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Author: Francesco Venturi Publisher: BRILL ISBN: 9004396594 Category : Literary Collections Languages : en Pages : 445
Book Description
This volume investigates the various ways in which writers comment on, present, and defend their own works, and at the same time themselves, across early modern Europe. A multiplicity of self-commenting modes, ranging from annotations to explicatory prose to prefaces to separate critical texts and exemplifying a variety of literary genres, are subjected to analysis. Self-commentaries are more than just an external apparatus: they direct and control reception of the primary text, thus affecting notions of authorship and readership. With the writer understood as a potentially very influential and often tendentious interpreter of their own work, the essays in this collection offer new perspectives on pre-modern and modern forms of critical self-consciousness, self-representation, and self-validation. Contributors are Harriet Archer, Gilles Bertheau, Carlo Caruso, Jeroen De Keyser, Russell Ganim, Joseph Harris, Ian Johnson, Richard Maber, Martin McLaughlin, John O’Brien, Magdalena Ożarska, Federica Pich, Brian Richardson, Els Stronks, and Colin Thompson.
Author: Francesco Venturi Publisher: BRILL ISBN: 9004396594 Category : Literary Collections Languages : en Pages : 445
Book Description
This volume investigates the various ways in which writers comment on, present, and defend their own works, and at the same time themselves, across early modern Europe. A multiplicity of self-commenting modes, ranging from annotations to explicatory prose to prefaces to separate critical texts and exemplifying a variety of literary genres, are subjected to analysis. Self-commentaries are more than just an external apparatus: they direct and control reception of the primary text, thus affecting notions of authorship and readership. With the writer understood as a potentially very influential and often tendentious interpreter of their own work, the essays in this collection offer new perspectives on pre-modern and modern forms of critical self-consciousness, self-representation, and self-validation. Contributors are Harriet Archer, Gilles Bertheau, Carlo Caruso, Jeroen De Keyser, Russell Ganim, Joseph Harris, Ian Johnson, Richard Maber, Martin McLaughlin, John O’Brien, Magdalena Ożarska, Federica Pich, Brian Richardson, Els Stronks, and Colin Thompson.
Author: Erik Kwakkel Publisher: Glossator ISBN: Category : Literary Criticism Languages : en Pages : 209
Book Description
VOLUME 12 (2022): COMMENTING AND COMMENTARY AS AN INTERPRETIVE MODE IN MEDIEVAL AND EARLY MODERN EUROPE Edited by Christina Lechtermann and Markus Stock Introduction: Commenting and Commentary as an Interpretive Mode in Medieval and Early Modern Europe Christina Lechtermann & Markus Stock The Pro-Active Scribe: Preparing the Margins of Annotated Manuscripts Erik Kwakkel Thinking from the Margins: Opening and Closing Illuminations and their Commentary Functions around 1000 Kristin Böse Reading Texts within Texts: The Special Case of Lemmata Andrew Hicks The In-/Coherences of Narrative Commentary: Commentarial Forms in the Anegenge Christina Lechtermann Dante’s Self-Commentary and the Call for Interpretation Elisa Brilli Spiritualizing Petrarchism, “Poeticizing” the Bible: Two Counter-Reformation Self-Commentaries Christine Ott and Philip Stockbrugger The Power of Glosses: Francesco Fulvio Frugoni’s Self-Commentary and Literary Criticism in the Tribunal della Critica Andrea Baldan Commenting on a Purged Model: The M. Valerii Martialis Epigrammaton libri omnes novis commentariis illustrati of the Jesuit Matthäus Rader (1602) Magnus Ulrich Ferber
Author: Laurie Atkinson Publisher: Boydell & Brewer ISBN: 1843846926 Category : Literary Criticism Languages : en Pages : 238
Book Description
An investigation of English and Scottish dream visions written on the cusp of the "Renaissance", teasing out distinctive ideas of authorship which informed their design. The fifteenth and sixteenth centuries have long been acknowledged as a period of profound change in ideas of authorship, in which a transition from a "medieval" to a "modern" paradigm took place. In England and Scotland, changing approaches to Chaucer have rightly been considered as a catalyst for the elevation of English as a literary language and the birth of an English literary history. There is a tendency, however, when moving from Chaucer's self-professed poetic followers of this time to the philological approach associated with William Caxton and the 1532 Works, to pass over the literary careers of the English and Scots poets belonging to the intervening half-century: John Skelton, William Dunbar, Stephen Hawes, and Gavin Douglas. This volume redresses that neglect. Its close and comparative readings of these poets' stimulating but critically neglected dream visions and related first-person narratives reveal a spectrum of ideas of authorship: four distinct engagements with tradition and opportunity, united by their utilisation of a particular form. It regards authorship as a topic of invention, a discourse for appropriation, which is available to but not inevitable in late medieval and early modern writing. Overall, it facilitates newly focussed study of an often obscured literary-historical period, one with a heightened interest in the authors of the past - Chaucer, Lydgate, Petrarch, Virgil - but also an increasingly acute perception of the conditions of authorship in the present.
Author: Caitlin Flynn Publisher: Manchester University Press ISBN: 1526160803 Category : Literary Criticism Languages : en Pages : 310
Book Description
The Narrative Grotesque examines late medieval narratology in two Older Scots poems: Gavin Douglas’s The Palyce of Honour (c.1501) and William Dunbar’s The Tretis of the Tua Mariit Wemen and the Wedo (c.1507). The narrative grotesque is exemplified in these poems, which fracture narratological boundaries by fusing disparate poetic forms and creating hybrid subjectivities. Consequently, these poems interrogate conventional boundaries in poetic making. The narrative grotesque is applied as a framework to elucidate these chimeric texts and to understand newly late medieval engagement with poetics and narratology.
Author: Oskar Bätschmann Publisher: Reaktion Books ISBN: 1789146941 Category : Art Languages : en Pages : 241
Book Description
A brief intellectual history of the idea of the art public. The Art Public explores the history of efforts to imagine a collective, general audience for art in the world. Oskar Bätschmann explores both written and pictorial evidence of the development of the “art public” as an idea and disentangles connections between art production, audiences, and actual reception. Two aspects shape the narrative: the transformation of the audience from passive recipient to active agent as well as satirical jabs at audiences by the likes of Cruikshank, Rowlandson, and Daumier. This sweeping account connects the ancient Greeks with Renaissance painters, modern writers, and contemporary movie stars in a deft survey of the ways we imagine art’s immediate impact on audiences and its afterlives in museums, galleries, and the world.
Author: Stephen Harrison Publisher: Bloomsbury Publishing ISBN: 1350379476 Category : Foreign Language Study Languages : en Pages : 345
Book Description
Presenting a range of Neo-Latin poems written by distinguished classical scholars across Europe from c. 1490 to c. 1900, this anthology includes a selection of celebrated names in the history of scholarship. Individual chapters present the Neo-Latin poems alongside new English translations (usually the first) and accompanying introductions and commentaries that annotate these verses for a modern readership, and contextualise them within the careers of their authors and the history of classical scholarship in the Renaissance and early modern period. An appealing feature of Renaissance and early modern Latinity is the composition of fine Neo-Latin poetry by major classical scholars, and the interface between this creative work and their scholarly research. In some cases, the two are actually combined in the same work. In others, the creative composition and scholarship accompany each other along parallel tracks, when scholars are moved to write their own verse in the style of the subjects of their academic endeavours. In still further cases, early modern scholars produced fine Latin verse as a result of the act of translation, as they attempted to render ancient Greek poetry in a fitting poetic form for their contemporary readers of Latin.
Author: Jane Grogan Publisher: MHRA ISBN: 1781889821 Category : Languages : en Pages : 299
Book Description
William Barker’s translation of Xenophon’s Cyropaedia is the first substantial translation from Greek directly to English in Tudor England. It presents to its English readers an extraordinarily important text for humanists across Europe: a semi-fictional biography of the ancient Persian emperor, Cyrus the Great, so generically rich that it became (in England as well as Europe) a popular authority and model in the very different fields of educational, political and literary theory, as well as in literature by Sidney, Spenser and others. This edition, for the first time, identifies its translator as a hitherto overlooked figure from the circle of Sir John Cheke at St John’s College, Cambridge, locus of an important and influential revival of Greek scholarship. A prolific translator from Greek and Italian, Barker was a Catholic, and spent most of his career working as secretary to Thomas Howard, fourth Duke of Norfolk. What little notoriety he eventually gained was as the ‘Italianified Englishman’ who told of Howard’s involvement in the Ridolfi plot. But even here, this edition shows, Barker’s intellectual patronage by Cheke and friends, and their enduring support of him, his translations and the Chekeian agenda, can be discerned.
Author: Jonathan Locke Hart Publisher: Taylor & Francis ISBN: 1040152090 Category : Literary Criticism Languages : en Pages : 206
Book Description
Language is the central concern of this book. Colonization, poetry and Shakespeare – and the Renaissance itself – provide the examples. I concentrate on text in context, close reading, interpretation, interpoetics and translation with particular instances and works, examining matters of interpoetics in Renaissance poetry and prose, including epic, and the Hugo translation of Shakespeare in France and trying to bring together analysis that shows how important language is in the age of European expansion and in the Renaissance. I provide close analysis of aspects of colonization, front matter (paratext) in poetry and prose, and Shakespeare that deserve more attention. The main themes and objectives of this book are an exploration of language in European colonial texts of the “New World,” paratexts or front matter, Renaissance poetry and Shakespeare through close reading, including interpoetics (liminality), translation and key words.
Author: Stijn Bussels Publisher: BRILL ISBN: 9004682643 Category : History Languages : en Pages : 541
Book Description
This volume contains twenty-four essays, which, in their subjects and methodology, pay tribute to the scholarship of Walter S. Melion. The contributions are grouped under three categories: “Devotion,” “Art and Image Theory,” and “Vision and Contemplation.” The Devotion section addresses votive practices, theological theory and polemic literature. The Art and Image Theory section focuses on Jesuit image theory, the reflexive dimension of works, and artists’ reflections on the function of images. Finally, the Vision and Contemplation section discusses the ‘early modern eye’ as a tool for thoughtful, prolonged looking to ascertain visual wit, deception, self-assessment and friendship, sacred and profane allegories.
Author: Francesco Venturi
Author: Francesco Venturi
Author: Erik Kwakkel
Author: Laurie Atkinson
Author: Caitlin Flynn
Author: Oskar Bätschmann
Author: Stephen Harrison
Author: Jane Grogan
Author: Martin McLaughlin
Author: Jonathan Locke Hart
Author: Stijn Bussels