Author: Nicholas Taylor-Collins
Publisher: Springer
ISBN: 3319959247
Category : Performing Arts
Languages : en
Pages : 264
Book Description
This book shows that Shakespeare continues to influence contemporary Irish literature, through postcolonial, dramaturgical, epistemological and narratological means. International critics examine a range of contemporary writers including Eavan Boland, Marina Carr, Brian Friel, Seamus Heaney, John McGahern, Frank McGuinness, Derek Mahon and Paul Muldoon, and explore Shakespeare’s tragedies, histories and comedies, as well as his sonnets. Together, the chapters demonstrate that Shakespeare continues to exert a pressure on Irish writing into the twenty-first century, sometimes because of and sometimes in spite of the fact that his writing is inextricably tied to the Elizabethan and Jacobean colonization of Ireland. Contemporary Irish writers appropriate, adopt, adapt and strategize through their engagements with Shakespeare, and indeed through his own engagement with the world around him four hundred years ago.
Shakespeare and Contemporary Irish Literature
Author: Nicholas Taylor-Collins
Publisher: Springer
ISBN: 3319959247
Category : Performing Arts
Languages : en
Pages : 264
Book Description
This book shows that Shakespeare continues to influence contemporary Irish literature, through postcolonial, dramaturgical, epistemological and narratological means. International critics examine a range of contemporary writers including Eavan Boland, Marina Carr, Brian Friel, Seamus Heaney, John McGahern, Frank McGuinness, Derek Mahon and Paul Muldoon, and explore Shakespeare’s tragedies, histories and comedies, as well as his sonnets. Together, the chapters demonstrate that Shakespeare continues to exert a pressure on Irish writing into the twenty-first century, sometimes because of and sometimes in spite of the fact that his writing is inextricably tied to the Elizabethan and Jacobean colonization of Ireland. Contemporary Irish writers appropriate, adopt, adapt and strategize through their engagements with Shakespeare, and indeed through his own engagement with the world around him four hundred years ago.
Publisher: Springer
ISBN: 3319959247
Category : Performing Arts
Languages : en
Pages : 264
Book Description
This book shows that Shakespeare continues to influence contemporary Irish literature, through postcolonial, dramaturgical, epistemological and narratological means. International critics examine a range of contemporary writers including Eavan Boland, Marina Carr, Brian Friel, Seamus Heaney, John McGahern, Frank McGuinness, Derek Mahon and Paul Muldoon, and explore Shakespeare’s tragedies, histories and comedies, as well as his sonnets. Together, the chapters demonstrate that Shakespeare continues to exert a pressure on Irish writing into the twenty-first century, sometimes because of and sometimes in spite of the fact that his writing is inextricably tied to the Elizabethan and Jacobean colonization of Ireland. Contemporary Irish writers appropriate, adopt, adapt and strategize through their engagements with Shakespeare, and indeed through his own engagement with the world around him four hundred years ago.
Shakespeare, memory, and modern Irish literature
Author: Nicholas Taylor-Collins
Publisher: Manchester University Press
ISBN: 1526149605
Category : Literary Criticism
Languages : en
Pages : 193
Book Description
This original and innovative book proposes ‘dismemory’ as a new form of intertextual engagement with Shakespeare by modern and contemporary Irish writers. Through reflection on these canonical writers and ranging across thirteen Shakespeare plays, Taylor-Collins demonstrates how Irish writers who helped to fashion and critique the Irish nation state carry an indelible, if often subdued, mark of Shakespeare’s early modern English influence. The volume overall renews and revitalises the Shakespeare–modern Ireland connection: Taylor-Collins reveals Hamlet’s hauntological legacy in Playboy of the Western World, Ulysses, and Ghosts; how the corporal economies that exert pressure from Coriolanus and Ben Jonson flicker through to the antiheroes in Beckett’s Three Novels; and how the landed legacies of territorial contests in Shakespeare are engaged with in Yeats’s poetry, and similarly how the diseased muddiness in Hamlet is addressed by Heaney.
Publisher: Manchester University Press
ISBN: 1526149605
Category : Literary Criticism
Languages : en
Pages : 193
Book Description
This original and innovative book proposes ‘dismemory’ as a new form of intertextual engagement with Shakespeare by modern and contemporary Irish writers. Through reflection on these canonical writers and ranging across thirteen Shakespeare plays, Taylor-Collins demonstrates how Irish writers who helped to fashion and critique the Irish nation state carry an indelible, if often subdued, mark of Shakespeare’s early modern English influence. The volume overall renews and revitalises the Shakespeare–modern Ireland connection: Taylor-Collins reveals Hamlet’s hauntological legacy in Playboy of the Western World, Ulysses, and Ghosts; how the corporal economies that exert pressure from Coriolanus and Ben Jonson flicker through to the antiheroes in Beckett’s Three Novels; and how the landed legacies of territorial contests in Shakespeare are engaged with in Yeats’s poetry, and similarly how the diseased muddiness in Hamlet is addressed by Heaney.
Contemporary Irish Poetry
Author: Anthony Bradley
Publisher: Univ of California Press
ISBN: 9780520033894
Category : Poetry
Languages : en
Pages : 456
Book Description
Publisher: Univ of California Press
ISBN: 9780520033894
Category : Poetry
Languages : en
Pages : 456
Book Description
Shakespeare and Literary Theory
Author: Jonathan Gil Harris
Publisher: OUP Oxford
ISBN: 0191614416
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. How is it that the British literary critic Terry Eagleton can say that 'it is difficult to read Shakespeare without feeling that he was almost certainly familiar with the writings of Hegel, Marx, Nietzsche, Freud, Wittgenstein and Derrida', or that the Slovenian psychoanalytic theorist Slavoj Žižek can observe that 'Shakespeare without doubt had read Lacan'? Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on Shakespeare's texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his writing. These modes together constitute what we might call 'Shakespearian theory': theory that is not just about Shakespeare but also derives its energy from Shakespeare. To name just a few examples: Karl Marx was an avid reader of Shakespeare and used Timon of Athens to illustrate aspects of his economic theory; psychoanalytic theorists from Sigmund Freud to Jacques Lacan have explained some of their most axiomatic positions with reference to Hamlet; Michel Foucault's early theoretical writing on dreams and madness returns repeatedly to Macbeth; Jacques Derrida's deconstructive philosophy is articulated in dialogue with Shakespeare's plays, including Romeo and Juliet; French feminism's best-known essay is Hélène Cixous's meditation on Antony and Cleopatra; certain strands of queer theory derive their impetus from Eve Kosofsky Sedgwick's reading of the Sonnets; Gilles Deleuze alights on Richard III as an exemplary instance of his theory of the war machine; and postcolonial theory owes a large debt to Aimé Césaire's revision of The Tempest. By reading what theoretical movements from formalism and structuralism to cultural materialism and actor-network theory have had to say about and in concert with Shakespeare, we can begin to get a sense of how much the DNA of contemporary literary theory contains a startling abundance of chromosomes - concepts, preoccupations, ways of using language - that are of Shakespearian provenance.
Publisher: OUP Oxford
ISBN: 0191614416
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. How is it that the British literary critic Terry Eagleton can say that 'it is difficult to read Shakespeare without feeling that he was almost certainly familiar with the writings of Hegel, Marx, Nietzsche, Freud, Wittgenstein and Derrida', or that the Slovenian psychoanalytic theorist Slavoj Žižek can observe that 'Shakespeare without doubt had read Lacan'? Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on Shakespeare's texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his writing. These modes together constitute what we might call 'Shakespearian theory': theory that is not just about Shakespeare but also derives its energy from Shakespeare. To name just a few examples: Karl Marx was an avid reader of Shakespeare and used Timon of Athens to illustrate aspects of his economic theory; psychoanalytic theorists from Sigmund Freud to Jacques Lacan have explained some of their most axiomatic positions with reference to Hamlet; Michel Foucault's early theoretical writing on dreams and madness returns repeatedly to Macbeth; Jacques Derrida's deconstructive philosophy is articulated in dialogue with Shakespeare's plays, including Romeo and Juliet; French feminism's best-known essay is Hélène Cixous's meditation on Antony and Cleopatra; certain strands of queer theory derive their impetus from Eve Kosofsky Sedgwick's reading of the Sonnets; Gilles Deleuze alights on Richard III as an exemplary instance of his theory of the war machine; and postcolonial theory owes a large debt to Aimé Césaire's revision of The Tempest. By reading what theoretical movements from formalism and structuralism to cultural materialism and actor-network theory have had to say about and in concert with Shakespeare, we can begin to get a sense of how much the DNA of contemporary literary theory contains a startling abundance of chromosomes - concepts, preoccupations, ways of using language - that are of Shakespearian provenance.
Yeats, Shakespeare, and Irish Cultural Nationalism
Author: Oliver Hennessey
Publisher:
ISBN: 9781611477412
Category :
Languages : en
Pages : 0
Book Description
This book examines Yeats's writing about Shakespeare in the contexts of his work on behalf of the Irish Literary Revival and contemporary trends in Shakespeare reception. These prose pieces reveal Yeats thinking about Shakespeare's art and times throughout his career, and taken together they offer a new perspective on the contours of Yeats's cultural politics.
Publisher:
ISBN: 9781611477412
Category :
Languages : en
Pages : 0
Book Description
This book examines Yeats's writing about Shakespeare in the contexts of his work on behalf of the Irish Literary Revival and contemporary trends in Shakespeare reception. These prose pieces reveal Yeats thinking about Shakespeare's art and times throughout his career, and taken together they offer a new perspective on the contours of Yeats's cultural politics.
Washed by the Gulf Stream
Author: Maria McGarrity
Publisher: Associated University Presse
ISBN: 9780874130287
Category : History
Languages : en
Pages : 208
Book Description
This is an historically comparative postcolonial study asserting the dialogic relation between Irish and Caribbean narrative form. The book focuses on the demise of empire and the role of geography in creating an 'island imaginary' for writers from James Joyce to Jamaica Kincaid.
Publisher: Associated University Presse
ISBN: 9780874130287
Category : History
Languages : en
Pages : 208
Book Description
This is an historically comparative postcolonial study asserting the dialogic relation between Irish and Caribbean narrative form. The book focuses on the demise of empire and the role of geography in creating an 'island imaginary' for writers from James Joyce to Jamaica Kincaid.
Farming in Modern Irish Literature
Author: Nicholas Grene
Publisher: Oxford University Press
ISBN: 019886129X
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
This innovative study analyzes the range of representation of farming in Irish literature in the period since independence/partition in 1922, as Ireland moved from a largely agricultural to a developed urban society. In many different forms including poetry, drama, fiction, and autobiography, writers have made literary capital by looking back at their rural backgrounds, even where those may be a generation back. The first five chapters examine some of the key themes: the impact of inheritance on family in the patriarchal system where there could only be one male heir; the struggles for survival in the poorest regions of the West of Ireland; the uses of childhood farming memories whether idyllic or traumatic; and the representation of communities, challenging the homogeneous idealizing images of the Literary Revival; the impact of modernization on successive generations into the twenty-first century. The final three chapters are devoted to three major writers in whose work farming is central: Patrick Kavanagh, the small farmer who had to find an individual voice to express his own unique experience; John McGahern in whose fiction the life of the farm is always posited as alternative to a rootless urban milieu; and Seamus Heaney who re-imagined his farming childhood in so many different modes throughout his career. Farming in Modern Irish Literature yields original insights into the literary iconography of rural Ireland and its interplay with social and cultural history, opening up fresh vistas on the achievements of Irish writers in different genres, styles, and historical eras.
Publisher: Oxford University Press
ISBN: 019886129X
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
This innovative study analyzes the range of representation of farming in Irish literature in the period since independence/partition in 1922, as Ireland moved from a largely agricultural to a developed urban society. In many different forms including poetry, drama, fiction, and autobiography, writers have made literary capital by looking back at their rural backgrounds, even where those may be a generation back. The first five chapters examine some of the key themes: the impact of inheritance on family in the patriarchal system where there could only be one male heir; the struggles for survival in the poorest regions of the West of Ireland; the uses of childhood farming memories whether idyllic or traumatic; and the representation of communities, challenging the homogeneous idealizing images of the Literary Revival; the impact of modernization on successive generations into the twenty-first century. The final three chapters are devoted to three major writers in whose work farming is central: Patrick Kavanagh, the small farmer who had to find an individual voice to express his own unique experience; John McGahern in whose fiction the life of the farm is always posited as alternative to a rootless urban milieu; and Seamus Heaney who re-imagined his farming childhood in so many different modes throughout his career. Farming in Modern Irish Literature yields original insights into the literary iconography of rural Ireland and its interplay with social and cultural history, opening up fresh vistas on the achievements of Irish writers in different genres, styles, and historical eras.
The Cambridge Companion to Shakespeare and Contemporary Dramatists
Author: Ton Hoenselaars
Publisher: Cambridge University Press
ISBN: 1107494338
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
While Shakespeare's popularity has continued to grow, so has the attention paid to the work of his contemporaries. The contributors to this Companion introduce the distinctive drama of these playwrights, from the court comedies of John Lyly to the works of Richard Brome in the Caroline era. With chapters on a wide range of familiar and lesser-known dramatists, including Thomas Kyd, Christopher Marlowe, Ben Jonson, John Webster, Thomas Middleton and John Ford, this book devotes particular attention to their personal and professional relationships, occupational rivalries and collaborations. Overturning the popular misconception that Shakespeare wrote in isolation, it offers a new perspective on the most impressive body of drama in the history of the English stage.
Publisher: Cambridge University Press
ISBN: 1107494338
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
While Shakespeare's popularity has continued to grow, so has the attention paid to the work of his contemporaries. The contributors to this Companion introduce the distinctive drama of these playwrights, from the court comedies of John Lyly to the works of Richard Brome in the Caroline era. With chapters on a wide range of familiar and lesser-known dramatists, including Thomas Kyd, Christopher Marlowe, Ben Jonson, John Webster, Thomas Middleton and John Ford, this book devotes particular attention to their personal and professional relationships, occupational rivalries and collaborations. Overturning the popular misconception that Shakespeare wrote in isolation, it offers a new perspective on the most impressive body of drama in the history of the English stage.
Judge for Yourself
Author: Nicholas Taylor-Collins
Publisher: Routledge
ISBN: 1000191559
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
Judge for Yourself guides interested and advanced-level readers through the challenge of judging the quality of hyper-contemporary literature. Whether reading the latest bestseller or the book that everyone is recommending, Judge for Yourself guides you through the challenge of the text. Reading the longlist of the 2019 International Dylan Thomas Prize through five chapters, Judge for Yourself introduces readers to current critical debates that inform engagement and the reading experience of hyper-contemporary writing. Topics covered include feminism, postcolonialism, critical race theory, queer theory, class, and book reviews. Each chapter includes introductory questions for the reader, and Judge for Yourself is accompanied by an exploration of book prize culture and the challenge posed by hyper-contemporary literature. Judge for Yourself puts judging firmly in the hands of the reader, and not the academic or professional reviewers.
Publisher: Routledge
ISBN: 1000191559
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
Judge for Yourself guides interested and advanced-level readers through the challenge of judging the quality of hyper-contemporary literature. Whether reading the latest bestseller or the book that everyone is recommending, Judge for Yourself guides you through the challenge of the text. Reading the longlist of the 2019 International Dylan Thomas Prize through five chapters, Judge for Yourself introduces readers to current critical debates that inform engagement and the reading experience of hyper-contemporary writing. Topics covered include feminism, postcolonialism, critical race theory, queer theory, class, and book reviews. Each chapter includes introductory questions for the reader, and Judge for Yourself is accompanied by an exploration of book prize culture and the challenge posed by hyper-contemporary literature. Judge for Yourself puts judging firmly in the hands of the reader, and not the academic or professional reviewers.
The Modern Irish Sonnet
Author: Tara Guissin-Stubbs
Publisher: Springer Nature
ISBN: 3030532429
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
The Modern Irish Sonnet: Revision and Rebellion discusses how and why the sonnet appeals to Irish poets and has grown in popularity over the last century. Using a thematic approach, Tara Guissin-Stubbs argues for the significance of the Irish sonnet as a discrete entity within modern and contemporary poetry, and shows how the Irish sonnet has become a debating chamber for discussions concerning the relationship between Irish and British culture, poetry and gender, and revision and rebellion. The text reshapes the poetic and critical field, exploring canonical and non-canonical poems by male and female poets so as to challenge outmoded views of the thematic and formal limitations of the sonnet.
Publisher: Springer Nature
ISBN: 3030532429
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
The Modern Irish Sonnet: Revision and Rebellion discusses how and why the sonnet appeals to Irish poets and has grown in popularity over the last century. Using a thematic approach, Tara Guissin-Stubbs argues for the significance of the Irish sonnet as a discrete entity within modern and contemporary poetry, and shows how the Irish sonnet has become a debating chamber for discussions concerning the relationship between Irish and British culture, poetry and gender, and revision and rebellion. The text reshapes the poetic and critical field, exploring canonical and non-canonical poems by male and female poets so as to challenge outmoded views of the thematic and formal limitations of the sonnet.