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Author: Arthur K. Wheelock Publisher: Princeton University Press ISBN: Category : Art Languages : en Pages : 304
Book Description
"The National Gallery of Art's collection of seventeenth-century Flemish paintings is relatively small, numbering less than sixty, but exceptional in quality. At the core of the collection are twelve paintings by Sir Peter Paul Rubens and his school and seventeen paintings by Sir Anthony van Dyck, including some of their finest masterpieces. Also represented are excellent works by other important Flemish masters, among them Osias Beert the Elder, Adriaen Brouwer, Jan Brueghel the Elder, and David Teniers the Younger." "This catalogue of the Gallery's remarkable collection of Flemish paintings offers new information about each of the individual works. Stylistic characteristics of the paintings have been analyzed; historical circumstances related to their creation have been assessed; and their provenances have been reexamined. A number of the paintings have undergone conservation treatment, while the technical characteristics of other works have been thoroughly studied. This exhaustive research has indicated that the titles, dates, and even attributions of a number of works needed to be changed, and the catalogue includes a concordance of these revisions."--BOOK JACKET.
Author: Arthur K. Wheelock Publisher: Princeton University Press ISBN: Category : Art Languages : en Pages : 304
Book Description
"The National Gallery of Art's collection of seventeenth-century Flemish paintings is relatively small, numbering less than sixty, but exceptional in quality. At the core of the collection are twelve paintings by Sir Peter Paul Rubens and his school and seventeen paintings by Sir Anthony van Dyck, including some of their finest masterpieces. Also represented are excellent works by other important Flemish masters, among them Osias Beert the Elder, Adriaen Brouwer, Jan Brueghel the Elder, and David Teniers the Younger." "This catalogue of the Gallery's remarkable collection of Flemish paintings offers new information about each of the individual works. Stylistic characteristics of the paintings have been analyzed; historical circumstances related to their creation have been assessed; and their provenances have been reexamined. A number of the paintings have undergone conservation treatment, while the technical characteristics of other works have been thoroughly studied. This exhaustive research has indicated that the titles, dates, and even attributions of a number of works needed to be changed, and the catalogue includes a concordance of these revisions."--BOOK JACKET.
Author: Susan Merriam Publisher: Routledge ISBN: 1351549065 Category : Art Languages : en Pages : 223
Book Description
Focusing on three celebrated northern European still life painters?Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem?this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 0870993569 Category : Painters Languages : en Pages : 361
Book Description
Two volumes, including works by the three foremost seventeenth-century Flemish artists{u2014}Rubens, Van Dyck, and Jordaens{u2014}as well as works by their contemporaries. -- Metropolitan Museum of Art website.
Author: Abigail D. Newman Publisher: BRILL ISBN: 9004509674 Category : Art Languages : en Pages : 349
Book Description
Painting Flanders Abroad: Flemish Art and Artists in Seventeenth-Century Madrid traces how Flemish immigrant painters and imported Flemish paintings fundamentally transformed the development of Spanish taste, collecting, and art production in the Spanish “Golden Age.”
Author: Natalʹi︠a︡ Ivanovna Grit︠s︡aĭ Publisher: Yale University Press ISBN: Category : Architecture Languages : en Pages : 526
Book Description
Among the many treasures of The State Hermitage Museum in St. Petersburg is its remarkable collection of seventeenth- and eighteenth-century Flemish paintings--more than five hundred in all--including key works by Rubens, Van Dyck, Jordaens, Snyders, and Teniers. Forming the core of the Hermitage's Flemish collection, these works were acquired from all over Europe by the Empress Catherine II, and the collection has continued to develop. This magnificent volume is the first to provide detailed information in English with illustrations for every work. More than 140 artists are represented in the collection and in this complete catalogue, which provides a comprehensive picture of the golden age of Flemish painting. Individual illustrated entries for every work are accompanied by detailed indexes and provenance information that provides a unique view of the history of collecting in Russia. Bard Graduate Center
Author: Bernadette van Haute Publisher: Brepols Publishers ISBN: Category : Art Languages : en Pages : 428
Book Description
This monograph presents a contextual study of the work of David III Ryckaert (1612-1661), who established a reputation as a painter of peasant scenes. According to twentieth-century critics, Ryckaert was no more than a minor imitator of other Flemish painters, particularly Adriaen Brouwer and David II Teniers. Underlying such relegation of Ryckaert is an uncritical and distinctly modernist glorification of originality, or merely novelty, which was alien to the culture of Flemish painting in which David III Ryckaert flourished. Drawing on the work of other artists, sometimes employing other artists to complete works or consciously incorporating elements of famous paintings as a signatory compliment, were all part of the creative community of art. Adaptation of existing styles, techniques and subjects was a minute and testing undertaking. These aesthetic norms were recognized by artist and public alike so that creative and refining variation operated as praiseworthy criteria. The chief argument of this study is that a careful reconstruction of the socio-cultural circumstances surrounding the production of Ryckaert's paintings allows a serious re-appraisal of his eclecticism and a wider appreciation of his individual endeavours and possibly the work of other artists as well. In order to demonstrate the workings of the Flemish artistic community, a number, or series, of contextual frames is presented in which to view the production and achievement of David III Ryckaert. Each chapter provides a new frame-moving from the most general yet foundational influences of his family to the more specific and obviously identifiable relations of contemporary artists and David III Ryckaert. Within each chapter, a chronological approach is followed, which provides an opportunity to trace Ryckaert's artistic development and to place it precisely within contemporary trends in genre painting.
Author: Arthur K. Wheelock
Author: Arthur K. Wheelock
Author: 
Author: Susan Merriam
Author: Julius Samuel Held
Author: Erik Larsen
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: David Wilton Steadman
Author: Abigail D. Newman
Author: Natalʹi︠a︡ Ivanovna Grit︠s︡aĭ
Author: Bernadette van Haute