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Sensation and Intuition

Sensation and Intuition PDF Author: James Sully
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 402

Book Description


Sensation and Intuition

Sensation and Intuition PDF Author: James Sully
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 402

Book Description


Sensation and Intuition

Sensation and Intuition PDF Author: James Sully
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 372

Book Description


Sensation and Intuition; Studies in Psychology and Aesthetics

Sensation and Intuition; Studies in Psychology and Aesthetics PDF Author: James Sully
Publisher: Theclassics.Us
ISBN: 9781230272238
Category :
Languages : en
Pages : 156

Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1874 edition. Excerpt: ... Finally, the scientific mind gathers up all such credible conceptions, branching out in all directions of space and time, and formulates them in general laws. Every one of these universal propositions stands for an indefinite number of anticipations. Of these some are simple and positive: that is, point to events we really count upon witnessing for ourselves. The greater number, however, are complex and conditional: that is, rest on a supposition of certain experiences which we either regard as probable at some future day, or can imagine ourselves as undergoing or having undergone at any conceivable point of time.* The number of our own actual experiences of the given fact may be small enough; and yet we do not hesitate to cast ourselves, in thought, at least, if not in(action, on this indefinitely wide range of conceivable experiences. We have now ceased to draw our crude childish inferences of a world revolving about us like some painted cylinder, with all its different pictures occurring in exactly the same order, and have expanded our field of vision to a world with no clearly marked limits in space or time, a vast painted canvas for ever moving onwards before the eye, in which at first sight nothing but most intricate and unlike groupings of coloured forms are discoverable, subtly woven lines that intersect in ever fresh arabesque forms, but in which the measuring eye of the geometer discovers unfailing uniformities of relation, resolving every picturesque complexity into a modified combination of a few elementary lines and surfaces.f In this way, then, it seems possible to connect the definite beliefs of maturity with those wild impulses to realize an idea as actual sensation which I have regarded as the germinal form of all...

Sensation and Intuition

Sensation and Intuition PDF Author: James Sully
Publisher:
ISBN: 9780282234546
Category : Psychology
Languages : en
Pages : 432

Book Description
Excerpt from Sensation and Intuition: Studies in Psychology and AestheticsThe author would tender his best thanks to Professor Bain 1nd to Mr. Herbert Spencer for their kindness in giving him fuller explanations of their published views. He would also express his obligations to Professor Bain, to the Rev. J.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Sensation and Intuition

Sensation and Intuition PDF Author: James Sully
Publisher: Nabu Press
ISBN: 9781294269113
Category :
Languages : en
Pages : 432

Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Sensation and Intuition

Sensation and Intuition PDF Author: James Sully
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 438

Book Description


Sensation and Intuition

Sensation and Intuition PDF Author: James Sully
Publisher: Elibron Classics
ISBN: 9781402198786
Category :
Languages : en
Pages : 393

Book Description


Hardy, Conrad and the Senses

Hardy, Conrad and the Senses PDF Author: Hugh Epstein
Publisher: Edinburgh University Press
ISBN: 1474449883
Category : Impressionism in literature
Languages : en
Pages : 312

Book Description
This book reads the highly descriptive impressionist writings of Hardy and Conrad together in the light of a shared attention to sight and sound.

Psychologism and Psychoaesthetics

Psychologism and Psychoaesthetics PDF Author: John Fizer
Publisher: John Benjamins Publishing
ISBN: 9027215065
Category : Language Arts & Disciplines
Languages : en
Pages : 295

Book Description
Unlike studies which confine psychologism to the second half of the nineteenth century, and to an explicit claim of psychology as a 'Grundwissenschaft' during that period, this work attempts to trace psychologism's emergence in Greek antiquity, in hedonistic tendencies of the Renaissance, and in British Empiricism. Thus, psychologism figures as a generic concept, embracing a variety of both positivistic and idealistic arguments concerning the localization of normative sciences, particularly aesthetics and literary theory, in psychological space. This study also considers the implicit psychologism of even those psychoaesthetic theories which claimed to be against the exclusive status of psychology. In their actual treatment of aesthetic and literary facts, such theories inadvertently did indeed resort to psychologistic arguments. The position from which I have chosen to look at psychologistically committed aesthetics and literary theory is essentially phenomenological. The author seeks to present psychologism as a central tendency of psychoaesthetics as well as to assert critically psychologism's basic assumptions.

Aesthetic

Aesthetic PDF Author: Benedetto Croce
Publisher: Transaction Publishers
ISBN: 9781560008187
Category : Philosophy
Languages : en
Pages : 462

Book Description
Benedetto Croce is one of the most influential philosophers of the twentieth century. His work in aesthetics and historiography has been controversial, but enduring. When the first edition of Aesthetic appeared in 1902, Croce was seen as foremost in reasserting an idealistic philosophy, which, despite its source in continental idealists from Descartes to Hegel, offers a system that attempts to account for the emergence of scientific systems. Croce thus combines scientific and metaphysical thought into a dynamic aesthetic. Croce regards aesthetics not merely as a branch of philosophy, but as a fundamental human activity. It is inseparable from historical, psychological, political, economic, and moral considerations, no less than a unique frame of artistic reference. Aesthetic is composed of two parts: Part One concentrates on aesthetic theory and practice. Among the topics it covers are: intuition and expression, art and philosophy, historicism and intellectualism, and beauty in nature and in art. Part Two is devoted to the history of aesthetics. Croce analyzes such subjects as: aesthetic ideas in the Middle Ages and Renaissance, Giambattista Vico's contribution to aesthetics, the philosophy of language, and aesthetic psychologism. In his new introduction to a classic translation, John McCormick reviews Croce's impact in the fields of aesthetic theory and historiography. He notes that the republication of this work is an overdue appreciation of a singular effort to resolve the classic question of the philosophy of art: art for its own sake or art as a social enterprise. Both find a place in Croce's system.