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Author: Eugene O'Neill Publisher: Yale University Press ISBN: 030010779X Category : Literary Criticism Languages : en Pages : 317
Book Description
O'Neill's themes and concerns find expression in his one-act plays which are the dramatic equivalent of short stories. Here are nine one-act plays that span the playwright's career.
Author: Eugene O'Neill Publisher: Yale University Press ISBN: 030010779X Category : Literary Criticism Languages : en Pages : 317
Book Description
O'Neill's themes and concerns find expression in his one-act plays which are the dramatic equivalent of short stories. Here are nine one-act plays that span the playwright's career.
Author: Travis Bogard Publisher: Oxford University Press, USA ISBN: 0195053419 Category : Dramatists, American Languages : en Pages : 530
Book Description
This study attempts to trace Eugene O'Neill's theatrical contour from its origin to its end, by discussing each of his works in the approximate chronological order of composition. The book is thus a form of biography, although it pays no heed to those events of O'Neill's life that did not have direct bearing on his professional career. By virtue of O'Neill's central position in the drama of the modern world, this study also has become, within the limits its subject sets for it, a form of theatrical history. An appendix contains a complete factual record of important productions of O'Neill's plays. ISBN 0-19-504548-3 (pbk.): $12.95.
Author: Eugene O'Neill Publisher: Penguin ISBN: 1101176997 Category : Drama Languages : en Pages : 449
Book Description
A selection of early work—including two Pulitzer Prize-winning plays—from Eugene O'Neill, winner of the Nobel Prize in Literature A Penguin Classic Included in this volume are seven one-act plays (The Moon of the Caribbees, Bound East for Cardiff, In the Zone, The Long Voyage Home, Ile, Where the Cross Is Made, and The Rope), and five full-length plays (Beyond the Horizon, The Straw, Anna Christie, and the classics The Emperor Jones and The Hairy Ape), all written between 1914 and 1921 and produced for the stage between 1916 and 1922. The majority of these plays are heavily influenced by German expressionism—Freud, Nietzsche, Strindberg, and the radical leftist politics in which O'Neill was involved during his youth. Also included in this unique collection is the little-known and highly autobiographical play The Straw, which draws on O'Neill's confinement in the Gaylord Farm Sanatorium.
Author: Eugene O'Neill Publisher: Library of America ISBN: 9780940450486 Category : Drama Languages : en Pages : 0
Book Description
The only American dramatist awarded the Nobel Prize for Literature, Eugene O’Neill wrote with poetic expressiveness, emotional intensity, and immense dramatic power. This Library of America volume (the first in a three-volume set) contains twenty-nine plays he wrote between 1913, when he began his career, and 1920, the year he first achieved Broadway success. Many of O’Neill’s early plays are one-act melodramas whose characters are caught in extreme situations. Thirst and Fog depict shipwreck survivors, The Web a young mother trapped in the New York underworld, and Abortion the aftermath of a college student’s affair with a stenographer. His first distinctive works are four one-act plays about the crew of the tramp steamer Glencairn that render sailors’ speech with masterful faithfulness. Bound East for Cardiff, In the Zone, The Long Voyage Home, and The Moon of the Caribbees portray these “children of the sea” as they watch over a dying man, sail though submarine-patrolled waters, take their shore leave in a London dive, and drink rum in a moonlit tropical anchorage. In Beyond the Horizon Robert Mayo begins a tragic chain of events by abandoning his dream of a life at sea, choosing instead to marry the woman his brother loves and remain on his family farm. The sea in “Anna Christie” is both “dat ole devil” to coal barge captain Chris Christopherson and a source of spiritual cleansing to his daughter Anna, an embittered prostitute. When a swaggering stoker falls in love with her, Anna becomes the apex of a three-sided struggle full of enraged pride, grim foreboding, and stubborn hope. Both of these plays won the Pulitzer Prize and helped establish O’Neill as a successful Broadway playwright. The Emperor Jones depicts the nightmarish journey through a West Indian forest of Brutus Jones, a former Pullman porter turned island ruler. Fleeing his rebellious subjects, Jones confronts his violent deeds and the tortured history of his race in a series of hallucinatory episodes whose expressionist quality anticipates many of O’Neill’s later plays. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Author: Robert M. Dowling Publisher: Yale University Press ISBN: 0300210590 Category : Biography & Autobiography Languages : en Pages : 566
Book Description
An “absorbing” biography of the playwright and Nobel laureate that “unflinchingly explores the darkness that dominated O’Neill’s life” (Publishers Weekly). This extraordinary biography fully captures the intimacies of Eugene O’Neill’s tumultuous life and the profound impact of his work on American drama, innovatively highlighting how the stories he told for the stage interweave with his actual life stories as well as the culture and history of his time. Much is new in this extensively researched book: connections between O’Neill’s plays and his political and philosophical worldview; insights into his Irish American upbringing and lifelong torment over losing faith in God; his vital role in African American cultural history; unpublished photographs, including a unique offstage picture of him with his lover Louise Bryant; new evidence of O’Neill’s desire to become a novelist and what this reveals about his unique dramatic voice; and a startling revelation about the release of Long Day’s Journey Into Night in defiance of his explicit instructions. This biography is also the first to discuss O’Neill’s lost play Exorcism (a single copy of which was only recently recovered), a dramatization of his own suicide attempt. Written with both a lively informality and a scholar’s strict accuracy, Eugene O’Neill: A Life in Four Acts is a biography worthy of America’s foremost playwright. “Fast-paced, highly readable . . . building to a devastating last act.” —Irish Times
Author: Eugene O'Neill Publisher: Yale University Press ISBN: 0300186053 Category : Drama Languages : en Pages : 86
Book Description
Shortly after the debut of Exorcism in 1920, Eugene O’Neill suddenly canceled production and ordered all extant copies of the drama destroyed. For over ninety years, it was believed that the play was irrevocably lost, until it was recently discovered that O’Neill’s second wife had in fact retained a copy, which she later gave to the prolific screenwriter and producer Philip Yordan. In early 2011, Yordan’s widow discovered the typescript of Exorcism—complete with edits in O’Neill’s own hand—in her late husband’s vast trove of papers. The discovery and publication of Exorcism, a relatively early play in the O’Neill corpus, furthers our knowledge of O’Neill’s dramatic development and reveals a pivotal point in the career of this great American playwright. Revolving around a suicide attempt, Exorcism draws on a dark incident in O’Neill’s own life. This defining event led to his first serious efforts to write. Exorcism displays early examples of O’Neill’s unparalleled skills of capturing deeply personal human drama, and it explores major themes—mourning and melancholia, addiction and sobriety, tensions between fathers and sons—that would permeate his later work. According to Yale University’s Beinecke Rare Book and Manuscript Library curator Louise Bernard, who acquired the play from a New York bookseller, “Exorcism might be read as a preparatory sketch that resonates powerfully with Long Day’s Journey into Night, one that brings the O’Neill family drama full circle in ways at once intimate and grandly conceived.”
Author: Eugene O'Neill
Author: 
Author: Eugene O'Neill
Author: Travis Bogard
Author: Eugene O'Neill
Author: Eugene O'Neill
Author: Eugene O'Neill
Author: Eugene O'Neill
Author: Eugene O'Neill
Author: Robert M. Dowling
Author: Eugene O'Neill