Author: Hugh Latimer
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 114
Book Description
"Sermons on the Card, and Other Discourses" by Hugh Latimer Hugh Latimer was born about the year 1491, at Thurcaston, in Leicestershire. He was a boy of fourteen when sent to Clare College, Cambridge. When about twenty-four years old, he was ordained Priest of the Roman Church at Lincoln. The influence of Latimer's preaching became every year greater; and in December, 1529, he gave occasion to new controversy in the University by his two Sermons on the Card, delivered in St. Edward's Church, on the Sunday before Christmas, 1529.
Sermons on the Card, and Other Discourses
Author: Hugh Latimer
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 114
Book Description
"Sermons on the Card, and Other Discourses" by Hugh Latimer Hugh Latimer was born about the year 1491, at Thurcaston, in Leicestershire. He was a boy of fourteen when sent to Clare College, Cambridge. When about twenty-four years old, he was ordained Priest of the Roman Church at Lincoln. The influence of Latimer's preaching became every year greater; and in December, 1529, he gave occasion to new controversy in the University by his two Sermons on the Card, delivered in St. Edward's Church, on the Sunday before Christmas, 1529.
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 114
Book Description
"Sermons on the Card, and Other Discourses" by Hugh Latimer Hugh Latimer was born about the year 1491, at Thurcaston, in Leicestershire. He was a boy of fourteen when sent to Clare College, Cambridge. When about twenty-four years old, he was ordained Priest of the Roman Church at Lincoln. The influence of Latimer's preaching became every year greater; and in December, 1529, he gave occasion to new controversy in the University by his two Sermons on the Card, delivered in St. Edward's Church, on the Sunday before Christmas, 1529.
Gaming the Stage
Author: Gina Bloom
Publisher: University of Michigan Press
ISBN: 0472123912
Category : Performing Arts
Languages : en
Pages : 305
Book Description
Rich connections between gaming and theater stretch back to the 16th and 17th centuries, when England's first commercial theaters appeared right next door to gaming houses and blood-sport arenas. In the first book-length exploration of gaming in the early modern period, Gina Bloom shows that theaters succeeded in London's new entertainment marketplace largely because watching a play and playing a game were similar experiences. Audiences did not just see a play; they were encouraged to play the play, and knowledge of gaming helped them become better theatergoers. Examining dramas written for these theaters alongside evidence of analog games popular then and today, Bloom argues for games as theatrical media and theater as an interactive gaming technology. Gaming the Stage also introduces a new archive for game studies: scenes of onstage gaming, which appear at climactic moments in dramatic literature. Bloom reveals plays to be systems of information for theater spectators: games of withholding, divulging, speculating, and wagering on knowledge. Her book breaks new ground through examinations of plays such as The Tempest, Arden of Faversham, A Woman Killed with Kindness, and A Game at Chess; the histories of familiar games such as cards, backgammon, and chess; less familiar ones, like Game of the Goose; and even a mixed-reality theater videogame.
Publisher: University of Michigan Press
ISBN: 0472123912
Category : Performing Arts
Languages : en
Pages : 305
Book Description
Rich connections between gaming and theater stretch back to the 16th and 17th centuries, when England's first commercial theaters appeared right next door to gaming houses and blood-sport arenas. In the first book-length exploration of gaming in the early modern period, Gina Bloom shows that theaters succeeded in London's new entertainment marketplace largely because watching a play and playing a game were similar experiences. Audiences did not just see a play; they were encouraged to play the play, and knowledge of gaming helped them become better theatergoers. Examining dramas written for these theaters alongside evidence of analog games popular then and today, Bloom argues for games as theatrical media and theater as an interactive gaming technology. Gaming the Stage also introduces a new archive for game studies: scenes of onstage gaming, which appear at climactic moments in dramatic literature. Bloom reveals plays to be systems of information for theater spectators: games of withholding, divulging, speculating, and wagering on knowledge. Her book breaks new ground through examinations of plays such as The Tempest, Arden of Faversham, A Woman Killed with Kindness, and A Game at Chess; the histories of familiar games such as cards, backgammon, and chess; less familiar ones, like Game of the Goose; and even a mixed-reality theater videogame.
Games and Gaming in Early Modern Drama
Author: Caroline Baird
Publisher: Springer Nature
ISBN: 3030508579
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
This book is a close taxonomic study of the pivotal role of games in early modern drama. The presence of the game motif has often been noticed, but this study, the most comprehensive of its kind, shows how games operate in more complex ways than simple metaphor and can be syntheses of emblem and dramatic device. Drawing on seventeenth-century treatises, including Francis Willughby’s Book of Games, which only became available in print in 2003, and divided into chapters on Dice, Cards, Tables (Backgammon), and Chess, the book brings back into focus the symbolism and divinatory origins of games. The work of more than ten dramatists is analysed, from the Shakespeare and Middleton canon to rarer plays such as The Spanish Curate, The Two Angry Women of Abington and The Cittie Gallant. Games and theatre share common ground in terms of performance, deceit, plotting, risk and chance, and the early modern playhouse provided apt conditions for vicarious play. From the romantic chase to the financial gamble, and in legal contest and war, the twenty-first century is still engaging the game. With its extensive appendices, the book will appeal to readers interested in period games and those teaching or studying early modern drama, including theatre producers, and awareness of the vocabulary of period games will allow further references to be understood in non-dramatic texts.
Publisher: Springer Nature
ISBN: 3030508579
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
This book is a close taxonomic study of the pivotal role of games in early modern drama. The presence of the game motif has often been noticed, but this study, the most comprehensive of its kind, shows how games operate in more complex ways than simple metaphor and can be syntheses of emblem and dramatic device. Drawing on seventeenth-century treatises, including Francis Willughby’s Book of Games, which only became available in print in 2003, and divided into chapters on Dice, Cards, Tables (Backgammon), and Chess, the book brings back into focus the symbolism and divinatory origins of games. The work of more than ten dramatists is analysed, from the Shakespeare and Middleton canon to rarer plays such as The Spanish Curate, The Two Angry Women of Abington and The Cittie Gallant. Games and theatre share common ground in terms of performance, deceit, plotting, risk and chance, and the early modern playhouse provided apt conditions for vicarious play. From the romantic chase to the financial gamble, and in legal contest and war, the twenty-first century is still engaging the game. With its extensive appendices, the book will appeal to readers interested in period games and those teaching or studying early modern drama, including theatre producers, and awareness of the vocabulary of period games will allow further references to be understood in non-dramatic texts.
The Bookseller and the Stationery Trades' Journal
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1708
Book Description
Official organ of the book trade of the United Kingdom.
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1708
Book Description
Official organ of the book trade of the United Kingdom.
Discourses and Sayings of Our Lord Jesus Christ Illustrated in a Series of Expositions
The Nation
Catalogue
Author: New York Free Circulating Library. Bond Street Branch
Publisher:
ISBN:
Category : Catalogs
Languages : en
Pages : 244
Book Description
Publisher:
ISBN:
Category : Catalogs
Languages : en
Pages : 244
Book Description
Bookseller and the Stationery Trades' Journal
Bookseller
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1714
Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1714
Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Eighty-nine
Author: Edgar Henry
Publisher:
ISBN:
Category : Secession
Languages : en
Pages : 512
Book Description
"The book presents an argument for the peaceful secession of the Southern States from the United States. A southern secret society joins forces with a pool of powerful northern industrialists. They use a communications blackout to take advantage of a constitutional loophole that leaves the nation without an executive branch following the 1888 election. In the final third of the novel, set in the future, secession is finally achieved. The story pits private wealth against a big government inflated by the demand for public services from America's lower classes"--Bookseller's blurb.
Publisher:
ISBN:
Category : Secession
Languages : en
Pages : 512
Book Description
"The book presents an argument for the peaceful secession of the Southern States from the United States. A southern secret society joins forces with a pool of powerful northern industrialists. They use a communications blackout to take advantage of a constitutional loophole that leaves the nation without an executive branch following the 1888 election. In the final third of the novel, set in the future, secession is finally achieved. The story pits private wealth against a big government inflated by the demand for public services from America's lower classes"--Bookseller's blurb.