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Author: Charles E. Brewer Publisher: Routledge ISBN: 1351887599 Category : Music Languages : en Pages : 473
Book Description
Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. The dances of Schmeltzer, for example, functioned both as incidental music in Viennese operas and as music for elaborate court pantomimes and balls. These same cultural practices also account for some of Biber's most programmatic music, which accompanied similar entertainments in Kromeriz and Salzburg. The many sonatas by these composers have also been misunderstood by not being placed in a context where it was normal to be entertained in church and edified in court. Many of the works discussed here remain unpublished but have, in recent years, been recorded. This book enhances our understanding and appreciation of these recordings by providing an analysis of the context in which the works were first performed.
Author: Charles E. Brewer Publisher: Routledge ISBN: 1351887599 Category : Music Languages : en Pages : 473
Book Description
Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. The dances of Schmeltzer, for example, functioned both as incidental music in Viennese operas and as music for elaborate court pantomimes and balls. These same cultural practices also account for some of Biber's most programmatic music, which accompanied similar entertainments in Kromeriz and Salzburg. The many sonatas by these composers have also been misunderstood by not being placed in a context where it was normal to be entertained in church and edified in court. Many of the works discussed here remain unpublished but have, in recent years, been recorded. This book enhances our understanding and appreciation of these recordings by providing an analysis of the context in which the works were first performed.
Author: Bruce Haynes Publisher: ISBN: 9780198166467 Category : Music Languages : en Pages : 576
Book Description
This is the first in-depth survey of the oboe during its Golden Age, tracing the history of the instrument from its invention through its many mutations as it adapted to the changing demands of composers. The author describes in detail the instruments, players, makers, and composers, as well as how and where it was played, and who listened to it.
Author: Peter Walls Publisher: Routledge ISBN: 135157471X Category : Music Languages : en Pages : 688
Book Description
Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa? lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.
Author: Don L. Smithers Publisher: ISBN: Category : Music Languages : en Pages : 380
Book Description
This new edition of the definitive work on the history of the baroque trumpet in the 17th and early 18th centuries includes the latest material in the field plus hitherto unpublished sources of trumpet iconography. Smithers surveys the related types of trumpets used from the period of Monteverdi through the era of Bach and Handel. He examines the repertory of trumpet music available before the appearance of Bach s Second Brandenburg Concerto in F Major and provides a detailed analysis of the working conditions of trumpet players in various European countries during this period. The choice of 1721 in this first study of the music, history, and manufacture of the trumpet as it existed before the Industrial Revolution was neither accidental nor arbitrary. The earliest and only dated source of J. S. Bach s singular Second Brandenburg Concerto in F Major is both a musical and a chronological boundary between two quite different periods in the trumpet s long history. Richly annotated, this work features supplementary appendixes describing surviving sources of music composed originally for the nonmechanical baroque trumpet as well as current scholarship of note. This edition has twice as many photographs as the original printing, many reproduced for the first time."
Author: Charles E. Brewer
Author: Charles E. Brewer
Author: George Arents Research Library. Manuscripts Department
Author: Jiří Sehnal
Author: Bruce Haynes
Author: Peter Walls
Author: Tabourot
Author: Stanley Sadie
Author: Stanley Sadie
Author: Don L. Smithers
Author: James Isabell Armstrong (Jr)