Author: George Frideric Handel
Publisher: Alfred Music
ISBN: 1457470187
Category : Music
Languages : en
Pages : 90
Book Description
Kalmus presents the complete flute sonatas of Handel in one volume. Separate parts for the piano and flute are included. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
Seven Sonatas
Author: George Frideric Handel
Publisher: Alfred Music
ISBN: 1457470187
Category : Music
Languages : en
Pages : 90
Book Description
Kalmus presents the complete flute sonatas of Handel in one volume. Separate parts for the piano and flute are included. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
Publisher: Alfred Music
ISBN: 1457470187
Category : Music
Languages : en
Pages : 90
Book Description
Kalmus presents the complete flute sonatas of Handel in one volume. Separate parts for the piano and flute are included. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
Seven Sonatas
Author: Giuseppe Tartini
Publisher: Alfred Music
ISBN: 1457469251
Category : Music
Languages : en
Pages : 110
Book Description
This volume contains seven selected sonatas by Giuseppe Tartini, including the famous "Devil's Trill" for violin and piano.
Publisher: Alfred Music
ISBN: 1457469251
Category : Music
Languages : en
Pages : 110
Book Description
This volume contains seven selected sonatas by Giuseppe Tartini, including the famous "Devil's Trill" for violin and piano.
Seven Sonatas
Author: George Frideric Handel
Publisher: Alfred Music
ISBN: 9781457470189
Category : Music
Languages : en
Pages : 70
Book Description
Kalmus presents the complete flute sonatas of Handel in one volume. Separate parts for the piano and flute are included. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
Publisher: Alfred Music
ISBN: 9781457470189
Category : Music
Languages : en
Pages : 70
Book Description
Kalmus presents the complete flute sonatas of Handel in one volume. Separate parts for the piano and flute are included. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
Guide to Sonatas
Author: Melvin Berger
Publisher: Anchor
ISBN: 030775488X
Category : Music
Languages : en
Pages : 223
Book Description
With the same authority, insight, and unique ability to bring music to life on the printed page that he brought to his Guide to Chamber Music, Melvin Berger gives us an indispensable guide to the sonata form. Comprehensive, analytical, and historical, including descriptions in nontechnical language of over two hundred of the best best-known sonatas, Guide to Sonatas is designed to help all music lovers−casual listeners, experienced concertgoers, performers, conductors, or teachers−deepen their understanding and enhance their enjoyment of the classical repertoire.
Publisher: Anchor
ISBN: 030775488X
Category : Music
Languages : en
Pages : 223
Book Description
With the same authority, insight, and unique ability to bring music to life on the printed page that he brought to his Guide to Chamber Music, Melvin Berger gives us an indispensable guide to the sonata form. Comprehensive, analytical, and historical, including descriptions in nontechnical language of over two hundred of the best best-known sonatas, Guide to Sonatas is designed to help all music lovers−casual listeners, experienced concertgoers, performers, conductors, or teachers−deepen their understanding and enhance their enjoyment of the classical repertoire.
The Sonata
Author: Thomas Schmidt-Beste
Publisher: Cambridge University Press
ISBN: 1107310547
Category : Music
Languages : en
Pages : 279
Book Description
What is a sonata? Literally translated, it simply means 'instrumental piece'. It is the epitome of instrumental music, and is certainly the oldest and most enduring form of 'pure' and independent instrumental composition, beginning around 1600 and lasting to the present day. Schmidt-Beste analyses key aspects of the genre including form, scoring and its social context - who composed, played and listened to sonatas? In giving a comprehensive overview of all forms of music which were called 'sonatas' at some point in musical history, this book is more about change than about consistency - an ensemble sonata by Gabrieli appears to share little with a Beethoven sonata, or a trio sonata by Corelli with one of Boulez's piano sonatas, apart from the generic designation. However, common features do emerge, and the look across the centuries - never before addressed in a single-volume survey - opens up new and significant perspectives.
Publisher: Cambridge University Press
ISBN: 1107310547
Category : Music
Languages : en
Pages : 279
Book Description
What is a sonata? Literally translated, it simply means 'instrumental piece'. It is the epitome of instrumental music, and is certainly the oldest and most enduring form of 'pure' and independent instrumental composition, beginning around 1600 and lasting to the present day. Schmidt-Beste analyses key aspects of the genre including form, scoring and its social context - who composed, played and listened to sonatas? In giving a comprehensive overview of all forms of music which were called 'sonatas' at some point in musical history, this book is more about change than about consistency - an ensemble sonata by Gabrieli appears to share little with a Beethoven sonata, or a trio sonata by Corelli with one of Boulez's piano sonatas, apart from the generic designation. However, common features do emerge, and the look across the centuries - never before addressed in a single-volume survey - opens up new and significant perspectives.
VII sonatas for two violins
Author: Thomas Augustine Arne
Publisher:
ISBN:
Category : Trio sonatas (Violins (2), continuo)
Languages : en
Pages : 102
Book Description
Publisher:
ISBN:
Category : Trio sonatas (Violins (2), continuo)
Languages : en
Pages : 102
Book Description
A History of the Sonata Idea
Author: William S. Newman
Publisher: UNC Press Books
ISBN: 146964374X
Category : Music
Languages : en
Pages : 881
Book Description
This volume completes Newman's monumental study of the sonata. It examines the evolution of the sonata idea from the prexcocious Romanticisms of Dussek before 1880 to the near exhaustion of Romantic music by the time of World War I. Thoroughly documented, illustrated by new extended lists of sonatas as well as the fullest bibliography of Romantic music literature yet published, the book is invaluable to musicians. Originally published in 1969. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Publisher: UNC Press Books
ISBN: 146964374X
Category : Music
Languages : en
Pages : 881
Book Description
This volume completes Newman's monumental study of the sonata. It examines the evolution of the sonata idea from the prexcocious Romanticisms of Dussek before 1880 to the near exhaustion of Romantic music by the time of World War I. Thoroughly documented, illustrated by new extended lists of sonatas as well as the fullest bibliography of Romantic music literature yet published, the book is invaluable to musicians. Originally published in 1969. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
A Short-Title Catalogue of Music Printed Before 1825 in the Fitzwilliam Museum, Cambridge
Author: Fitzwilliam Museum
Publisher: Cambridge University Press
ISBN: 9780521415354
Category : Music
Languages : en
Pages : 216
Book Description
The collection of pre-1825 printed music in the Fitzwilliam Museum, Cambridge, here catalogued for the first time.
Publisher: Cambridge University Press
ISBN: 9780521415354
Category : Music
Languages : en
Pages : 216
Book Description
The collection of pre-1825 printed music in the Fitzwilliam Museum, Cambridge, here catalogued for the first time.
The Strad
The Creative Development of Johann Sebastian Bach, Volume I: 1695-1717
Author: Richard D. P. Jones
Publisher: OUP Oxford
ISBN: 9780191513244
Category : Music
Languages : en
Pages : 352
Book Description
This book gives an account of the individual works of one of the greatest composers. The first volume of a two-volume study of the music of J. S. Bach covers the earlier part of his composing career, 1695-1717. By studying the music chronologically a coherent picture of the composer's creative development emerges, drawing together all the strands of the individual repertoires (e.g. the cantatas, the organ music, the keyboard music). The volume is divided into two parts, covering the early works and the mature Weimar compositions respectively. Each part deals with four categories of composition in turn: large-scale keyboard works; preludes, fantasias, and fugues; organ chorales; and cantatas. Within each category, the discussion is prefaced by a list of the works to be considered, together with details of their original titles, catalogue numbers, and earliest sources. The study is thus usable as a handbook on Bach's works as well as a connected study of his creative development. As indicated by the subtitle Music to Delight the Spirit,, borrowed from Bach's own title-pages, Richard Jones draws attention to another important aspect of the book: not only is it a study of style and technique but a work of criticism, an analytical evaluation of Bach's music and an appreciation of its extraordinary qualities. It also takes account of the remarkable advances in Bach scholarship that have been made over the last 50 years, including the many studies that have appeared relating to various aspects of Bach's early music, such as the varied influences to which he was subjected and the problematic issues of dating and authenticity that arise. In doing so, it attempts to build up a coherent picture of his development as a creative artist, helping us to understand what distinguishes Bach's mature music from his early works and from the music of his predecessors and contemporaries. Hence we learn why it is that his later works are instantly recognizable as 'Bachian'.
Publisher: OUP Oxford
ISBN: 9780191513244
Category : Music
Languages : en
Pages : 352
Book Description
This book gives an account of the individual works of one of the greatest composers. The first volume of a two-volume study of the music of J. S. Bach covers the earlier part of his composing career, 1695-1717. By studying the music chronologically a coherent picture of the composer's creative development emerges, drawing together all the strands of the individual repertoires (e.g. the cantatas, the organ music, the keyboard music). The volume is divided into two parts, covering the early works and the mature Weimar compositions respectively. Each part deals with four categories of composition in turn: large-scale keyboard works; preludes, fantasias, and fugues; organ chorales; and cantatas. Within each category, the discussion is prefaced by a list of the works to be considered, together with details of their original titles, catalogue numbers, and earliest sources. The study is thus usable as a handbook on Bach's works as well as a connected study of his creative development. As indicated by the subtitle Music to Delight the Spirit,, borrowed from Bach's own title-pages, Richard Jones draws attention to another important aspect of the book: not only is it a study of style and technique but a work of criticism, an analytical evaluation of Bach's music and an appreciation of its extraordinary qualities. It also takes account of the remarkable advances in Bach scholarship that have been made over the last 50 years, including the many studies that have appeared relating to various aspects of Bach's early music, such as the varied influences to which he was subjected and the problematic issues of dating and authenticity that arise. In doing so, it attempts to build up a coherent picture of his development as a creative artist, helping us to understand what distinguishes Bach's mature music from his early works and from the music of his predecessors and contemporaries. Hence we learn why it is that his later works are instantly recognizable as 'Bachian'.