Author: Buffalo Fine Arts AcademyPublisher:
ISBN:
Category : Painters
Languages : en
Pages : 698
Book Description
Catalogue of the ... Annual Exhibition of Selected Paintings by American Artists
Author: Buffalo Fine Arts AcademyPublisher:
ISBN:
Category : Painters
Languages : en
Pages : 698
Book Description
Catalogue of the ... Annual Exhibition of Selected Paintings by American Artists and a Group of Small Selected Bronzes by American Sculptors
Author: American Art Annual
Author: American Art Annual
Author: American Art Directory
Author: Florence Nightingale LevyPublisher:
ISBN:
Category : Art
Languages : en
Pages : 652
Book Description
The Academy Blue Book
Author: Buffalo Fine Arts AcademyPublisher:
ISBN:
Category :
Languages : en
Pages : 160
Book Description
Academy Notes
Author: Buffalo Fine Arts AcademyPublisher:
ISBN:
Category : Art
Languages : en
Pages : 20
Book Description
American Art Directory
Author: Publisher:
ISBN:
Category : Art
Languages : en
Pages : 674
Book Description
The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-
The Academy Blue Book
Author: The Women Impressionists
Author: Russell T. ClementPublisher: Bloomsbury Publishing USA
ISBN: 0313032467
Category : Art
Languages : en
Pages : 212
Book Description
This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva Gonzalès, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they shared the challenges of becoming accepted as professional artists in late 19th-century society. Containing nearly 900 citations of manuscripts, books, articles, reproductions, films, exhibitions, and reviews, this unique sourcebook will appeal to both art and women's studies scholars. Each artist receives a biographical sketch, chronology, information about individual and group exhibitions and reviews, and a primary and secondary bibliography, which captures details about the artist's life, career, and relationship with other artists. An art works index and names index complete the volume.