Author: Norman T. Pratt
Publisher: UNC Press Books
ISBN: 9780807815557
Category : History
Languages : en
Pages : 240
Book Description
With insight and clarity, Norman Pratt makes available to the general reader an understanding of the major elements that shaped Seneca's plays. These he defines as Neo-Stoicism, declamatory rhetoric, and the chaotic, violent conditions of Senecan society. Seneca's drama shows the nature of this society and uses freely the declamatory rhetorical techniques familiar to any well-educated Roman. But the most important element, Pratt argues, is Neo-Stoicism, including technical aspects of this philosophy that previously have escaped notice. With these ingredients Seneca transformed the themes and characters inherited from Greek drama, casting them in a form that so radically departs from the earlier drama that Seneca's plays require a different mode of criticism. "The greatest need in the criticism of this drama is to understand its legitimacy as drama of a new kind in the anicent tradition," Pratt writes. "It cannot be explained as an inferior imitation of Greek tragedy because, though inferior, it is not imitative in the strict sense of the word and has its own nature and motivation." Pratt shows the functional interrelationship among philosophy, rhetoric, and "society" in Seneca's nine plays and assesses the plays' dramatic qualities. He finds that however melodramatic the plays may seem to the modern reader, Seneca's own career as Nero's mentor, statesman, and spokesman was scarcely less tumultuous than the lives of his characters. When the Neo-Stoicism and rhetoric of the plays are charged with Seneca's own tortured, passionate life, Pratt concludes, "The result is inevitably melodrama, melodrama of such energy and force that it changed the course of Western drama." Originally published in 1983. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Seneca's Drama
Author: Norman T. Pratt
Publisher: UNC Press Books
ISBN: 9780807815557
Category : History
Languages : en
Pages : 240
Book Description
With insight and clarity, Norman Pratt makes available to the general reader an understanding of the major elements that shaped Seneca's plays. These he defines as Neo-Stoicism, declamatory rhetoric, and the chaotic, violent conditions of Senecan society. Seneca's drama shows the nature of this society and uses freely the declamatory rhetorical techniques familiar to any well-educated Roman. But the most important element, Pratt argues, is Neo-Stoicism, including technical aspects of this philosophy that previously have escaped notice. With these ingredients Seneca transformed the themes and characters inherited from Greek drama, casting them in a form that so radically departs from the earlier drama that Seneca's plays require a different mode of criticism. "The greatest need in the criticism of this drama is to understand its legitimacy as drama of a new kind in the anicent tradition," Pratt writes. "It cannot be explained as an inferior imitation of Greek tragedy because, though inferior, it is not imitative in the strict sense of the word and has its own nature and motivation." Pratt shows the functional interrelationship among philosophy, rhetoric, and "society" in Seneca's nine plays and assesses the plays' dramatic qualities. He finds that however melodramatic the plays may seem to the modern reader, Seneca's own career as Nero's mentor, statesman, and spokesman was scarcely less tumultuous than the lives of his characters. When the Neo-Stoicism and rhetoric of the plays are charged with Seneca's own tortured, passionate life, Pratt concludes, "The result is inevitably melodrama, melodrama of such energy and force that it changed the course of Western drama." Originally published in 1983. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Publisher: UNC Press Books
ISBN: 9780807815557
Category : History
Languages : en
Pages : 240
Book Description
With insight and clarity, Norman Pratt makes available to the general reader an understanding of the major elements that shaped Seneca's plays. These he defines as Neo-Stoicism, declamatory rhetoric, and the chaotic, violent conditions of Senecan society. Seneca's drama shows the nature of this society and uses freely the declamatory rhetorical techniques familiar to any well-educated Roman. But the most important element, Pratt argues, is Neo-Stoicism, including technical aspects of this philosophy that previously have escaped notice. With these ingredients Seneca transformed the themes and characters inherited from Greek drama, casting them in a form that so radically departs from the earlier drama that Seneca's plays require a different mode of criticism. "The greatest need in the criticism of this drama is to understand its legitimacy as drama of a new kind in the anicent tradition," Pratt writes. "It cannot be explained as an inferior imitation of Greek tragedy because, though inferior, it is not imitative in the strict sense of the word and has its own nature and motivation." Pratt shows the functional interrelationship among philosophy, rhetoric, and "society" in Seneca's nine plays and assesses the plays' dramatic qualities. He finds that however melodramatic the plays may seem to the modern reader, Seneca's own career as Nero's mentor, statesman, and spokesman was scarcely less tumultuous than the lives of his characters. When the Neo-Stoicism and rhetoric of the plays are charged with Seneca's own tortured, passionate life, Pratt concludes, "The result is inevitably melodrama, melodrama of such energy and force that it changed the course of Western drama." Originally published in 1983. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Shakespeare and Senecan Tragedy
Author: Curtis Perry
Publisher: Cambridge University Press
ISBN: 1108496172
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
Perry reveals Shakespeare derived modes of tragic characterization, previously seen as presciently modern, via engagement with Rome and Senecan tragedy.
Publisher: Cambridge University Press
ISBN: 1108496172
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
Perry reveals Shakespeare derived modes of tragic characterization, previously seen as presciently modern, via engagement with Rome and Senecan tragedy.
Seneca and the Idea of Tragedy
Author: Gregory A. Staley
Publisher: OUP USA
ISBN: 0195387430
Category : Drama
Languages : en
Pages : 200
Book Description
The question of why Seneca wrote tragedy has been debated since at least the 13th century. Since Seneca was a Stoic, critics assumed he wrote with the standard Stoic theory of literature as education in philosophy in mind. This book argues that Seneca was influenced by Aristotle's famous defense of tragedy against Plato's critique.
Publisher: OUP USA
ISBN: 0195387430
Category : Drama
Languages : en
Pages : 200
Book Description
The question of why Seneca wrote tragedy has been debated since at least the 13th century. Since Seneca was a Stoic, critics assumed he wrote with the standard Stoic theory of literature as education in philosophy in mind. This book argues that Seneca was influenced by Aristotle's famous defense of tragedy against Plato's critique.
Renaissance Tragedy and the Senecan Tradition
Author: Gordon Braden
Publisher: New Haven : Yale University Press
ISBN: 9780300032536
Category : European drama
Languages : en
Pages : 260
Book Description
Publisher: New Haven : Yale University Press
ISBN: 9780300032536
Category : European drama
Languages : en
Pages : 260
Book Description
Six Tragedies
Author: Lucius Annaeus Seneca
Publisher: Oxford University Press, USA
ISBN: 0192807064
Category : Drama
Languages : en
Pages : 277
Book Description
This is a lively, readable and accurate verse translation of the six best plays by one of the most influential of all classical Latin writers. The volume includes Phaedra, Oedipus, Medea, Trojan Women, Hercules Furens, and Thyestes, together with an invaluable introduction and notes.
Publisher: Oxford University Press, USA
ISBN: 0192807064
Category : Drama
Languages : en
Pages : 277
Book Description
This is a lively, readable and accurate verse translation of the six best plays by one of the most influential of all classical Latin writers. The volume includes Phaedra, Oedipus, Medea, Trojan Women, Hercules Furens, and Thyestes, together with an invaluable introduction and notes.
The Tragedies of Seneca
Author: Lucius Annaeus Seneca
Publisher:
ISBN:
Category : Latin drama (Tragedy)
Languages : en
Pages : 488
Book Description
Publisher:
ISBN:
Category : Latin drama (Tragedy)
Languages : en
Pages : 488
Book Description
The Cambridge Companion to Seneca
Author: Shadi Bartsch
Publisher: Cambridge University Press
ISBN: 1107035058
Category : Drama
Languages : en
Pages : 379
Book Description
This Companion examines the complete works of Seneca in context and establishes the importance of his legacy in Western thought.
Publisher: Cambridge University Press
ISBN: 1107035058
Category : Drama
Languages : en
Pages : 379
Book Description
This Companion examines the complete works of Seneca in context and establishes the importance of his legacy in Western thought.
Gorboduc
Author: Thomas Norton
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 144
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 144
Book Description
The Passions in Play
Author: Alessandro Schiesaro
Publisher: Cambridge University Press
ISBN: 1139440217
Category : History
Languages : en
Pages : 298
Book Description
This monograph is devoted to the most important of Seneca's tragedies, Thyestes, which has had a notable influence on Western drama from Shakespeare to Antonin Artaud. Thyestes emerges as the mastertext of 'Silver' Latin poetry, and as an original reflection on the nature of theatre comparable to Euripides' Bacchae. The book analyses the complex structure of the play, its main themes, the relationship between Seneca's vibrant style and his obsession with dark issues of revenge and regression. Substantial discussion of other plays - especially Trojan Women, Oedipus and Medea - permits a comprehensive re-evaluation of Seneca's poetics and its pivotal role in post-Virgilian literature. Topics explored include the relationship between Seneca's plays and his theory of the emotions, the connection between poetic inspiration and the Underworld, and Seneca's treatment of time, which, in a perspective informed by psychoanalysis, is seen as a central preoccupation of Senecan tragedy.
Publisher: Cambridge University Press
ISBN: 1139440217
Category : History
Languages : en
Pages : 298
Book Description
This monograph is devoted to the most important of Seneca's tragedies, Thyestes, which has had a notable influence on Western drama from Shakespeare to Antonin Artaud. Thyestes emerges as the mastertext of 'Silver' Latin poetry, and as an original reflection on the nature of theatre comparable to Euripides' Bacchae. The book analyses the complex structure of the play, its main themes, the relationship between Seneca's vibrant style and his obsession with dark issues of revenge and regression. Substantial discussion of other plays - especially Trojan Women, Oedipus and Medea - permits a comprehensive re-evaluation of Seneca's poetics and its pivotal role in post-Virgilian literature. Topics explored include the relationship between Seneca's plays and his theory of the emotions, the connection between poetic inspiration and the Underworld, and Seneca's treatment of time, which, in a perspective informed by psychoanalysis, is seen as a central preoccupation of Senecan tragedy.
Tragic Seneca
Author: A. J. Boyle
Publisher: Routledge
ISBN: 1134802315
Category : History
Languages : en
Pages : 273
Book Description
Tragic Seneca undertakes a radical re-evaluation of Seneca's plays, their relationship to Roman imperial culture and their instrumental role in the evolution of the European theatrical tradition. Following an introduction on the history of the Roman theatre, the book provides a dramatic and cultural critique of the whole of Seneca's corpus, analysing the declamatory form of the plays, their rhetoric, interiority, stagecraft and spectacle, dramatic, ideological and moral structure and their overt theatricality. Each of Seneca's plays is examined in detail, locating the force of Senecan drama not only in the moral complexity of the texts and their representations of power, violence, history, suffering and the self, but the semiotic interplay of text, tradition and culture. The later chapters focus on Seneca's influence on Italian, English and French drama of the Renaissance. A.J. Boyle argues that tragedians such as Cinthio, Kyd, Marlowe, Shakespeare, Webster, Corneille, and Racine owe a debt to Seneca that goes beyond allusion, dramatic form and the treatment of tyranny and revenge to the development of the tragic sensibility and the metatheatrical mind. Tragic Seneca attempts to restore Seneca to a central position in the European literary tradition. It will provide readers and directors of Seneca's plays with the essential critical guide to their intellectual, cultural and dramatic complexity.
Publisher: Routledge
ISBN: 1134802315
Category : History
Languages : en
Pages : 273
Book Description
Tragic Seneca undertakes a radical re-evaluation of Seneca's plays, their relationship to Roman imperial culture and their instrumental role in the evolution of the European theatrical tradition. Following an introduction on the history of the Roman theatre, the book provides a dramatic and cultural critique of the whole of Seneca's corpus, analysing the declamatory form of the plays, their rhetoric, interiority, stagecraft and spectacle, dramatic, ideological and moral structure and their overt theatricality. Each of Seneca's plays is examined in detail, locating the force of Senecan drama not only in the moral complexity of the texts and their representations of power, violence, history, suffering and the self, but the semiotic interplay of text, tradition and culture. The later chapters focus on Seneca's influence on Italian, English and French drama of the Renaissance. A.J. Boyle argues that tragedians such as Cinthio, Kyd, Marlowe, Shakespeare, Webster, Corneille, and Racine owe a debt to Seneca that goes beyond allusion, dramatic form and the treatment of tyranny and revenge to the development of the tragic sensibility and the metatheatrical mind. Tragic Seneca attempts to restore Seneca to a central position in the European literary tradition. It will provide readers and directors of Seneca's plays with the essential critical guide to their intellectual, cultural and dramatic complexity.