's medieval sources and inspiration, and how they shaped his works. With a foreword by Michael Almereyda (director of the Hamlet starring Ethan Hawke) and dramaturge Dakin Matthews, these thirteen essays analyze the ways in which our modern understanding of medieval life has been influenced by our appreciation of Shakespeare's plays.
Publisher: McFarland
ISBN: 0786491655
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
Every generation reinvents Shakespeare for its own needs, imagining through its particular choices and emphases the Shakespeare that it values. The man himself was deeply involved in his own kind of historical reimagining. This collection of essays examines the playwright's medieval sources and inspiration, and how they shaped his works. With a foreword by Michael Almereyda (director of the Hamlet starring Ethan Hawke) and dramaturge Dakin Matthews, these thirteen essays analyze the ways in which our modern understanding of medieval life has been influenced by our appreciation of Shakespeare's plays.
Shakespeare and the Medieval World
Author: Helen Cooper
Publisher: Bloomsbury Publishing
ISBN: 1408138999
Category : Literary Criticism
Languages : en
Pages : 375
Book Description
Helen Cooper's unique study examines how continuations of medieval culture into the early modern period, forged Shakespeare's development as a dramatist and poet. Medieval culture pervaded his life and work, from his childhood, spent within reach of the last performances of the Coventry Corpus Christi plays, to his dramatisation of Chaucer in The Two Noble Kinsmen three years before his death. The world he lived in was still largely a medieval one, in its topography and its institutions. The language he spoke had been forged over the centuries since the Norman Conquest. The genres in which he wrote, not least historical tragedy, love-comedy and romance, were medieval inventions. A high proportion of his plays have medieval origins and he kept returning to Chaucer, acknowledged as the greatest poet in the English language. Above all, he grew up with an English tradition of drama developed during the Middle Ages that assumed that it was possible to stage anything - all time, all space. Shakespeare and the Medieval World provides a panoramic overview that opens up new vistas within his work and uncovers the richness of his inheritance.
Publisher: Bloomsbury Publishing
ISBN: 1408138999
Category : Literary Criticism
Languages : en
Pages : 375
Book Description
Helen Cooper's unique study examines how continuations of medieval culture into the early modern period, forged Shakespeare's development as a dramatist and poet. Medieval culture pervaded his life and work, from his childhood, spent within reach of the last performances of the Coventry Corpus Christi plays, to his dramatisation of Chaucer in The Two Noble Kinsmen three years before his death. The world he lived in was still largely a medieval one, in its topography and its institutions. The language he spoke had been forged over the centuries since the Norman Conquest. The genres in which he wrote, not least historical tragedy, love-comedy and romance, were medieval inventions. A high proportion of his plays have medieval origins and he kept returning to Chaucer, acknowledged as the greatest poet in the English language. Above all, he grew up with an English tradition of drama developed during the Middle Ages that assumed that it was possible to stage anything - all time, all space. Shakespeare and the Medieval World provides a panoramic overview that opens up new vistas within his work and uncovers the richness of his inheritance.
The English Clown Tradition from the Middle Ages to Shakespeare
Author: Robert Hornback
Publisher: D. S. Brewer
ISBN:
Category : Drama
Languages : en
Pages : 268
Book Description
A new account of medieval and Renaissance clown traditions reveals the true extent of their cultural influence.
Publisher: D. S. Brewer
ISBN:
Category : Drama
Languages : en
Pages : 268
Book Description
A new account of medieval and Renaissance clown traditions reveals the true extent of their cultural influence.
Medieval Shakespeare
Author: Ruth Morse
Publisher: Cambridge University Press
ISBN: 1107016274
Category : Drama
Languages : en
Pages : 279
Book Description
This book gives readers the opportunity to appreciate Shakespeare from the perspectives of the late-medieval European traditions that surrounded him.
Publisher: Cambridge University Press
ISBN: 1107016274
Category : Drama
Languages : en
Pages : 279
Book Description
This book gives readers the opportunity to appreciate Shakespeare from the perspectives of the late-medieval European traditions that surrounded him.
Shakespeare's Reparative Comedies
Author: Joseph Westlund
Publisher:
ISBN: 9780226894133
Category : Drama
Languages : en
Pages : 376
Book Description
Joseph Westlund brings recent developments in psychoanalytic thought to his elegant and sensitive readings of Shakespeare's Merchant of Venice, Much Ado About Nothing, As You Like It, Twelfth Night, All's Well That Ends Well, and Measure for Measure. Westlund departs from the usual preoccupation in psychoanalytic criticism with conflict and guilt to rely instead on Melanie Klein's theory of reparation, which emphasizes the impulse in life to resolve and transcend conflict. Through interpretations that are new and convincing, Westlund views the interactions of characters in the six comedies as attempts to work through anger and guilt to effect reparations for themselves and for us.
Publisher:
ISBN: 9780226894133
Category : Drama
Languages : en
Pages : 376
Book Description
Joseph Westlund brings recent developments in psychoanalytic thought to his elegant and sensitive readings of Shakespeare's Merchant of Venice, Much Ado About Nothing, As You Like It, Twelfth Night, All's Well That Ends Well, and Measure for Measure. Westlund departs from the usual preoccupation in psychoanalytic criticism with conflict and guilt to rely instead on Melanie Klein's theory of reparation, which emphasizes the impulse in life to resolve and transcend conflict. Through interpretations that are new and convincing, Westlund views the interactions of characters in the six comedies as attempts to work through anger and guilt to effect reparations for themselves and for us.
Shakespeare and the Grammar of Forgiveness
Author: Sarah Beckwith
Publisher: Cornell University Press
ISBN: 0801461103
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
Shakespeare lived at a time when England was undergoing the revolution in ritual theory and practice we know as the English Reformation. With it came an unprecedented transformation in the language of religious life. Whereas priests had once acted as mediators between God and men through sacramental rites, Reformed theology declared the priesthood of all believers. What ensued was not the tidy replacement of one doctrine by another but a long and messy conversation about the conventions of religious life and practice. In this brilliant and strikingly original book, Sarah Beckwith traces the fortunes of this conversation in Shakespeare’s theater. Beckwith focuses on the sacrament of penance, which in the Middle Ages stood as the very basis of Christian community and human relations. With the elimination of this sacrament, the words of penance and repentance—"confess," "forgive," "absolve" —no longer meant (no longer could mean) what they once did. In tracing the changing speech patterns of confession and absolution, both in Shakespeare’s work and Elizabethan and Jacobean culture more broadly, Beckwith reveals Shakespeare’s profound understanding of the importance of language as the fragile basis of our relations with others. In particular, she shows that the post-tragic plays, especially Pericles, Cymbeline, The Winter’s Tale, and The Tempest, are explorations of the new regimes and communities of forgiveness. Drawing on the work of J. L. Austin, Ludwig Wittgenstein, and Stanley Cavell, Beckwith enables us to see these plays in an entirely new light, skillfully guiding us through some of the deepest questions that Shakespeare poses to his audiences.
Publisher: Cornell University Press
ISBN: 0801461103
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
Shakespeare lived at a time when England was undergoing the revolution in ritual theory and practice we know as the English Reformation. With it came an unprecedented transformation in the language of religious life. Whereas priests had once acted as mediators between God and men through sacramental rites, Reformed theology declared the priesthood of all believers. What ensued was not the tidy replacement of one doctrine by another but a long and messy conversation about the conventions of religious life and practice. In this brilliant and strikingly original book, Sarah Beckwith traces the fortunes of this conversation in Shakespeare’s theater. Beckwith focuses on the sacrament of penance, which in the Middle Ages stood as the very basis of Christian community and human relations. With the elimination of this sacrament, the words of penance and repentance—"confess," "forgive," "absolve" —no longer meant (no longer could mean) what they once did. In tracing the changing speech patterns of confession and absolution, both in Shakespeare’s work and Elizabethan and Jacobean culture more broadly, Beckwith reveals Shakespeare’s profound understanding of the importance of language as the fragile basis of our relations with others. In particular, she shows that the post-tragic plays, especially Pericles, Cymbeline, The Winter’s Tale, and The Tempest, are explorations of the new regimes and communities of forgiveness. Drawing on the work of J. L. Austin, Ludwig Wittgenstein, and Stanley Cavell, Beckwith enables us to see these plays in an entirely new light, skillfully guiding us through some of the deepest questions that Shakespeare poses to his audiences.
Family Life in the Age of Shakespeare
Author: Bruce W. Young
Publisher: Bloomsbury Publishing USA
ISBN: 0313342407
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
From the star-crossed romance of Romeo and Juliet to Othello's misguided murder of Desdemona to the betrayal of King Lear by his daughters, family life is central to Shakespeare's dramas. This book helps students learn about family life in Shakespeare's England and in his plays. The book begins with an overview of the roots of Renaissance family life in the classical era and Middle Ages. This is followed by an extended consideration of family life in Elizabethan England. The book then explores how Shakespeare treats family life in his plays. Later chapters then examine how productions of his plays have treated scenes related to family life, and how scholars and critics have responded to family life in his works. The volume closes with a bibliography of print and electronic resources. The volume begins with a look at the classical and medieval background of family life in the Early Modern era. This is followed by a sustained discussion of family life in Shakespeare's world. The book then examines issues related to family life across a broad range of Shakespeare's works. Later chapters then examine how productions of the plays have treated scenes concerning family life, and how scholars and critics have commented on family life in Shakespeare's writings. The volume closes with a bibliography of print and electronic resources for student research. Students of literature will value this book for its illumination of critical scenes in Shakespeare's works, while students in social studies and history courses will appreciate its use of Shakespeare to explore daily life in the Elizabethan age.
Publisher: Bloomsbury Publishing USA
ISBN: 0313342407
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
From the star-crossed romance of Romeo and Juliet to Othello's misguided murder of Desdemona to the betrayal of King Lear by his daughters, family life is central to Shakespeare's dramas. This book helps students learn about family life in Shakespeare's England and in his plays. The book begins with an overview of the roots of Renaissance family life in the classical era and Middle Ages. This is followed by an extended consideration of family life in Elizabethan England. The book then explores how Shakespeare treats family life in his plays. Later chapters then examine how productions of his plays have treated scenes related to family life, and how scholars and critics have responded to family life in his works. The volume closes with a bibliography of print and electronic resources. The volume begins with a look at the classical and medieval background of family life in the Early Modern era. This is followed by a sustained discussion of family life in Shakespeare's world. The book then examines issues related to family life across a broad range of Shakespeare's works. Later chapters then examine how productions of the plays have treated scenes concerning family life, and how scholars and critics have commented on family life in Shakespeare's writings. The volume closes with a bibliography of print and electronic resources for student research. Students of literature will value this book for its illumination of critical scenes in Shakespeare's works, while students in social studies and history courses will appreciate its use of Shakespeare to explore daily life in the Elizabethan age.
Rebellion in the Middle Ages
Author: Matthew Lewis
Publisher: Pen and Sword History
ISBN: 1526727943
Category : History
Languages : en
Pages : 402
Book Description
This medieval history of British rebellion examines how five centuries of uprisings and insurrections helped build the United Kingdom. Shakespeare’s Henry IV lamented ‘Uneasy lies the head that wears the crown’. It was true of that king’s reign and of many others before and after. From Hereward the Wake’s guerilla war, resisting the Norman invasion of William the Conqueror, through the Anarchy, the murder of Thomas Becket, the rebellions of Henry II’s sons, the deposition of Edward II, the Peasants’ Revolt and the rise of the over-mighty noble subject that led to the Wars of the Roses, kings throughout the medieval period came under threat from rebellions and resistance that sprang from the nobility, the Church, and even the general population. Serious rebellions arrived on a regular cycle throughout the period, fracturing and transforming England into a nation to be reckoned with. Matthew Lewis examines the causes behind the insurrections and how they influenced the development of England from the Norman Conquest until the Tudor period. Each rebellion’s importance and impact is assessed both individually and as part of a larger movement to examine how rebellions helped to build England.
Publisher: Pen and Sword History
ISBN: 1526727943
Category : History
Languages : en
Pages : 402
Book Description
This medieval history of British rebellion examines how five centuries of uprisings and insurrections helped build the United Kingdom. Shakespeare’s Henry IV lamented ‘Uneasy lies the head that wears the crown’. It was true of that king’s reign and of many others before and after. From Hereward the Wake’s guerilla war, resisting the Norman invasion of William the Conqueror, through the Anarchy, the murder of Thomas Becket, the rebellions of Henry II’s sons, the deposition of Edward II, the Peasants’ Revolt and the rise of the over-mighty noble subject that led to the Wars of the Roses, kings throughout the medieval period came under threat from rebellions and resistance that sprang from the nobility, the Church, and even the general population. Serious rebellions arrived on a regular cycle throughout the period, fracturing and transforming England into a nation to be reckoned with. Matthew Lewis examines the causes behind the insurrections and how they influenced the development of England from the Norman Conquest until the Tudor period. Each rebellion’s importance and impact is assessed both individually and as part of a larger movement to examine how rebellions helped to build England.
Shakespeare and the Middle Ages
Author: Curtis Perry
Publisher: OUP Oxford
ISBN: 0191609676
Category : Literary Criticism
Languages : en
Pages : 310
Book Description
Shakespeare and the Middle Ages brings together a distinguished, multidisciplinary group of scholars to rethink the medieval origins of modernity. Shakespeare provides them with the perfect focus, since his works turn back to the Middle Ages as decisively as they anticipate the modern world: almost all of the histories depict events during the Hundred Years War, and King John glances even further back to the thirteenth-century Angevins; several of the comedies, tragedies, and romances rest on medieval sources; and there are important medieval antecedents for some of the poetic modes in which he worked as well. Several of the essays reread Shakespeare by recovering aspects of his works that are derived from medieval traditions and whose significance has been obscured by the desire to read Shakespeare as the origin of the modern. These essays, taken cumulatively, challenge the idea of any decisive break between the medieval period and early modernity by demonstrating continuities of form and imagination that clearly bridge the gap. Other essays explore the ways in which Shakespeare and his contemporaries constructed or imagined relationships between past and present. Attending to the way these writers thought about their relationship to the past makes it possible, in turn, to read against the grain of our own teleological investment in the idea of early modernity. A third group of essays reads texts by Shakespeare and his contemporaries as documents participating in social-cultural transformation from within. This means attending to the way they themselves grapples with the problem of change, attempting to respond to new conditions and pressures while holding onto customary habits of thought and imagination. Taken together, the essays in this volume revisit the very idea of transition in a refreshingly non-teleological way.
Publisher: OUP Oxford
ISBN: 0191609676
Category : Literary Criticism
Languages : en
Pages : 310
Book Description
Shakespeare and the Middle Ages brings together a distinguished, multidisciplinary group of scholars to rethink the medieval origins of modernity. Shakespeare provides them with the perfect focus, since his works turn back to the Middle Ages as decisively as they anticipate the modern world: almost all of the histories depict events during the Hundred Years War, and King John glances even further back to the thirteenth-century Angevins; several of the comedies, tragedies, and romances rest on medieval sources; and there are important medieval antecedents for some of the poetic modes in which he worked as well. Several of the essays reread Shakespeare by recovering aspects of his works that are derived from medieval traditions and whose significance has been obscured by the desire to read Shakespeare as the origin of the modern. These essays, taken cumulatively, challenge the idea of any decisive break between the medieval period and early modernity by demonstrating continuities of form and imagination that clearly bridge the gap. Other essays explore the ways in which Shakespeare and his contemporaries constructed or imagined relationships between past and present. Attending to the way these writers thought about their relationship to the past makes it possible, in turn, to read against the grain of our own teleological investment in the idea of early modernity. A third group of essays reads texts by Shakespeare and his contemporaries as documents participating in social-cultural transformation from within. This means attending to the way they themselves grapples with the problem of change, attempting to respond to new conditions and pressures while holding onto customary habits of thought and imagination. Taken together, the essays in this volume revisit the very idea of transition in a refreshingly non-teleological way.