Author: Alessandra Comini
Publisher:
ISBN: 9781632930125
Category : Art
Languages : en
Pages : 568
Book Description
Egon Schiele was a meteor that flashed across the galaxy of Viennese art at the beginning of the last century. Although he lived only twenty-eight years-dying quite suddenly of influenza in 1918 just as World War I came to an end-he left a stunning pictorial oeuvre. Schiele's obsession with sexuality, his own and that of others, made him at once a voyeur and a participant in that sexual imperative which Freud was simultaneously plumbing with such unsettling results. The disturbing revelations of Schiele's unmasking portraiture and of the new science of psychology disclosed a collective cultural anxiety during the last years of the crumbling Austrian empire. As a seer into the souls of his sitters, Schiele redefined portraiture in the age of Angst. Alessandra Comini is University Distinguished Professor of Art History Emerita at Southern Methodist University, where she taught for thirty-one years after having served on the faculty at Columbia University for ten years. She is the author of eight books, one of which, "Egon Schiele's Portraits," was nominated for the National Book Award. The Republic of Austria extended her its Grand Decoration of Honor in 1990. This is her third book on the artist; she has also published "Schiele in Prison," an extended essay and English translation of the 1912, makeshift diary Schiele kept during his twenty-four days in a provincial prison cell-a forgotten cell which she discovered and photographed in 1963. The cell is now part of a Schiele Museum in the village of Neulengbach. Her 2014 Megan Crespi mystery novel, "Killing for Klimt," is followed by "The Schiele Slaughters."
Egon Schiele's Portraits
Author: Alessandra Comini
Publisher:
ISBN: 9781632930125
Category : Art
Languages : en
Pages : 568
Book Description
Egon Schiele was a meteor that flashed across the galaxy of Viennese art at the beginning of the last century. Although he lived only twenty-eight years-dying quite suddenly of influenza in 1918 just as World War I came to an end-he left a stunning pictorial oeuvre. Schiele's obsession with sexuality, his own and that of others, made him at once a voyeur and a participant in that sexual imperative which Freud was simultaneously plumbing with such unsettling results. The disturbing revelations of Schiele's unmasking portraiture and of the new science of psychology disclosed a collective cultural anxiety during the last years of the crumbling Austrian empire. As a seer into the souls of his sitters, Schiele redefined portraiture in the age of Angst. Alessandra Comini is University Distinguished Professor of Art History Emerita at Southern Methodist University, where she taught for thirty-one years after having served on the faculty at Columbia University for ten years. She is the author of eight books, one of which, "Egon Schiele's Portraits," was nominated for the National Book Award. The Republic of Austria extended her its Grand Decoration of Honor in 1990. This is her third book on the artist; she has also published "Schiele in Prison," an extended essay and English translation of the 1912, makeshift diary Schiele kept during his twenty-four days in a provincial prison cell-a forgotten cell which she discovered and photographed in 1963. The cell is now part of a Schiele Museum in the village of Neulengbach. Her 2014 Megan Crespi mystery novel, "Killing for Klimt," is followed by "The Schiele Slaughters."
Publisher:
ISBN: 9781632930125
Category : Art
Languages : en
Pages : 568
Book Description
Egon Schiele was a meteor that flashed across the galaxy of Viennese art at the beginning of the last century. Although he lived only twenty-eight years-dying quite suddenly of influenza in 1918 just as World War I came to an end-he left a stunning pictorial oeuvre. Schiele's obsession with sexuality, his own and that of others, made him at once a voyeur and a participant in that sexual imperative which Freud was simultaneously plumbing with such unsettling results. The disturbing revelations of Schiele's unmasking portraiture and of the new science of psychology disclosed a collective cultural anxiety during the last years of the crumbling Austrian empire. As a seer into the souls of his sitters, Schiele redefined portraiture in the age of Angst. Alessandra Comini is University Distinguished Professor of Art History Emerita at Southern Methodist University, where she taught for thirty-one years after having served on the faculty at Columbia University for ten years. She is the author of eight books, one of which, "Egon Schiele's Portraits," was nominated for the National Book Award. The Republic of Austria extended her its Grand Decoration of Honor in 1990. This is her third book on the artist; she has also published "Schiele in Prison," an extended essay and English translation of the 1912, makeshift diary Schiele kept during his twenty-four days in a provincial prison cell-a forgotten cell which she discovered and photographed in 1963. The cell is now part of a Schiele Museum in the village of Neulengbach. Her 2014 Megan Crespi mystery novel, "Killing for Klimt," is followed by "The Schiele Slaughters."
Portrait Revolution
Author: Julia L. Kay
Publisher: Watson-Guptill
ISBN: 1607749971
Category : Art
Languages : en
Pages : 226
Book Description
Based on the popular international collaborative art project, Julia Kay's Portrait Party, this book features hundreds of portraits in multiple mediums and styles teamed with tips and insights on the artistic process. The human face is one of the most important subjects for artists, no matter their chosen medium. Pulling from 50,000 works of portraiture created by the artists of the international online collaborative project Julia Kay’s Portrait Party, Portrait Revolution presents a new look at this topic—one that doesn’t limit itself to one medium, one style, one technique, or one artist. By presenting portraits in pencil, pen, charcoal, oils, watercolors, acrylics, pastels, mixed media, digital media, collage, and more, Julia Kay and co. demonstrate the limitless possibilities available to aspiring artists or even to professional artists who are looking to expand creatively. Along with works in almost every conceivable medium, Portrait Revolution shines a spotlight on different portrait-making techniques and styles (featuring everything from realism to abstraction). With tips, insights, and recommendations from accomplished portrait artists from around the globe, this all-in-one inspiration resource provides everything you’ll need to kick-start your own portrait-making adventure.
Publisher: Watson-Guptill
ISBN: 1607749971
Category : Art
Languages : en
Pages : 226
Book Description
Based on the popular international collaborative art project, Julia Kay's Portrait Party, this book features hundreds of portraits in multiple mediums and styles teamed with tips and insights on the artistic process. The human face is one of the most important subjects for artists, no matter their chosen medium. Pulling from 50,000 works of portraiture created by the artists of the international online collaborative project Julia Kay’s Portrait Party, Portrait Revolution presents a new look at this topic—one that doesn’t limit itself to one medium, one style, one technique, or one artist. By presenting portraits in pencil, pen, charcoal, oils, watercolors, acrylics, pastels, mixed media, digital media, collage, and more, Julia Kay and co. demonstrate the limitless possibilities available to aspiring artists or even to professional artists who are looking to expand creatively. Along with works in almost every conceivable medium, Portrait Revolution shines a spotlight on different portrait-making techniques and styles (featuring everything from realism to abstraction). With tips, insights, and recommendations from accomplished portrait artists from around the globe, this all-in-one inspiration resource provides everything you’ll need to kick-start your own portrait-making adventure.
The Mirror and the Palette
Author: Jennifer Higgie
Publisher: Simon and Schuster
ISBN: 1643138049
Category : Art
Languages : en
Pages : 336
Book Description
A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.
Publisher: Simon and Schuster
ISBN: 1643138049
Category : Art
Languages : en
Pages : 336
Book Description
A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.
Rembrandt & Saskia
Author: Marlies Stoter
Publisher: W Books
ISBN: 9789462583030
Category : Frisians
Languages : en
Pages : 168
Book Description
"In 1634 the up-and-coming painting talent Rembrandt van Rijn wed the love of this life in Friesland: Saskia Uylenburgh, the daughter of a councillor at the Court of Friesland. The story of their marriage is also that of seventeenth-century marriages in general, from courtship to drawing up a will. How did such a stylish wedding come about, and how did life proceed afterwards, when love and suffering were shared? Using evocative paintings, etchings, documents and precious wedding gifts, this book shows us the world of Friesland's most famous bride and groom ever--and that marriage vows back then actually appear to differ little from those of today."--from back cover
Publisher: W Books
ISBN: 9789462583030
Category : Frisians
Languages : en
Pages : 168
Book Description
"In 1634 the up-and-coming painting talent Rembrandt van Rijn wed the love of this life in Friesland: Saskia Uylenburgh, the daughter of a councillor at the Court of Friesland. The story of their marriage is also that of seventeenth-century marriages in general, from courtship to drawing up a will. How did such a stylish wedding come about, and how did life proceed afterwards, when love and suffering were shared? Using evocative paintings, etchings, documents and precious wedding gifts, this book shows us the world of Friesland's most famous bride and groom ever--and that marriage vows back then actually appear to differ little from those of today."--from back cover
The Artist's Wife
Author: Max Phillips
Publisher: Macmillan + ORM
ISBN: 1466873183
Category : Fiction
Languages : en
Pages : 278
Book Description
An elegant reimagining of the life of Alma Mahler, the lovely, aristocratic fin-de-siècle composer who abandoned her own art to become the inspiration and collector of geniuses. At the turn of the century, "the most beautiful girl in Vienna" stood at the threshold of a promising musical career. But instead, she turned her considerable talents to becoming a freelance muse. Passionate, fickle, brilliant, and alcoholic, she conquered a series of difficult geniuses, including the composer Gustav Mahler (whom she sent to Freud for marriage counseling); the architect Walter Gropius, who went on to found the Bauhaus movement; the writer Franz Werfel, author of The Song of Bernadette; and the revolutionary painters Gustav Klimt and Oskar Kokoschka. Deftly bling period detail and modern sensibility, Max Phillips presents the bold, unapologetic Alma, who narrates her own provocative story, bringing to life the luminaries of her era as she tells of her triumphs in the fading elegance of Central Europe's beau monde, her flight from Hitler's Anschluss, and her exile in golden-age Hollywood. A glittering, darkly sensual novel, The Artist's Wife turns the lens of history upon the nature of inspiration, ambition, and love.
Publisher: Macmillan + ORM
ISBN: 1466873183
Category : Fiction
Languages : en
Pages : 278
Book Description
An elegant reimagining of the life of Alma Mahler, the lovely, aristocratic fin-de-siècle composer who abandoned her own art to become the inspiration and collector of geniuses. At the turn of the century, "the most beautiful girl in Vienna" stood at the threshold of a promising musical career. But instead, she turned her considerable talents to becoming a freelance muse. Passionate, fickle, brilliant, and alcoholic, she conquered a series of difficult geniuses, including the composer Gustav Mahler (whom she sent to Freud for marriage counseling); the architect Walter Gropius, who went on to found the Bauhaus movement; the writer Franz Werfel, author of The Song of Bernadette; and the revolutionary painters Gustav Klimt and Oskar Kokoschka. Deftly bling period detail and modern sensibility, Max Phillips presents the bold, unapologetic Alma, who narrates her own provocative story, bringing to life the luminaries of her era as she tells of her triumphs in the fading elegance of Central Europe's beau monde, her flight from Hitler's Anschluss, and her exile in golden-age Hollywood. A glittering, darkly sensual novel, The Artist's Wife turns the lens of history upon the nature of inspiration, ambition, and love.
Self-Portrait
Author: Celia Paul
Publisher: New York Review of Books
ISBN: 1681374838
Category : Biography & Autobiography
Languages : en
Pages : 225
Book Description
A rich, penetrating memoir about the author's relationship with a flawed but influential figure—the painter Lucian Freud—and the satisfactions and struggles of a life lived through art. One of Britain's most important contemporary painters, Celia Paul has written a reflective, intimate memoir of her life as an artist. Self-Portrait tells the artist's story in her own words, drawn from early journal entries as well as memory, of her childhood in India and her days as a art student at London's Slade School of Fine Art; of her intense decades-long relationship with the older esteemed painter Lucian Freud and the birth of their son; of the challenges of motherhood, the unresolvable conflict between caring for a child and remaining commited to art; of the "invisible skeins between people," the profound familial connections Paul communicates through her paintings of her mother and sisters; and finally, of the mystical presence in her own solitary vision of the world around her. Self-Portrait is a powerful, liberating evocation of a life and of a life-long dedication to art.
Publisher: New York Review of Books
ISBN: 1681374838
Category : Biography & Autobiography
Languages : en
Pages : 225
Book Description
A rich, penetrating memoir about the author's relationship with a flawed but influential figure—the painter Lucian Freud—and the satisfactions and struggles of a life lived through art. One of Britain's most important contemporary painters, Celia Paul has written a reflective, intimate memoir of her life as an artist. Self-Portrait tells the artist's story in her own words, drawn from early journal entries as well as memory, of her childhood in India and her days as a art student at London's Slade School of Fine Art; of her intense decades-long relationship with the older esteemed painter Lucian Freud and the birth of their son; of the challenges of motherhood, the unresolvable conflict between caring for a child and remaining commited to art; of the "invisible skeins between people," the profound familial connections Paul communicates through her paintings of her mother and sisters; and finally, of the mystical presence in her own solitary vision of the world around her. Self-Portrait is a powerful, liberating evocation of a life and of a life-long dedication to art.
The Self Portrait
Author: Sean Kelly
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 162
Book Description
Exhibition "The Self-Portrait: a Modern View" organised by Artsite Gallery, Bath International Festival, 1987.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 162
Book Description
Exhibition "The Self-Portrait: a Modern View" organised by Artsite Gallery, Bath International Festival, 1987.
Out Looking in
Author: Jan Cavanaugh
Publisher: Univ of California Press
ISBN: 9780520211902
Category : Art
Languages : en
Pages : 368
Book Description
"Cavanaugh's scholarship is distinguished by several qualities: detailed knowledge, a rare comparative awareness of adjacent disciplines, and of course, a substantial, synthetic knowledge of modern artistic developments in Western Europe and the U.S. Out Looking In will be relevant to a large and varied public."--John E. Bowlt, author of Forbidden Art: Soviet Nonconformist Art, 1956-1988 "This is an essential book for scholars of modernism who are eager, in the wake of post-structuralist and post-modernist reevaluations of the construction of modernism's history, to broaden discussions beyond a narrow French orientation. It will serve as an important stimulus for rethinking European art in general in this period."--Linda Dalrymple Henderson, University of Texas, Austin "Clearly written and well organized, [Out Looking In] will be the indispensable reference work in English on early modern Polish art. Cavanuagh's treatment, based on solid research and critical insight, is illuminating."--Vojtech Jirat-Wasiutynski, Professor of Art, Queen's University "The visual richness and comprehensiveness of Out Looking In will make it a primary resource in the West for images of early modern Polish art as well as arguing for the centrality of Polish art to the discussion of European modernism. This is revisionism at its most insightful."--Wendy Salmond, author of Arts and Crafts in Late Imperial Russia "This book goes a long way in correcting our geographically narrow understanding of European modernism. While arguing for Poland's place in the annals of artistic modernism, Cavanaugh elegantly manoeuvers between the sensitive issues determining national artistic identity and the international context of this debate."--Myroslava M. Mudrak, Ohio State University "This is one of the most important critical analyses of turn-of-the-century Polish art. Out Looking In will inspire a broad response from a wide international cricle of historians of art, literature, and artistic culture."--Wieslaw Juszczak, Art Institute of the Polish Academy of Sciences and Letters and Art History Department, University of Warsaw
Publisher: Univ of California Press
ISBN: 9780520211902
Category : Art
Languages : en
Pages : 368
Book Description
"Cavanaugh's scholarship is distinguished by several qualities: detailed knowledge, a rare comparative awareness of adjacent disciplines, and of course, a substantial, synthetic knowledge of modern artistic developments in Western Europe and the U.S. Out Looking In will be relevant to a large and varied public."--John E. Bowlt, author of Forbidden Art: Soviet Nonconformist Art, 1956-1988 "This is an essential book for scholars of modernism who are eager, in the wake of post-structuralist and post-modernist reevaluations of the construction of modernism's history, to broaden discussions beyond a narrow French orientation. It will serve as an important stimulus for rethinking European art in general in this period."--Linda Dalrymple Henderson, University of Texas, Austin "Clearly written and well organized, [Out Looking In] will be the indispensable reference work in English on early modern Polish art. Cavanuagh's treatment, based on solid research and critical insight, is illuminating."--Vojtech Jirat-Wasiutynski, Professor of Art, Queen's University "The visual richness and comprehensiveness of Out Looking In will make it a primary resource in the West for images of early modern Polish art as well as arguing for the centrality of Polish art to the discussion of European modernism. This is revisionism at its most insightful."--Wendy Salmond, author of Arts and Crafts in Late Imperial Russia "This book goes a long way in correcting our geographically narrow understanding of European modernism. While arguing for Poland's place in the annals of artistic modernism, Cavanaugh elegantly manoeuvers between the sensitive issues determining national artistic identity and the international context of this debate."--Myroslava M. Mudrak, Ohio State University "This is one of the most important critical analyses of turn-of-the-century Polish art. Out Looking In will inspire a broad response from a wide international cricle of historians of art, literature, and artistic culture."--Wieslaw Juszczak, Art Institute of the Polish Academy of Sciences and Letters and Art History Department, University of Warsaw
Self Portrait with Boy
Author: Rachel Lyon
Publisher: Simon and Schuster
ISBN: 139853336X
Category : Fiction
Languages : en
Pages : 396
Book Description
Rachel Lyon's first novel – soon to be made into a major motion picture starring Zoë Kravitz and Thomasin McKenzie Lu Rile is a relentlessly focused young photographer struggling to make ends meet. Working three jobs, and worrying that the crumbling warehouse she lives in is being sold to developers, she is at a point of desperation. Until, by pure chance, Lu discovers she’s captured a tragedy in the background of a self portrait; a boy falling to his death. The photograph turns out to be the best work of art she’s ever made. It’s an image that could change her life – if she lets it. Set in early 90s Brooklyn on the brink of gentrification, Self-Portrait with Boy is a provocative commentary about the emotional dues that must be paid on the road to success. ‘Beautifully imagined and flawlessly executed’ Joyce Carol Oates ‘A sparkling debut’ New York Times Book Review
Publisher: Simon and Schuster
ISBN: 139853336X
Category : Fiction
Languages : en
Pages : 396
Book Description
Rachel Lyon's first novel – soon to be made into a major motion picture starring Zoë Kravitz and Thomasin McKenzie Lu Rile is a relentlessly focused young photographer struggling to make ends meet. Working three jobs, and worrying that the crumbling warehouse she lives in is being sold to developers, she is at a point of desperation. Until, by pure chance, Lu discovers she’s captured a tragedy in the background of a self portrait; a boy falling to his death. The photograph turns out to be the best work of art she’s ever made. It’s an image that could change her life – if she lets it. Set in early 90s Brooklyn on the brink of gentrification, Self-Portrait with Boy is a provocative commentary about the emotional dues that must be paid on the road to success. ‘Beautifully imagined and flawlessly executed’ Joyce Carol Oates ‘A sparkling debut’ New York Times Book Review
I Was a Good Wife
Author: Liz Gurley
Publisher:
ISBN: 9780578805740
Category :
Languages : en
Pages :
Book Description
I will always be the one who left. I never thought I would get married, and then I did. I was married for 11 years thinkingI would never get divorced, but I did that too. Everything I thought I knew about myself unraveled.This is what happened when I decided to leave my marriage.This is a self-portrait of my becoming. If I could've just painted this book, I would have.
Publisher:
ISBN: 9780578805740
Category :
Languages : en
Pages :
Book Description
I will always be the one who left. I never thought I would get married, and then I did. I was married for 11 years thinkingI would never get divorced, but I did that too. Everything I thought I knew about myself unraveled.This is what happened when I decided to leave my marriage.This is a self-portrait of my becoming. If I could've just painted this book, I would have.