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Author: Peter J. Levinson Publisher: Taylor Trade Publications ISBN: 9781589791633 Category : Biography & Autobiography Languages : en Pages : 328
Book Description
The first-ever biography of the highly respected arranger in the history of American popular music. Base on more than 200 interviews with his closest friends, family, and colleagues.
Author: Peter J. Levinson Publisher: Taylor Trade Publications ISBN: 9781589791633 Category : Biography & Autobiography Languages : en Pages : 328
Book Description
The first-ever biography of the highly respected arranger in the history of American popular music. Base on more than 200 interviews with his closest friends, family, and colleagues.
Author: Peter Duggan Publisher: Lulu.com ISBN: 1326213350 Category : Poetry Languages : en Pages : 119
Book Description
Here within the pages of this book, written by a man who left the unhappiness of a war, to enter the brand new world of peace, love, and joy that he is living now. As a simple man with the minimum education he writes his poems in a simple form that can be understood by everyone. His words contain a mixture of love, joy, nature and spirituality, with a little sadness sprinkled in here and there. It is written in the hopes that it might bring some joy, love, hope and peace into all who read it.
Author: John Godber Publisher: ISBN: Category : Languages : en Pages :
Book Description
'September in the Rain' revisits Jack and Liz, the characters from 'Happy Jack', as they take their annual seaside holiday. Through nostalgic songs and reminiscences, the characters of their lives together are brought vividly to life, as we see a new side to Jack and Liz, away from their domestic environment. 'September in the Rain' was first performed professionally by the Hull Truck Theatre Company in 1984.
Author: Robert Gottlieb Publisher: Pantheon ISBN: 0375400818 Category : Music Languages : en Pages : 738
Book Description
A comprehensive anthology bringing together more than one thousand of the best American and English song lyrics of the twentieth century; an extraordinary celebration of a unique art form and an indispensable reference work and history that celebrates one of the twentieth century’s most enduring and cherished legacies. Reading Lyrics begins with the first masters of the colloquial phrase, including George M. Cohan (“Give My Regards to Broadway”), P. G. Wodehouse (“Till the Clouds Roll By”), and Irving Berlin, whose versatility and career span the period from “Alexander’s Ragtime Band” to “Annie Get Your Gun” and beyond. The Broadway musical emerges as a distinct dramatic form in the 1920s and 1930s, its evolution propelled by a trio of lyricists—Cole Porter, Ira Gershwin, and Lorenz Hart—whose explorations of the psychological and emotional nuances of falling in and out of love have lost none of their wit and sophistication. Their songs, including “Night and Day,” “The Man I Love,” and “Bewitched, Bothered and Bewildered,” have become standards performed and recorded by generation after generation of singers. The lure of Broadway and Hollywood and the performing genius of such artists as Al Jolson, Fred Astaire, Ethel Waters, Judy Garland, Frank Sinatra, and Ethel Merman inspired a remarkable array of talented writers, including Dorothy Fields (“A Fine Romance,” “I Can’t Give You Anything but Love”), Frank Loesser (“Guys and Dolls”), Oscar Hammerstein II (from the groundbreaking “Show Boat” of 1927 through his extraordinary collaboration with Richard Rodgers), Johnny Mercer, Yip Harburg, Andy Razaf, Noël Coward, and Stephen Sondheim. Reading Lyrics also celebrates the work of dozens of superb craftsmen whose songs remain known, but who today are themselves less known—writers like Haven Gillespie (whose “Santa Claus Is Coming to Town” may be the most widely recorded song of its era); Herman Hupfeld (not only the composer/lyricist of “As Time Goes By” but also of “Are You Makin’ Any Money?” and “When Yuba Plays the Rumba on the Tuba”); the great light versifier Ogden Nash (“Speak Low,” “I’m a Stranger Here Myself,” and, yes, “The Sea-Gull and the Ea-Gull”); Don Raye (“Boogie Woogie Bugle Boy,” “Mister Five by Five,” and, of course, “Milkman, Keep Those Bottles Quiet”); Bobby Troup (“Route 66”); Billy Strayhorn (not only for the omnipresent “Lush Life” but for “Something to Live For” and “A Lonely Coed”); Peggy Lee (not only a superb singer but also an original and appealing lyricist); and the unique Dave Frishberg (“I’m Hip,” “Peel Me a Grape,” “Van Lingo Mungo”). The lyricists are presented chronologically, each introduced by a succinct biography and the incisive commentary of Robert Gottlieb and Robert Kimball.
Author: Ernest McCarty Jr Publisher: Dorrance Publishing ISBN: Category : Performing Arts Languages : en Pages : 838
Book Description
Ernest McCarty, Jr. is a native of Chicago, who has authored and co-authored more than 27 produced plays and musicals, and has been associated with ETA in Chicago and Quaigh Theatre in New York City before becoming Artistic Director of New Horizon Theatre in 1994. His first production, I Dreamt I Dwelt In Bloomingdales was presented at the Provincetown Playhouse in New York City in 1970. Other theatrical works produced in New York City include Dinah! Queen of the Blues, presented at the Westside Arts Theatre starring Sasha Dalton and When the Spirit Moves, starring Tony Award-winner Trazana Beverly, The Exchange and The Separate Vacation. Among his plays and musicals produced in Chicago are Madame Hortense, the tone poem A Cosmic Night, Recollection Rag, Love Spirit! And Brazilian Rendezvous. Eleven of his plays and musicals have been produced in Pittsburgh, including Madame Hortense, The Exchange, A Window To Home, Closing Notice, The Hex, A Cosmic Night, Life After Coma, Give Us Another Tune, The Region (An American Opera), Outrun the Rain, Journey of the Spirits as well as his musical review Love Spirit! His play Recollection Rag aired on WQED-TV and his score The Martin Luther King Suite, which aired on NBC-TV, received an Emmy. Ernest’s directing credits include Humbug Man, Brazilian Rendezvous, A Cosmic Night, The Separate Vacation, Madame Hortense, Recollection Rag, The Exchange, Samm-Art Williams’ Home, A Window to Home, Life After Coma, The Tap Dance Kid, GIve Us Another Time, The Region, Rain and Rivers, Outrun the Rain, Kim El’s and KL’s The Poet’s Corner, Deadwood Dick and Cheryl West’s Jar The Floor. Ernest is a member of the Dramatists Guild. He was named Prolific Playwright of 1998 by In Pittsburgh. His play Recollection Rag (The Exchange) received the Hoyt W. Fuller Once-Act Play Festival Award and his play Madame Hortense received a Joseph Jefferson Award.
Author: Philip Furia Publisher: Oxford University Press ISBN: 0198022883 Category : Music Languages : en Pages : 335
Book Description
From the turn of the century to the 1960s, the songwriters of Tin Pan Alley dominated American music. Irving Berlin, Cole Porter, George and Ira Gershwin, Rodgers and Hart--even today these giants remain household names, their musicals regularly revived, their methods and styles analyzed and imitated, and their songs the bedrock of jazz and cabaret. In The Poets of Tin Pan Alley Philip Furia offers a unique new perspective on these great songwriters, showing how their poetic lyrics were as important as their brilliant music in shaping a golden age of American popular song. Furia writes with great perception and understanding as he explores the deft rhymes, inventive imagery, and witty solutions these songwriters used to breathe new life into rigidly established genres. He devotes full chapters to all the greats, including Irving Berlin, Lorenz Hart, Ira Gershwin, Cole Porter, Oscar Hammerstain II, Howard Dietz, E.Y. Harburg, Dorothy Fields, Leo Robin, and Johnny Mercer. Furia also offers a comprehensive survey of other lyricists who wrote for the sheet-music industry, Broadway, Hollywood, and Harlem nightclub revues. This was the era that produced The New Yorker, Don Marquis, Dorothy Parker, and E.B. White--and Furia places the lyrics firmly in this fascinating historical context. In these pages, the lyrics emerge as an important element of American modernism, as the lyricists, like the great modernist poets, took the American vernacular and made it sing.
Author: Peter J. Levinson
Author: Peter J. Levinson
Author: Harry Freedman
Author: Addie K. Boswell
Author: Peter Duggan
Author: John Godber
Author: Robert Gottlieb
Author: Ernest McCarty Jr
Author: Great Britain. Parliament. House of Lords
Author: Philip Furia
Author: Philip Furia