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Author: Alhazen Publisher: American Philosophical Society ISBN: 9780871699145 Category : Science Languages : en Pages : 496
Book Description
Sometime between 1028 and 1038, Ibn al-Haytham completed his monumental optical synthesis, Kitab al-Manazir ("Book of Optics"). By no later than 1200, and perhaps somewhat earlier, this treatise appeared in Latin under the title De aspectibus. In that form it was attributed to a certain "Alhacen." These differences in title and authorial designation are indicative of the profound differences between the two versions, Arabic and Latin, of the treatise. In many ways, in fact, they can be regarded not simply as different versions of the same work, but as different works in their own right. Accordingly, the Arab author, Ibn al-Haytham, and his Latin incarnation, Alhacen, represent two distinct, sometimes even conflicting, interpretive voices. And the same holds for their respective texts. To complicate matters, "Alhacen" does not represent a single interpretive voice. There were at least two translators at work on the Latin text, one of them adhering faithfully to the Arabic original, the other content with distilling, even paraphrasing, the Arabic original. Consequently, the Latin text presents not one, but at least two faces to the reader. This two-volume critical edition represents fourteen years of work on Dr. Smith's part. Awarded the 2001 J. F. Lewis Award.
Author: Alhazen Publisher: American Philosophical Society ISBN: 9780871699145 Category : Science Languages : en Pages : 496
Book Description
Sometime between 1028 and 1038, Ibn al-Haytham completed his monumental optical synthesis, Kitab al-Manazir ("Book of Optics"). By no later than 1200, and perhaps somewhat earlier, this treatise appeared in Latin under the title De aspectibus. In that form it was attributed to a certain "Alhacen." These differences in title and authorial designation are indicative of the profound differences between the two versions, Arabic and Latin, of the treatise. In many ways, in fact, they can be regarded not simply as different versions of the same work, but as different works in their own right. Accordingly, the Arab author, Ibn al-Haytham, and his Latin incarnation, Alhacen, represent two distinct, sometimes even conflicting, interpretive voices. And the same holds for their respective texts. To complicate matters, "Alhacen" does not represent a single interpretive voice. There were at least two translators at work on the Latin text, one of them adhering faithfully to the Arabic original, the other content with distilling, even paraphrasing, the Arabic original. Consequently, the Latin text presents not one, but at least two faces to the reader. This two-volume critical edition represents fourteen years of work on Dr. Smith's part. Awarded the 2001 J. F. Lewis Award.
Author: Giovanna Colombetti Publisher: MIT Press ISBN: 0262533766 Category : Philosophy Languages : en Pages : 289
Book Description
A proposal that extends the enactive approach developed in cognitive science and philosophy of mind to issues in affective science. In The Feeling Body, Giovanna Colombetti takes ideas from the enactive approach developed over the last twenty years in cognitive science and philosophy of mind and applies them for the first time to affective science—the study of emotions, moods, and feelings. She argues that enactivism entails a view of cognition as not just embodied but also intrinsically affective, and she elaborates on the implications of this claim for the study of emotion in psychology and neuroscience. In the course of her discussion, Colombetti focuses on long-debated issues in affective science, including the notion of basic emotions, the nature of appraisal and its relationship to bodily arousal, the place of bodily feelings in emotion experience, the neurophysiological study of emotion experience, and the bodily nature of our encounters with others. Drawing on enactivist tools such as dynamical systems theory, the notion of the lived body, neurophenomenology, and phenomenological accounts of empathy, Colombetti advances a novel approach to these traditional issues that does justice to their complexity. Doing so, she also expands the enactive approach into a further domain of inquiry, one that has more generally been neglected by the embodied-embedded approach in the philosophy of cognitive science.
Author: Masahiko Inami Publisher: Springer Nature ISBN: 9819920035 Category : Technology & Engineering Languages : en Pages : 151
Book Description
This book proposes a novel body image to bridge gap between self-transformation and preserving sense of self: the Jizai body. Automation and digitization have served to transform our lives. Digital transformation, for example, is rapidly changing the world every day, making life more convenient and comfortable. However, there is a worrying trend of removing the human element from human-centric systems as technologies and algorithms become more capable. Leaving humanity behind, especially its corporal components, will leave persons unable to feel a sense of self in their newfound comfort. Despite the allure of an automated life, it is doubtful that the authors will find happiness without a sense of control. Exploring the essence of what makes us human from a physiological and psychological standpoint, the authors present a new perspective on what constitutes a body in this era where the real physical world and virtual information world coexist. The authors present state-of-the-art research which seeks to free humanity from its physical constraints and allow free control of both the natural and extended body. The next step in human evolution starts here.
Author: James William Ward Publisher: B. Jain Publishers ISBN: 9788170210474 Category : Medical Languages : en Pages : 984
Book Description
A compilation from Hahnemann's Materia Medica, Allen's Encyclopaedia and Clarke's Dictionary. Divided into 2 sections, pathogenic symptoms and clinical symptoms. Vol. 1 provings; Vol. 2 clinical verifications.
Author: Ágnes Pethő Publisher: Cambridge Scholars Publishing ISBN: 1443873950 Category : Performing Arts Languages : en Pages : 395
Book Description
Following a previous international conference at the Sapientia Hungarian University of Transylvania in Cluj-Napoca, Romania, and the subsequent publication of a volume of studies with the title Film in the Post-Media Age (Cambridge Scholars Publishing, 2012), which insisted, citing the words of Jacques Rancière, that the ecosystem of contemporary moving images should be understood not as a unified digital environment, but as a highly diversified, “multisensory milieu,” another conference was organised, focusing this time directly on the “multisensory” nature of moving images. Pairing the keywords “cinema” and “sensation”, an invitation was extended for presentations offering a closer examination of the sensual aspects of moving images in order to identify and map out at least some of the possible new directions perceived as taking shape as “sensuous” film studies. The questions contributors addressed included: What kind of paradigms, authors, and styles can be identified in the practice of a cinema exploring the palpable presence of bodies in film history? How can sensory, audiovisual perception and cognitive knowledge be connected when watching moving images? What does the experience of so-called haptic images entail in film and video art? How does an emphasis on sensations and the body relate to representations of social issues and cultural difference? How are representations of other arts in films, or the filmic image appearing as a painterly tableau perceived? How can new images incorporate a sensation of “old” images? What is the difference between haptic images and “hyper” cinema in the form of 3D movies? How can the new naturalistic trends in contemporary cinema be interpreted? What kind of sensual forms are devised for what is unrepresentable or impalpable? The conference took place between the 25th and 27th of May 2012, with the title The Cinema of Sensations, and attracted researchers from all over the world for what turned out to be three days of presentations on extremely varied subjects and lively discussions conducted in a memorably cheerful atmosphere. The present volume is the palpable outcome of these debates, and publishes a selection of articles that have been written for, or after, this conference.
Author: Michel Serres Publisher: Bloomsbury Publishing ISBN: 1474299954 Category : Philosophy Languages : en Pages : 369
Book Description
Marginalized by the scientific age the lessons of the senses have been overtaken by the dominance of language and the information revolution. With The Five Senses Serres traces a topology of human perception, writing against the Cartesian tradition and in praise of empiricism, he demonstrates repeatedly, and lyrically, the sterility of systems of knowledge divorced from bodily experience. The fragile empirical world, long resistant to our attempts to contain and catalog it, is disappearing beneath the relentless accumulations of late capitalist society and information technology. Data has replaced sensory pleasure, we are less interested in the taste of a fine wine than in the description on the bottle's label. What are we, and what do we really know, when we have forgotten that our senses can describe a taste more accurately than language ever could? The book won the inaugural Prix Médicis Essai in 1985. The Revelations edition includes an introduction by Steven Connor.
Author: Alhazen
Author: Alhazen
Author: Giovanna Colombetti
Author: Masahiko Inami
Author: Fiona Macpherson
Author: James William Ward
Author: Joseph Sweetman Ames
Author: Ágnes Pethő
Author: James Aaron Green
Author: Johannes Müller
Author: Michel Serres