Shadows and Realities PDF Download

Author: Mrs. Chatto
Publisher:
ISBN:
Category :
Languages : en
Pages : 216

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Author: Tony Robbin
Publisher: Yale University Press
ISBN: 0300129629
Category : Art
Languages : en
Pages : 151

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In this insightful book, which is a revisionist math history as well as a revisionist art history, Tony Robbin, well known for his innovative computer visualizations of hyperspace, investigates different models of the fourth dimension and how these are applied in art and physics. Robbin explores the distinction between the slicing, or Flatland, model and the projection, or shadow, model. He compares the history of these two models and their uses and misuses in popular discussions. Robbin breaks new ground with his original argument that Picasso used the projection model to invent cubism, and that Minkowski had four-dimensional projective geometry in mind when he structured special relativity. The discussion is brought to the present with an exposition of the projection model in the most creative ideas about space in contemporary mathematics such as twisters, quasicrystals, and quantum topology. Robbin clarifies these esoteric concepts with understandable drawings and diagrams. Robbin proposes that the powerful role of projective geometry in the development of current mathematical ideas has been long overlooked and that our attachment to the slicing model is essentially a conceptual block that hinders progress in understanding contemporary models of spacetime. He offers a fascinating review of how projective ideas are the source of some of today’s most exciting developments in art, math, physics, and computer visualization.

Author: Noël Burch
Publisher: Univ of California Press
ISBN: 9780520071445
Category : Performing Arts
Languages : en
Pages : 328

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Noel Burch's new book is a critique of the assumptions underlying 'classical' approaches to film history: the assumption that what we call the language of film was a natural, organic development, that it lay latent from the outset in the basic technology of the camera, waiting for the prescient pioneers to bring it into being; and the assumption that this language was a universal, neutral medium, innocent of any social or historical meaning in itself." "His major thesis is that, on the contrary, film language has a social and economic history, that it evolved in the way it did because of when and where it was constructed -- in the capitalist and imperialist west between 1892 and 1929." "The book examines the chronology of the emergence of what it defines as cinema's Institutional Mode of Representation and the socio-historical circumstances in which this took place. It examines the principles of visualisation -- camera placement and movement, lighting, editing, mise-en-scene -- that film-makers and audiences came to internalize over the first three decades. Special emphasis is laid on the allimportant change that occurred in the imaginary placing of the spectator, from a position of exteriority to the film image, implicit in both film-form and viewing conditions during the primitive era (pre-1909), to the imaginary centering of the spectator-subject, completed only with the generalisation of lip-synch sound after 1929. It is the contention of this book that this imaginary centering of a sensorily isolated spectator is the keystone of the cinematic illusion of reality, still achieved today by the same means as it was sixty years ago.

Author: Jean Daniélou
Publisher: Hassell Street Press
ISBN: 9781014271341
Category :
Languages : en
Pages : 312

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Slade Templeton
Publisher:
ISBN: 9781947521568
Category :
Languages : en
Pages :

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A DARKNESS IS IN ALL OF US Cottage Grove Oregon is a sleepy little town, but in the surrounding forests, an ancient nightmare is growing stronger. Dr. Joseph Hoffman, head psychiatrist at Cottage Grove Hospital, wants to believe he has all the answers to his patients' problems, but there is a darkness within him that always lurks beneath the thin veneer of his competence. That veneer is about to crack.In his Victorian home at the edge of the forest, his troubled memories hide in untouched rooms under a thick blanket of dust. He thinks he has them under his control, but as he delves into his patients' twisted stories, the shadows of their insanity begin to follow him home. In order to see what is happening to him, Joseph must turn everything he knows about his past, and his reality, upside down. As he gets closer to discovering the source of the malevolence that surrounds him, he feels his sanity slipping away. Joseph must uncover the truth before it consumes him. Something terrible is taking over, and he may be the only one who can figure out why.

Author: Plato
Publisher: Strelbytskyy Multimedia Publishing
ISBN:
Category : Philosophy
Languages : en
Pages : 10

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The Allegory of the Cave, or Plato's Cave, was presented by the Greek philosopher Plato in his work Republic (514a–520a) to compare "the effect of education (παιδεία) and the lack of it on our nature". It is written as a dialogue between Plato's brother Glaucon and his mentor Socrates, narrated by the latter. The allegory is presented after the analogy of the sun (508b–509c) and the analogy of the divided line (509d–511e). All three are characterized in relation to dialectic at the end of Books VII and VIII (531d–534e). Plato has Socrates describe a group of people who have lived chained to the wall of a cave all of their lives, facing a blank wall. The people watch shadows projected on the wall from objects passing in front of a fire behind them, and give names to these shadows. The shadows are the prisoners' reality.

Author: E. Levinas
Publisher: Springer Science & Business Media
ISBN: 9400943644
Category : Philosophy
Languages : en
Pages : 230

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Author: Sylvester James Gates
Publisher: YBK Publishers
ISBN: 9781936411399
Category : Science
Languages : en
Pages : 354

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"Chronological explanation of physics from early history through current studies geared to lay readers with limited mathematical training"--

Author: Gerd Theissen
Publisher: SCM Press
ISBN: 0334047897
Category : Religion
Languages : en
Pages : 299

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Book Description
Combining New Testament study with the terseness of thriller writing, Theissen conveys the Gospel story in the imaginative prose of a novel. This is a story of our times, or how the gospels might have turned out if they were written by John Le Carre: racy, readable and full of incident.

Author: Carolyn Nordstrom
Publisher: Univ of California Press
ISBN: 9780520239777
Category : Business & Economics
Languages : en
Pages : 310

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Book Description
Annotation This book captures the human face of the frontlines, revealing both the visible and the hidden realities of contemporary war, power, and international profiteering in the 21st century.