Author: Peter W. Smith
Publisher: iUniverse
ISBN: 0595188281
Category : Business & Economics
Languages : en
Pages : 246
Book Description
AS A NEW SCREENWRITER, WHERE DO YOU START? Selling Yourself as a Scriptwriter in Hollywood is your most important resource as you begin your career as a professional screenwriter. LEARN THE HOLLYWOOD LITERARY MARKETPLACE New screenwriters need to learn the playing field before getting into the game. ABOVE ALL ELSE YOU MUST LOOK PROFESSIONAL This easy-to-read manual teaches new screenwriters state-of-the-art spec script format and selling techniques. LEARN PROFESSIONAL TRICKS-OF-THE-TRADE Many of the tools needed by new screenwriters are readily available—if you know where to find them. BE AWARE OF THE DOs AND THE DON’Ts No-nonsense warning of the common and not-so-common mistakes made by new screenwriters. GETTING YOUR SCREENPLAY KNOWN IN HOLLYWOOD After your screenplay is finished, learn how to uncover potential buyers and how to access reputable agents. A PRODUCER OR AGENT WANTS TO READ YOUR SCRIPT What should you send? What shouldn't you send? Learn how to create an effective submission package. SCREENWRITING CONTESTS & FELLOWSHIPS Are they useful? Which ones are best? There are some great opportunities offered by Hollywood’s major players. The Peterbrook Series
Selling Yourself As A Scriptwriter in Hollywood
Author: Peter W. Smith
Publisher: iUniverse
ISBN: 0595188281
Category : Business & Economics
Languages : en
Pages : 246
Book Description
AS A NEW SCREENWRITER, WHERE DO YOU START? Selling Yourself as a Scriptwriter in Hollywood is your most important resource as you begin your career as a professional screenwriter. LEARN THE HOLLYWOOD LITERARY MARKETPLACE New screenwriters need to learn the playing field before getting into the game. ABOVE ALL ELSE YOU MUST LOOK PROFESSIONAL This easy-to-read manual teaches new screenwriters state-of-the-art spec script format and selling techniques. LEARN PROFESSIONAL TRICKS-OF-THE-TRADE Many of the tools needed by new screenwriters are readily available—if you know where to find them. BE AWARE OF THE DOs AND THE DON’Ts No-nonsense warning of the common and not-so-common mistakes made by new screenwriters. GETTING YOUR SCREENPLAY KNOWN IN HOLLYWOOD After your screenplay is finished, learn how to uncover potential buyers and how to access reputable agents. A PRODUCER OR AGENT WANTS TO READ YOUR SCRIPT What should you send? What shouldn't you send? Learn how to create an effective submission package. SCREENWRITING CONTESTS & FELLOWSHIPS Are they useful? Which ones are best? There are some great opportunities offered by Hollywood’s major players. The Peterbrook Series
Publisher: iUniverse
ISBN: 0595188281
Category : Business & Economics
Languages : en
Pages : 246
Book Description
AS A NEW SCREENWRITER, WHERE DO YOU START? Selling Yourself as a Scriptwriter in Hollywood is your most important resource as you begin your career as a professional screenwriter. LEARN THE HOLLYWOOD LITERARY MARKETPLACE New screenwriters need to learn the playing field before getting into the game. ABOVE ALL ELSE YOU MUST LOOK PROFESSIONAL This easy-to-read manual teaches new screenwriters state-of-the-art spec script format and selling techniques. LEARN PROFESSIONAL TRICKS-OF-THE-TRADE Many of the tools needed by new screenwriters are readily available—if you know where to find them. BE AWARE OF THE DOs AND THE DON’Ts No-nonsense warning of the common and not-so-common mistakes made by new screenwriters. GETTING YOUR SCREENPLAY KNOWN IN HOLLYWOOD After your screenplay is finished, learn how to uncover potential buyers and how to access reputable agents. A PRODUCER OR AGENT WANTS TO READ YOUR SCRIPT What should you send? What shouldn't you send? Learn how to create an effective submission package. SCREENWRITING CONTESTS & FELLOWSHIPS Are they useful? Which ones are best? There are some great opportunities offered by Hollywood’s major players. The Peterbrook Series
The Complete Idiot's Guide to Screenwriting
Author: Skip Press
Publisher: Penguin
ISBN: 9780028639444
Category : Performing Arts
Languages : en
Pages : 365
Book Description
Provides advice for aspiring screenwriters on how to write scripts for television and motion pictures, including what topics are popular, how to rework scenes, and how to sell screenplays in Hollywood.
Publisher: Penguin
ISBN: 9780028639444
Category : Performing Arts
Languages : en
Pages : 365
Book Description
Provides advice for aspiring screenwriters on how to write scripts for television and motion pictures, including what topics are popular, how to rework scenes, and how to sell screenplays in Hollywood.
Writing Screenplays That Sell
Author: Michael Hauge
Publisher: Harper Collins
ISBN: 0062725009
Category : Language Arts & Disciplines
Languages : en
Pages : 356
Book Description
Covers story concept, character development, theme, structure, and scenes, analyzes a sample screenplay, and tells how to submit a manuscript, select an agent, and market oneself.
Publisher: Harper Collins
ISBN: 0062725009
Category : Language Arts & Disciplines
Languages : en
Pages : 356
Book Description
Covers story concept, character development, theme, structure, and scenes, analyzes a sample screenplay, and tells how to submit a manuscript, select an agent, and market oneself.
Writing Movies for Fun and Profit
Author: Thomas Lennon
Publisher: Simon and Schuster
ISBN: 1439186766
Category : Biography & Autobiography
Languages : en
Pages : 328
Book Description
"A hilarious and helpful insider's guide to launching a successful writing career in Hollywood. . . . The only compass readers will ever need to navigate the treacherous waters of filmmaking"--("Kirkus Reviews," starred review).
Publisher: Simon and Schuster
ISBN: 1439186766
Category : Biography & Autobiography
Languages : en
Pages : 328
Book Description
"A hilarious and helpful insider's guide to launching a successful writing career in Hollywood. . . . The only compass readers will ever need to navigate the treacherous waters of filmmaking"--("Kirkus Reviews," starred review).
Good in a Room
Author: Stephanie Palmer
Publisher: Crown Currency
ISBN: 0385525281
Category : Business & Economics
Languages : en
Pages : 290
Book Description
Whether you work in Hollywood or not, the fact is that selling ideas is really difficult to do. The reason the pitching secrets of the most successful writers and directors are relevant is because these people have evolved an advanced method for selling ideas. Whether you’re a screenwriter, a journalist with an idea for a story, an entrepreneur with a business plan, an inventor with a blueprint, or a manager with an innovative solution, if you want other people to invest their time, energy, and money in your idea, you face an uphill battle…. When I was at MGM, the hardest part of my job was not cutthroat studio politics or grueling production schedules. The toughest part of my job was whenever I had to say “No” to an idea that was almost there. I had to say no a lot. Every buyer does. The buyer’s work is to say yes to projects that are ready, not almost ready. And no matter how good the script is, if the seller can’t pitch it in a compelling way, how can the buyer see the potential? How can he get his colleagues on board? How can he recommend the seller to his superiors? The fact is that poor pitches doom good projects. It happens all the time. The ideas, products and services that are pitched more effectively… win. That’s just how the game is played. No sense getting upset over it. Instead, let’s accept the challenge and learn the strategies and tactics that will allow us (and our ideas) to succeed. -From GOOD IN A ROOM Business consultant and former MGM Director of Creative Affairs Stephanie Palmer reveals the techniques used by Hollywood’s top writers, producers, and directors to get financing for their projects - and explains how you can apply these techniques to be more successful in your own high-stakes meetings. Because, as Palmer has found, the strategies used to sell yourself and your ideas in Hollywood not only work in other businesses, they often work better. Whether you are a manager or executive with an innovative proposal, a professional with a hot concept, a salesperson selling to a potential client or investor, or an entrepreneur with a business plan, GOOD IN A ROOM shows you how to: Master the five stages of the face-to-face meeting Avoid the secret dealbreakers of the first ninety seconds Be confident in high-pressure situations Present yourself better and more effectively than you ever have before Whether you want to ask for a raise, grow your client list, launch a new business or find financing for a creative project, you must not only present your ideas in a compelling way - you must also sell yourself, as well. GOOD IN A ROOM shows you how to construct a winning presentation and deliver the kind of performance that will get your project greenlighted, whatever industry you are in.
Publisher: Crown Currency
ISBN: 0385525281
Category : Business & Economics
Languages : en
Pages : 290
Book Description
Whether you work in Hollywood or not, the fact is that selling ideas is really difficult to do. The reason the pitching secrets of the most successful writers and directors are relevant is because these people have evolved an advanced method for selling ideas. Whether you’re a screenwriter, a journalist with an idea for a story, an entrepreneur with a business plan, an inventor with a blueprint, or a manager with an innovative solution, if you want other people to invest their time, energy, and money in your idea, you face an uphill battle…. When I was at MGM, the hardest part of my job was not cutthroat studio politics or grueling production schedules. The toughest part of my job was whenever I had to say “No” to an idea that was almost there. I had to say no a lot. Every buyer does. The buyer’s work is to say yes to projects that are ready, not almost ready. And no matter how good the script is, if the seller can’t pitch it in a compelling way, how can the buyer see the potential? How can he get his colleagues on board? How can he recommend the seller to his superiors? The fact is that poor pitches doom good projects. It happens all the time. The ideas, products and services that are pitched more effectively… win. That’s just how the game is played. No sense getting upset over it. Instead, let’s accept the challenge and learn the strategies and tactics that will allow us (and our ideas) to succeed. -From GOOD IN A ROOM Business consultant and former MGM Director of Creative Affairs Stephanie Palmer reveals the techniques used by Hollywood’s top writers, producers, and directors to get financing for their projects - and explains how you can apply these techniques to be more successful in your own high-stakes meetings. Because, as Palmer has found, the strategies used to sell yourself and your ideas in Hollywood not only work in other businesses, they often work better. Whether you are a manager or executive with an innovative proposal, a professional with a hot concept, a salesperson selling to a potential client or investor, or an entrepreneur with a business plan, GOOD IN A ROOM shows you how to: Master the five stages of the face-to-face meeting Avoid the secret dealbreakers of the first ninety seconds Be confident in high-pressure situations Present yourself better and more effectively than you ever have before Whether you want to ask for a raise, grow your client list, launch a new business or find financing for a creative project, you must not only present your ideas in a compelling way - you must also sell yourself, as well. GOOD IN A ROOM shows you how to construct a winning presentation and deliver the kind of performance that will get your project greenlighted, whatever industry you are in.
Writer's Guide to Hollywood Producers, Directors and Screenwriter's Agents, 1999-2000
Author: Skip Press
Publisher: Prima Lifestyles
ISBN: 9780761514848
Category : Motion picture authorship
Languages : en
Pages : 468
Book Description
In Hollywood, it's not just what you know, it's "who you know that counts! With "Writer's Guide to Hollywood Producers, Directors, and Screenwriter's Agents you have the friend you need to succeed in this very competitive industry. In this insider's guide, Hollywood screenwriter Skip Press tells you who's who, what they're looking for, and, most important, how to reach them--by mail, phone, fax, even e-mail. Also included: - Essential information on submission protocols and preferences for hundreds of agencies and production companies - Extensive interviews with key people - How Hollywood works: An A-Z tour - Books, CD-ROMs, and other back doors to Hollywood - And much, much more! "Skip Press has written a book that combines fearless opinions and invaluable hard facts, both of which are hard to find in Hollywood. This book is thoughtfully written, clearly laid out, and of great value to beginners and old-timers alike." --Gareth Wigan, co-vice chairman, Columbia TriStar Motion Picture Group "An invaluable resource for breaking into the movie and television business." --Barbara Anne Hiser, Emmy-winning cable and network television producer "[This book is] not only entertaining but a valuable tool for anyone interested in show business." --Paul Mason, Sr., vice president of Production, Viacom "The bonus for any reader of this book is that Skip Press is just a good writer--accessible, clear, persuasive, motivating, and easy-to-understand." --Jerry B. Jenkins, author of the "Left Behind series and "'Twas the Night Before "An insightful guide to the intricate Hollywood network." --Oliver Eberle, founder and CEO, ShowBIZ Data.com Aboutthe Author Skip Press, a novelist, screenwriter, and producer, is the author of "How to Write What You Want and Sell What You Write and dozens of other titles, as well as hundreds of entertainment articles and short stories. He lives in the Los Angeles area.
Publisher: Prima Lifestyles
ISBN: 9780761514848
Category : Motion picture authorship
Languages : en
Pages : 468
Book Description
In Hollywood, it's not just what you know, it's "who you know that counts! With "Writer's Guide to Hollywood Producers, Directors, and Screenwriter's Agents you have the friend you need to succeed in this very competitive industry. In this insider's guide, Hollywood screenwriter Skip Press tells you who's who, what they're looking for, and, most important, how to reach them--by mail, phone, fax, even e-mail. Also included: - Essential information on submission protocols and preferences for hundreds of agencies and production companies - Extensive interviews with key people - How Hollywood works: An A-Z tour - Books, CD-ROMs, and other back doors to Hollywood - And much, much more! "Skip Press has written a book that combines fearless opinions and invaluable hard facts, both of which are hard to find in Hollywood. This book is thoughtfully written, clearly laid out, and of great value to beginners and old-timers alike." --Gareth Wigan, co-vice chairman, Columbia TriStar Motion Picture Group "An invaluable resource for breaking into the movie and television business." --Barbara Anne Hiser, Emmy-winning cable and network television producer "[This book is] not only entertaining but a valuable tool for anyone interested in show business." --Paul Mason, Sr., vice president of Production, Viacom "The bonus for any reader of this book is that Skip Press is just a good writer--accessible, clear, persuasive, motivating, and easy-to-understand." --Jerry B. Jenkins, author of the "Left Behind series and "'Twas the Night Before "An insightful guide to the intricate Hollywood network." --Oliver Eberle, founder and CEO, ShowBIZ Data.com Aboutthe Author Skip Press, a novelist, screenwriter, and producer, is the author of "How to Write What You Want and Sell What You Write and dozens of other titles, as well as hundreds of entertainment articles and short stories. He lives in the Los Angeles area.
Successful Scriptwriting
Author: Jurgen Wolff
Publisher: Penguin
ISBN: 1599634821
Category : Performing Arts
Languages : en
Pages : 389
Book Description
SUCCESSFUL SCRIPTWRITING Let's start with "The End." The credits roll - we see "Screenplay by ..." and there's your name. The show's a hit! It's Emmy/Oscar night, and you're seated up front. The nominations are revealed; your name is called. Your acceptance speech is memorable, an inspiration to the new writers "breaking in." Variety says your "future looks very bright." Hooray for Hollywood! But how did you get here? With talent, determination, and the help of this comprehensive guide, you'll have the wherewithal to move your dream from your mind onto the page and to succeed in this fiercely competitive, highly selective field. Starting with a basic course in scriptwriting, Jurgen Wolff and Kerry Cox teach you the fundamental skills of writing the feature film script, from original idea to finished screenplay. Then you'll learn how to apply your new-found skills to every type of television and film script: movies-of-the week, episodic television, situation comedies and soap operas. You'll also find helpful insight from the greats in the business, like Colin Higgins (Harold and Maude, Foul Play, 9 to 5), Larry Gelbart (Oh, God!, Tootsie, "M*A*S*H"), William Bickley ("Perfect Strangers," "Happy Days"), and Steven Bochco ("Doogie Howser, M.D.," "L.A. Law"). And you'll find answers to these essential questions: • What fundamental skills and essential ingredients do I need to write a feature film script? • By what criteria do producers and studios evaluate scripts or ideas presented to them? • When should I write an outline or a treatment for my script, and what are the formats? • How do I go about protecting my work? • Is there a cut-and-dried technique for pitching my ideas? Every part of this book reflects the needs and realities of today's TV and film industry, providing you with insight as well as practical knowledge. With this book as your guide, you can start at the beginning and follow a well-defined path to successful scriptwriting.
Publisher: Penguin
ISBN: 1599634821
Category : Performing Arts
Languages : en
Pages : 389
Book Description
SUCCESSFUL SCRIPTWRITING Let's start with "The End." The credits roll - we see "Screenplay by ..." and there's your name. The show's a hit! It's Emmy/Oscar night, and you're seated up front. The nominations are revealed; your name is called. Your acceptance speech is memorable, an inspiration to the new writers "breaking in." Variety says your "future looks very bright." Hooray for Hollywood! But how did you get here? With talent, determination, and the help of this comprehensive guide, you'll have the wherewithal to move your dream from your mind onto the page and to succeed in this fiercely competitive, highly selective field. Starting with a basic course in scriptwriting, Jurgen Wolff and Kerry Cox teach you the fundamental skills of writing the feature film script, from original idea to finished screenplay. Then you'll learn how to apply your new-found skills to every type of television and film script: movies-of-the week, episodic television, situation comedies and soap operas. You'll also find helpful insight from the greats in the business, like Colin Higgins (Harold and Maude, Foul Play, 9 to 5), Larry Gelbart (Oh, God!, Tootsie, "M*A*S*H"), William Bickley ("Perfect Strangers," "Happy Days"), and Steven Bochco ("Doogie Howser, M.D.," "L.A. Law"). And you'll find answers to these essential questions: • What fundamental skills and essential ingredients do I need to write a feature film script? • By what criteria do producers and studios evaluate scripts or ideas presented to them? • When should I write an outline or a treatment for my script, and what are the formats? • How do I go about protecting my work? • Is there a cut-and-dried technique for pitching my ideas? Every part of this book reflects the needs and realities of today's TV and film industry, providing you with insight as well as practical knowledge. With this book as your guide, you can start at the beginning and follow a well-defined path to successful scriptwriting.
Breaking In
Author: Lee Jessup
Publisher: Taylor & Francis
ISBN: 1317194128
Category : Performing Arts
Languages : en
Pages : 308
Book Description
Breaking In: Tales from the Screenwriting Trenches is a no-nonsense, boots-on-the-ground exploration of how writers REALLY go from emerging to professional in today’s highly saturated and competitive screenwriting space. With a focus on writers who have gotten representation and broken into the TV or feature film space after the critical 2008 WGA strike and financial market collapse, the reader will learn from tangible examples of how success was achieved via hard work and specific methodology. This book includes interviews from writers who wrote major studio releases (The Boy Next Door), staffed on television shows (American Crime, NCIS New Orleans, Sleepy Hollow), sold specs and television shows, placed in competitions, and were accepted to prestigious network and studio writing programs. These interviews are presented as Screenwriter Spotlights throughout the book and are supported by insight from top-selling agents and managers (including those who have sold scripts and pilots, had their writers named to prestigious lists such as The Black List and The Hit List) as well as working industry executives. Together, these anecdotes, learnings and perceptions, tied in with the author's extensive experience in and knowledge of the industry, will inform the reader about how the industry REALLY works, what it expects from both working and emerging writers, as well as what next steps the writer should engage in, in order to move their screenwriting career forward.
Publisher: Taylor & Francis
ISBN: 1317194128
Category : Performing Arts
Languages : en
Pages : 308
Book Description
Breaking In: Tales from the Screenwriting Trenches is a no-nonsense, boots-on-the-ground exploration of how writers REALLY go from emerging to professional in today’s highly saturated and competitive screenwriting space. With a focus on writers who have gotten representation and broken into the TV or feature film space after the critical 2008 WGA strike and financial market collapse, the reader will learn from tangible examples of how success was achieved via hard work and specific methodology. This book includes interviews from writers who wrote major studio releases (The Boy Next Door), staffed on television shows (American Crime, NCIS New Orleans, Sleepy Hollow), sold specs and television shows, placed in competitions, and were accepted to prestigious network and studio writing programs. These interviews are presented as Screenwriter Spotlights throughout the book and are supported by insight from top-selling agents and managers (including those who have sold scripts and pilots, had their writers named to prestigious lists such as The Black List and The Hit List) as well as working industry executives. Together, these anecdotes, learnings and perceptions, tied in with the author's extensive experience in and knowledge of the industry, will inform the reader about how the industry REALLY works, what it expects from both working and emerging writers, as well as what next steps the writer should engage in, in order to move their screenwriting career forward.
Selling Your Screenplay
Author: Ashley Scott Meyers
Publisher:
ISBN: 9781601451484
Category : Motion picture authorship
Languages : en
Pages : 0
Book Description
Selling Your Screenplay is a step-by-step guide to getting your screenplay sold and produced. Learn how to get your script into the hands of the producers and directors who can turn your story into a movie.
Publisher:
ISBN: 9781601451484
Category : Motion picture authorship
Languages : en
Pages : 0
Book Description
Selling Your Screenplay is a step-by-step guide to getting your screenplay sold and produced. Learn how to get your script into the hands of the producers and directors who can turn your story into a movie.
Turn & Burn
Author: Cj Walley
Publisher:
ISBN: 9781910515860
Category :
Languages : en
Pages : 212
Book Description
The Turn & Burn methodology offers practical, real-world advice for quickly turning stories - within any genre - into engaging and authentic movie scripts.
Publisher:
ISBN: 9781910515860
Category :
Languages : en
Pages : 212
Book Description
The Turn & Burn methodology offers practical, real-world advice for quickly turning stories - within any genre - into engaging and authentic movie scripts.