Author: Roman Jakobson
Publisher: Walter de Gruyter
ISBN: 9789027931788
Category : Philology
Languages : cs
Pages : 850
Book Description
Selected Writings: Poetry of grammar and grammar of poetry
Poetry of Grammar and Grammar of Poetry
Author:
Publisher: Walter de Gruyter
ISBN: 3110802120
Category : Language Arts & Disciplines
Languages : ru
Pages : 840
Book Description
Publisher: Walter de Gruyter
ISBN: 3110802120
Category : Language Arts & Disciplines
Languages : ru
Pages : 840
Book Description
Selected Writings: Word and language
Author: Roman Jakobson
Publisher: Walter de Gruyter
ISBN: 9783110106176
Category : Language and languages
Languages : en
Pages : 446
Book Description
Publisher: Walter de Gruyter
ISBN: 9783110106176
Category : Language and languages
Languages : en
Pages : 446
Book Description
Grammar of Poetry
Author: Matt Whitling
Publisher:
ISBN: 9781591281191
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages : 171
Book Description
Publisher:
ISBN: 9781591281191
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages : 171
Book Description
Poetry of Grammar and Grammar of Poetry
Author: Roman Jakobson
Publisher:
ISBN: 9789027931788
Category : Language and languages
Languages : de
Pages : 0
Book Description
Publisher:
ISBN: 9789027931788
Category : Language and languages
Languages : de
Pages : 0
Book Description
Selected Writings: Poetry grammar and grammar of poetry
Author: Roman Jakobson
Publisher:
ISBN:
Category : Philology
Languages : en
Pages : 848
Book Description
Publisher:
ISBN:
Category : Philology
Languages : en
Pages : 848
Book Description
Radical Poetry
Author: Eduardo Ledesma
Publisher: SUNY Press
ISBN: 1438462018
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
Engages in a critical reanalysis of historical Ibero-American experimental poetry in order to demonstrate how the contemporary digital vanguard owes much to this tradition. With a broad geographic and linguistic sweep covering more than one hundred years of poetry, this book investigates the relationships between and among technology, aesthetics, and politics in Ibero-American experimental poetry. Eduardo Ledesma analyzes visual, concrete, kinetic, and digital poetry that questions what the literary means, what constitutes poetry, and how, if at all, visual and verbal arts should be differentiated. Radical Poetry examines how poets use the latest technologies (cinematography, radio, television, and software) to create poetry that self-consciously interrogates its own form, through close alliances with conceptual and abstract art, performance, photography, film, and new media. To do so, Ledesma draws on pertinent theories of metaphor, affect, time, space, iconicity, and cybernetics. Ledesma shows how José Juan Tablada (Mexico), Joan Salvat-Papasseit (Catalonia), Clemente Padín (Uruguay), Fernando Millán (Spain), Décio Pignatari (Brazil), Ana María Uribe (Argentina), and others turn words, machines, and, more recently, the digital into flesh, making word-objects come alive by assembling text to act and seem human, whether on the page, on walls, or on screens. This book is extraordinary. It is truly original in its conception and deeply grounded in its knowledge, and it communicates a passion for its topics, especially the digital age. This is a major contribution that surely will be a new model for literary critique in these languages. Gwen Kirkpatrick, Georgetown University
Publisher: SUNY Press
ISBN: 1438462018
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
Engages in a critical reanalysis of historical Ibero-American experimental poetry in order to demonstrate how the contemporary digital vanguard owes much to this tradition. With a broad geographic and linguistic sweep covering more than one hundred years of poetry, this book investigates the relationships between and among technology, aesthetics, and politics in Ibero-American experimental poetry. Eduardo Ledesma analyzes visual, concrete, kinetic, and digital poetry that questions what the literary means, what constitutes poetry, and how, if at all, visual and verbal arts should be differentiated. Radical Poetry examines how poets use the latest technologies (cinematography, radio, television, and software) to create poetry that self-consciously interrogates its own form, through close alliances with conceptual and abstract art, performance, photography, film, and new media. To do so, Ledesma draws on pertinent theories of metaphor, affect, time, space, iconicity, and cybernetics. Ledesma shows how José Juan Tablada (Mexico), Joan Salvat-Papasseit (Catalonia), Clemente Padín (Uruguay), Fernando Millán (Spain), Décio Pignatari (Brazil), Ana María Uribe (Argentina), and others turn words, machines, and, more recently, the digital into flesh, making word-objects come alive by assembling text to act and seem human, whether on the page, on walls, or on screens. This book is extraordinary. It is truly original in its conception and deeply grounded in its knowledge, and it communicates a passion for its topics, especially the digital age. This is a major contribution that surely will be a new model for literary critique in these languages. Gwen Kirkpatrick, Georgetown University
Verbal Art, Verbal Sign, Verbal Time
Author: Roman Jakobson
Publisher: U of Minnesota Press
ISBN: 0816613583
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session
Publisher: U of Minnesota Press
ISBN: 0816613583
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session
On the Poetics of the Utendi
Author: Clarissa Vierke
Publisher: LIT Verlag Münster
ISBN: 3643800894
Category : Literary Criticism
Languages : en
Pages : 723
Book Description
Originally published as author's thesis (doctoral)--BIGSAS, Bayreuth, 2009.
Publisher: LIT Verlag Münster
ISBN: 3643800894
Category : Literary Criticism
Languages : en
Pages : 723
Book Description
Originally published as author's thesis (doctoral)--BIGSAS, Bayreuth, 2009.
Theoretical Schools and Circles in the Twentieth-Century Humanities
Author: Marina Grishakova
Publisher: Routledge
ISBN: 1317619471
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Schools and circles have been a major force in twentieth-century intellectual movements. They fostered circulation of ideas within and between disciplines, thus altering the shape of intellectual inquiry. This volume offers a new perspective on theoretical schools in the humanities, both as generators of conceptual knowledge and as cultural phenomena. The structuralist, semiotic, phenomenological, and hermeneutical schools and circles have had a deep impact on various disciplines ranging from literary studies to philosophy, historiography, and sociology. The volume focuses on a set of loosely interrelated groups, with a strong literary, linguistic, and semiotic component, but extends to the fields of philosophy and history—the interdisciplinary conjunctions arising from a sense of conceptual kinship. It includes chapters on unstudied or less studied groups, such as Tel Aviv School of poetics and semiotics or the research group Poetics and Hermeneutics. The volume presents a significant supplement to the standard historical accounts of literary, critical, and related theory in the twentieth century. It enhances and complicates our understanding of the twentieth-century intellectual and academic history by showing schools and circles in the state of germination, dialogue, controversy, or decline, in their respective historical and institutional settings, while reaching simultaneously beyond those dense settings to the new cultural and ideological situations of the twenty-first century.
Publisher: Routledge
ISBN: 1317619471
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Schools and circles have been a major force in twentieth-century intellectual movements. They fostered circulation of ideas within and between disciplines, thus altering the shape of intellectual inquiry. This volume offers a new perspective on theoretical schools in the humanities, both as generators of conceptual knowledge and as cultural phenomena. The structuralist, semiotic, phenomenological, and hermeneutical schools and circles have had a deep impact on various disciplines ranging from literary studies to philosophy, historiography, and sociology. The volume focuses on a set of loosely interrelated groups, with a strong literary, linguistic, and semiotic component, but extends to the fields of philosophy and history—the interdisciplinary conjunctions arising from a sense of conceptual kinship. It includes chapters on unstudied or less studied groups, such as Tel Aviv School of poetics and semiotics or the research group Poetics and Hermeneutics. The volume presents a significant supplement to the standard historical accounts of literary, critical, and related theory in the twentieth century. It enhances and complicates our understanding of the twentieth-century intellectual and academic history by showing schools and circles in the state of germination, dialogue, controversy, or decline, in their respective historical and institutional settings, while reaching simultaneously beyond those dense settings to the new cultural and ideological situations of the twenty-first century.