Selected Poems of Thomas Hood, Winthrop Mackworth Praed, and Thomas Lovell Beddoes PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Selected Poems of Thomas Hood, Winthrop Mackworth Praed, and Thomas Lovell Beddoes PDF full book. Access full book title Selected Poems of Thomas Hood, Winthrop Mackworth Praed, and Thomas Lovell Beddoes by Susan J. Wolfson. Download full books in PDF and EPUB format.
Author: Susan J. Wolfson Publisher: ISBN: Category : Poetry Languages : en Pages : 428
Book Description
This anthology brings together three powerfully original figures who vividly capture the spirit and anxieties of their age. Thomas Hood and Winthrop Mackworth Praed write with a self-conscious playfulness about literary history and traditions as well as an active and often satirical engagement with contemporary social and political culture. Thomas Lovell Beddoes has always held the interest of the "dark" Victorianists for his lushly lurid imagination and of the modernists for his ironic, frequently caustic verses. Most of all, these are three amazingly interesting poets--full of verbal wit, evocative imagery, compelling imaginations. Although he started by writing in the style of Keats, Thomas Hood (1799-1845) declared, "I have to be a lively Hood for a livelihood," and devoted most of his career to comic verse. But his sheer verbal ingenuity and endlessly inventive punning do not conceal his phobias and fears, nor overshadow the emerging social protest that was to shape the impressive poems in his later years. Winthrop Mackworth Praed (1802-1839) observed the social scene of his day--the flirtations, political intrigues, elegant chit-chat, and parliamentary procedures--with sparkling, self-deprecating wit. Having read law, Praed was called to the Bar in 1829 and entered Parliament as a Conservative in 1830. Even so, he wrote to his school friend and future editor, "Having been favoured by Nature with a long face, a short purse, and two elder Brothers, I find no way of making myself popular in the circle in which she has placed me, except versifying." Thomas Lovell Beddoes (1803-1849), who committed suicide, was, in the editors' words "brilliant, solitary, eccentric, erratic, homosexual, politically radical, a poet of powerful, haunting imagination, and, like the other morbidly witty poets in this volume, is most characteristic for his defiance of easy characterization." He has been called the last Elizabethan, a Jacobean scion, an original interpreter of gothic terror, the first modernist, and, with his comic grotesqueries, a precursor of the twentieth-century theater of the absurd. The editors' introductions to each poet are lively and accessible to the non-specialist, while their editorial work, both in establishing the texts and in their annotation and apparatus, makes this an ideal text for specialist study as well.
Author: Susan J. Wolfson Publisher: ISBN: Category : Poetry Languages : en Pages : 428
Book Description
This anthology brings together three powerfully original figures who vividly capture the spirit and anxieties of their age. Thomas Hood and Winthrop Mackworth Praed write with a self-conscious playfulness about literary history and traditions as well as an active and often satirical engagement with contemporary social and political culture. Thomas Lovell Beddoes has always held the interest of the "dark" Victorianists for his lushly lurid imagination and of the modernists for his ironic, frequently caustic verses. Most of all, these are three amazingly interesting poets--full of verbal wit, evocative imagery, compelling imaginations. Although he started by writing in the style of Keats, Thomas Hood (1799-1845) declared, "I have to be a lively Hood for a livelihood," and devoted most of his career to comic verse. But his sheer verbal ingenuity and endlessly inventive punning do not conceal his phobias and fears, nor overshadow the emerging social protest that was to shape the impressive poems in his later years. Winthrop Mackworth Praed (1802-1839) observed the social scene of his day--the flirtations, political intrigues, elegant chit-chat, and parliamentary procedures--with sparkling, self-deprecating wit. Having read law, Praed was called to the Bar in 1829 and entered Parliament as a Conservative in 1830. Even so, he wrote to his school friend and future editor, "Having been favoured by Nature with a long face, a short purse, and two elder Brothers, I find no way of making myself popular in the circle in which she has placed me, except versifying." Thomas Lovell Beddoes (1803-1849), who committed suicide, was, in the editors' words "brilliant, solitary, eccentric, erratic, homosexual, politically radical, a poet of powerful, haunting imagination, and, like the other morbidly witty poets in this volume, is most characteristic for his defiance of easy characterization." He has been called the last Elizabethan, a Jacobean scion, an original interpreter of gothic terror, the first modernist, and, with his comic grotesqueries, a precursor of the twentieth-century theater of the absurd. The editors' introductions to each poet are lively and accessible to the non-specialist, while their editorial work, both in establishing the texts and in their annotation and apparatus, makes this an ideal text for specialist study as well.
Author: Michael Bradshaw Publisher: Routledge ISBN: 135179406X Category : Language Arts & Disciplines Languages : en Pages : 392
Book Description
This title was first published in 2001. Thomas Lovell Beddoes (1803-49) was a powerful poet of the English Romantic period, who has been and is still strangely neglected by critics. His macabre blank verse dramatic writings and his delicately balanced lyrics have both won ardent admirers such as Browning, Gosse, Pound and Christopher Ricks. Yet there are formal and generic problems in Beddoes's writings which continue to marginalize him as merely an eccentric, and the canon of Romanticism seems to have found no place for him.
Author: Matthew Bevis Publisher: Oxford University Press, USA ISBN: 0199576467 Category : History Languages : en Pages : 913
Book Description
The Oxford Handbook of Victorian Poetry offers an authorative collection of original essays and is an essential resource for those interested in Victorian poetry and poetics.
Author: Sara Lodge Publisher: Manchester University Press ISBN: 1526101645 Category : Poetry Languages : en Pages : 240
Book Description
This is the first modern critical study of Thomas Hood, the popular and influential nineteenth-century poet, editor, cartoonist and voice of social protest. Acclaimed by Dickens, the Brownings and the Rossettis, Hood’s quirky, diverse output bridges the years between 1820 and 1845 and offers fascinating insights for Romanticists and Victorianists alike. Lodge’s timely book explores the relationship between Hood’s playfulness, his liberal politics, and contemporary cultural debate about labour and recreation, literary materiality and urban consumption. Each chapter examines something distinctive of interdisciplinary interest, including the early nineteenth-century print culture into which Hood was born; the traditional, urban and political ramifications of the grotesque art and literature aesthetic; the cultural politics of Hood’s trademark puns; theatre, leisure and the ‘labour question’. Lively and accessible, this book will appeal to scholars of nineteenth-century English Literature, Visual Arts and Cultural Studies.
Author: Ute Berns Publisher: Routledge ISBN: 1317041259 Category : Literary Criticism Languages : en Pages : 318
Book Description
Bringing together eminent scholars and emerging critics who offer a range of perspectives and critical methods, this collection sets a new standard in Beddoes criticism. In line with the goals of Ashgate's Research Companion series, the editors and contributors provide an overview of Beddoes's criticism and identify significant new directions in Beddoes studies. These include exploring Beddoes's German context, only recently a site of critical attention; reading Beddoes's plays in light of gender theory; and reassessing Beddoes's use of dramatic genre in the context of recent work by theatre historians. Rounding out the volume are essays devoted to key areas in Beddoes's scholarship such as nineteenth-century medical theories, psychoanalytic myth, and Romantic ventriloquism. This collection makes the case for Beddoes's centrality to contemporary debates about nineteenth-century literary culture and its contexts and his influence on Modernist conceptions of literature.
Author: David Stewart Publisher: Springer ISBN: 3319705121 Category : Literary Criticism Languages : en Pages : 272
Book Description
The 1820s and 1830s, the gap between Romanticism and Victorianism, continues to prove a difficulty for scholars. This book explores and recovers a neglected culture of poetry in those years, and it demonstrates that culture was a crucial turning point in literary history. It explores a uniquely wide range of poets, including the poetry of the literary annuals, Letitia Landon, Felicia Hemans, Robert Browning, Samuel Taylor Coleridge, Thomas Hood and John Clare, placing their work in the light of new research into the conditions of the literary market. In turn, it uses that culture to open up wider theoretical issues relating to literary form, book history, print culture, gender and periodisation. The period’s doubt about poetry’s place in culture and its capacity to last prompted a dazzling range of creative experiments that reimagined the metrical, material and commercial forms of poetry.
Author: Thomas Lovell Beddoes Publisher: Routledge ISBN: 1000107299 Category : Literary Criticism Languages : en Pages : 161
Book Description
This book is Thomas Lovell Beddoes's defining text, a pastiche Renaissance tragedy replete with treachery, murder, sorcery and haunting, the extravagant expression of the poet's lifelong obsession with mortality and immortality. It is a classic of the literature of death.
Author: Diana Fuss Publisher: Duke University Press ISBN: 082235389X Category : Literary Criticism Languages : en Pages : 161
Book Description
In Dying Modern, one of our foremost literary critics inspires new ways to read, write, and talk about poetry. Diana Fuss does so by identifying three distinct but largely unrecognized voices within the well-studied genre of the elegy: the dying voice, the reviving voice, and the surviving voice. Through her deft readings of modern poetry, Fuss unveils the dramatic within the elegiac: the dying diva who relishes a great deathbed scene, the speaking corpse who fancies a good haunting, and the departing lover who delights in a dramatic exit. Focusing primarily on American and British poetry written during the past two centuries, Fuss maintains that poetry can still offer genuine ethical compensation, even for the deep wounds and shocking banalities of modern death. As dying, loss, and grief become ever more thoroughly obscured from public view, the dead start chattering away in verse. Through bold, original interpretations of little-known works, as well as canonical poems by writers such as Emily Dickinson, Randall Jarrell, Elizabeth Bishop, Richard Wright, and Sylvia Plath, Fuss explores modern poetry's fascination with pre- and postmortem speech, pondering the literary desire to make death speak in the face of its cultural silencing.
Author: Beth Lau Publisher: Routledge ISBN: 135193676X Category : Literary Criticism Languages : en Pages : 468
Book Description
Beginning with the premise that men and women of the Romantic period were lively interlocutors who participated in many of the same literary traditions and experiments, Fellow Romantics offers an inspired counterpoint to studies of Romantic-era women writers that stress their differences from their male contemporaries. As they advance the work of scholars who have questioned binary approaches to studying male and female writers, the contributors variously link, among others, Charlotte Smith and William Wordsworth, Mary Robinson and Samuel Taylor Coleridge, Felicia Hemans and Percy Bysshe Shelley, Jane Austen and the male Romantic poets. These pairings invite us to see anew the work of both male and female writers by drawing our attention to frequently neglected aspects of each writer's art. Here we see writers of both sexes interacting in their shared historical moment, while the contributors reorient our attention toward common points of engagement between male and female authors. What is gained is a more textured understanding of the period that will serve as a model for future studies.
Author: Ute Berns Publisher: Lexington Books ISBN: 1611493676 Category : Literary Criticism Languages : en Pages : 383
Book Description
This study revaluates the work of the scientist and radical, poet and dramatist and English exile in Germany Thomas Lovell Beddoes (1803-1849). While his writing has elicited high praise from poets ranging from Robert Browning through Ezra Pound to John Ashbery, scholars have frequently neglected it on grounds of its purportedly morbid and opaque eccentricity. Countering this scholarly perception, this book deftly relocates Beddoes's poetry, drama and prose at the centre of Anglo-German debates on aesthetics and life science, politics and theatre in an early nineteenth-century European context. Aided by his letters from Germany, the book re-creates the intercultural discursive universe in which Beddoes easily moves from Shakespeare's plays or the aesthetic experiments of Shelley and his circle to Goethe and to topics debated among Heinrich Heine and the Jungdeutschen, from the most advanced contemporary scientific research to the post-Napoleonic politics of the German radical students' organisations, and from Byron, Baillie and London's illegitimate theatre to Schiller's and Tieck's highly charged reflections on male-male friendship. The study combines historicist strategies with theories of performance, performativity, and visuality as it focuses, in particular, on Beddoes's major and defining work, Death's Jest-Book, first completed in 1829 and published posthumously after much revision in 1850. This study shows how Death's Jest Book, as both drama and poetry, devises complex perspectives on scientifically inspired notions of 'life' and history, how it forges a radical vision for post-Napoleonic Europe and how it links this vision to a daring conception of desiring, gendered selves. The book pays close attention to the dialogue Beddoes's writing maintains with Early Modern literature, and it highlights the proto-modernist features that link his work to that of B chner, Grabbe and a European theatre avant-garde. This innovative study of Beddoes's work, cutting across current investigations into politics, gender, and science in intercultural Romantic Studies should be of interest to scholars and students of British Romantic and Victorian studies as well as of German Vorm rz studies, and to students and scholars of drama and theatre as well as Queer studies.
Author: Susan J. Wolfson
Author: Susan J. Wolfson
Author: Michael Bradshaw
Author: Matthew Bevis
Author: Sara Lodge
Author: Ute Berns
Author: David Stewart
Author: Thomas Lovell Beddoes
Author: Diana Fuss
Author: Beth Lau
Author: Ute Berns