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Selections from Porgy and Bess (Songbook)

Selections from Porgy and Bess (Songbook) PDF Author: Jascha Heifitz
Publisher: Hal Leonard Corporation
ISBN: 1476857172
Category : Music
Languages : en
Pages : 52

Book Description
(Fretted). Long out of print, these virtuoso transcriptions by the legendary violinist Jascha Heifetz date from 1947, and have previously been available only separately. These showpieces capture the excitement of Gershwin's score in a unique and fascinating way. Includes: It Ain't Necessarily So * Summertime * A Woman Is a Sometime Thing * I Got Plenty O' Nuttin' * Bess, You Is My Woman * Tempo Di Blues.

Selections from Porgy and Bess (Songbook)

Selections from Porgy and Bess (Songbook) PDF Author: Jascha Heifitz
Publisher: Hal Leonard Corporation
ISBN: 1476857172
Category : Music
Languages : en
Pages : 52

Book Description
(Fretted). Long out of print, these virtuoso transcriptions by the legendary violinist Jascha Heifetz date from 1947, and have previously been available only separately. These showpieces capture the excitement of Gershwin's score in a unique and fascinating way. Includes: It Ain't Necessarily So * Summertime * A Woman Is a Sometime Thing * I Got Plenty O' Nuttin' * Bess, You Is My Woman * Tempo Di Blues.

The Strange Career of Porgy and Bess

The Strange Career of Porgy and Bess PDF Author: Ellen Noonan
Publisher: Univ of North Carolina Press
ISBN: 0807837164
Category : Performing Arts
Languages : en
Pages : 441

Book Description
Examines the opera Porgy and Bess's long history of invention and reinvention as a barometer of 20th-century American expectations about race, culture and the struggle for equality.

Selections from Porgy and Bess

Selections from Porgy and Bess PDF Author: Astor Books
Publisher: Carl Fischer Music Dist
ISBN: 9781570070334
Category : Music
Languages : en
Pages :

Book Description


Dvorak's Prophecy: And the Vexed Fate of Black Classical Music

Dvorak's Prophecy: And the Vexed Fate of Black Classical Music PDF Author: Joseph Horowitz
Publisher: W. W. Norton & Company
ISBN: 0393881253
Category : Music
Languages : en
Pages : 256

Book Description
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”

George Gershwin - Super Easy Songbook

George Gershwin - Super Easy Songbook PDF Author:
Publisher: Hal Leonard
ISBN: 1705114172
Category : Music
Languages : en
Pages : 93

Book Description
(Super Easy Songbook). It's super easy! This series features accessible arrangements for piano, with simple right-hand melody, letter names inside each note, basic left-hand chord diagrams, and no page turns. Lyrics are also included. This edition includes 22 Gershwin classics: But Not for Me * Embraceable You * Fascinating Rhythm * I Got Rhythm * I've Got a Crush on You * Let's Call the Whole Thing Off * Nice Work If You Can Get It * Rhapsody in Blue * Someone to Watch over Me * Summertime * They Can't Take That Away from Me * and more.

Selections from Porgy and Bess

Selections from Porgy and Bess PDF Author: George Gershwin
Publisher:
ISBN:
Category : Woodwind quartets (Saxophones (4))
Languages : en
Pages :

Book Description


Porgy

Porgy PDF Author: Dorothy Heyward
Publisher:
ISBN:
Category : African American men
Languages : en
Pages : 222

Book Description


Selections from Porgy and Bess [piano/vocal]

Selections from Porgy and Bess [piano/vocal] PDF Author: George Gershwin
Publisher: Warner Bros. Publications
ISBN: 9781576238486
Category : Operas
Languages : en
Pages : 0

Book Description
Musicals/Movies/Kids Piano Solos

Porgy

Porgy PDF Author: DuBose Heyward
Publisher: Bibliotech Press
ISBN:
Category : Fiction
Languages : en
Pages : 206

Book Description
Basis for light opera Porgy and Bess. Story of crippled Negro beggar and his friends and enemies in Charleston, S.C.

George Gershwin

George Gershwin PDF Author: Howard Pollack
Publisher: Univ of California Press
ISBN: 0520933141
Category : Music
Languages : en
Pages : 938

Book Description
This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials—including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982—to create an expansive chronicle of Gershwin’s meteoric rise to fame. He also traces Gershwin’s powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses. Pollack’s lively narrative describes Gershwin’s family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin’s entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours.