Author: Robert LowthPublisher:
ISBN:
Category :
Languages : en
Pages : 530
Book Description
Sermons, and other remains, ... now first collected and arranged, ... with an introductory memoir by ... P. Hall, etc. (P. Barton's sermon at the consecration of Bishop Lowth.).
Author: Robert LowthBritish Museum Catalogue of printed Books
Author: General catalogue of printed books
Author: British museum. Dept. of printed booksPublisher:
ISBN:
Category :
Languages : en
Pages : 480
Book Description
Sermons, and other remains; collected and arranged, with an intr. memoir by P. Hall
Author: Robert Lowth (bp. of London.)Publisher:
ISBN:
Category :
Languages : en
Pages : 524
Book Description
The British Museum Catalogue of Printed Books, 1881-1900
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English literature
Languages : en
Pages : 1068
Book Description
Catalogue of the Printed Books in the Library of the British Museum
Author: British LibraryNineteenth Century Short Title Catalogue. Series II, Phase I, 1816-1870
Author: General Catalogue of Printed Books to 1955
Author: British Museum. Dept. of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1292
Book Description
Dromore, an Ulster Diocese
Author: Edward Dupré AtkinsonPublisher:
ISBN:
Category : Dioceses
Languages : en
Pages : 380
Book Description
Broken Idols of the English Reformation
Author: Margaret AstonPublisher: Cambridge University Press
ISBN: 1316060470
Category : History
Languages : en
Pages : 1994
Book Description
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.