Author: Lorraine Monk
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages :
Book Description
Seeds of the spacefields
Author: Lorraine Monk
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages :
Book Description
Seeds of the Spacefields
Author: National Film Board of Canada. Still Photography Division
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages :
Book Description
Image 5
Author: National Film Board of Canada
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Seeds of the Spacefields
Author: Lorraine Monk
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 105
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 105
Book Description
SEEDS, Space Exposed Experiment Developed for Students
Author:
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 20
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 20
Book Description
Image 5
Author: National Film Board of Canada
Publisher:
ISBN:
Category : Photography as art
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Photography as art
Languages : en
Pages :
Book Description
The Official Picture
Author: Carol Payne
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773588949
Category : Photography
Languages : en
Pages : 224
Book Description
Mandated to foster a sense of national cohesion The National Film Board of Canada's Still Photography Division was the country's official photographer during the mid-twentieth century. Like the Farm Security Administration and other agencies in the US, the NFB used photographs to serve the nation. Division photographers shot everything from official state functions to images of the routine events of daily life, producing some of the most dynamic photographs of the time, seen by millions of Canadians - and international audiences - in newspapers, magazines, exhibitions, and filmstrips. In The Official Picture, Carol Payne argues that the Still Photography Division played a significant role in Canadian nation-building during WWII and the two decades that followed. Payne examines key images, themes, and periods in the Division's history - including the depiction of women munitions workers, landscape photography in the 1950s and 60s, and portraits of Canadians during the Centennial in 1967 - to demonstrate how abstract concepts of nationhood and citizenship, as well as attitudes toward gender, class, linguistic identity, and conceptions of race were reproduced in photographs. The Official Picture looks closely at the work of many Division photographers from staff members Chris Lund and Gar Lunney during the 1940s and 1950s to the expressive documentary photography of Michel Lambeth, Michael Semak, and Pierre Gaudard, in the 1960s and after. The Division also produced a substantial body of Northern imagery documenting Inuit and Native peoples. Payne details how Inuit groups have turned to the archive in recent years in an effort to reaffirm their own cultural identity. For decades, the Still Photography Division served as the country's image bank, producing a government-endorsed "official picture" of Canada. A rich archival study, The Official Picture brings the hisotry of the Division, long overshadowed by the Board's cinematic divisions, to light.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773588949
Category : Photography
Languages : en
Pages : 224
Book Description
Mandated to foster a sense of national cohesion The National Film Board of Canada's Still Photography Division was the country's official photographer during the mid-twentieth century. Like the Farm Security Administration and other agencies in the US, the NFB used photographs to serve the nation. Division photographers shot everything from official state functions to images of the routine events of daily life, producing some of the most dynamic photographs of the time, seen by millions of Canadians - and international audiences - in newspapers, magazines, exhibitions, and filmstrips. In The Official Picture, Carol Payne argues that the Still Photography Division played a significant role in Canadian nation-building during WWII and the two decades that followed. Payne examines key images, themes, and periods in the Division's history - including the depiction of women munitions workers, landscape photography in the 1950s and 60s, and portraits of Canadians during the Centennial in 1967 - to demonstrate how abstract concepts of nationhood and citizenship, as well as attitudes toward gender, class, linguistic identity, and conceptions of race were reproduced in photographs. The Official Picture looks closely at the work of many Division photographers from staff members Chris Lund and Gar Lunney during the 1940s and 1950s to the expressive documentary photography of Michel Lambeth, Michael Semak, and Pierre Gaudard, in the 1960s and after. The Division also produced a substantial body of Northern imagery documenting Inuit and Native peoples. Payne details how Inuit groups have turned to the archive in recent years in an effort to reaffirm their own cultural identity. For decades, the Still Photography Division served as the country's image bank, producing a government-endorsed "official picture" of Canada. A rich archival study, The Official Picture brings the hisotry of the Division, long overshadowed by the Board's cinematic divisions, to light.
Astronautics and Aeronautics
Space Fluid Hydromechanics
Author: V.H. Thomas
Publisher: Fulton Books, Inc.
ISBN: 1633389634
Category : Technology & Engineering
Languages : en
Pages : 127
Book Description
Space Fluid Hydromechanics is an original research treatise dealing with the nature of presently debated or unknown phenomena in the universe. Theories advanced: Space is filled with a fluid of essentially zero viscosity. This fluid is structured in filaments, not discrete particles. This structure is seen from the microscopic to the telescopic. Nebulae seen in the night sky are not universes of billions of suns, but are seen by reflected sunlight. This also applies to the Milky Way. The mechanics of this space fluid not only accounts for the physical world we see, but also for the phenomena of electricity, magnetism, light, heat, and pressure. These phenomena are characteristics of the Earth's space field. The indicated space pressure near the Earth is in the vicinity of one hundred billion pounds per square inch. There is only one source of available energy, and this source is differential space pressure. There exists electrodynamic space fields in size from a single cell to planetary nebulae. An atomic blast creates an instantaneous space field. The Earth's space field has optical properties. We can never know with exactness the size, position, or distance of any object in space until these factors are applied. The true nature of the "rid shift" is primarily due to light being refracted by the Earth's space field. A constantly compensating equilibrium is maintained among all the objects in the solar system. The calamitous misinterpretation of the MichelsonaEUR"Morley experiment. The real interpretation. The factors that make the Sun hot make the Earth relatively warm. The surface of the Earth would be frozen at hundreds of degrees below zero if the Earth's only source of heat was radiation from the Sun. The objections to the currently supposed size of the universe and the distances to celestial objects. Why there is the spectrum displacement toward the red. There is no positive evidence that any object seen in space is a Sun similar to our own or a collector of suns. He mentions possible exceptions. The probable anatomy of what we see in space is shown in figure 164.
Publisher: Fulton Books, Inc.
ISBN: 1633389634
Category : Technology & Engineering
Languages : en
Pages : 127
Book Description
Space Fluid Hydromechanics is an original research treatise dealing with the nature of presently debated or unknown phenomena in the universe. Theories advanced: Space is filled with a fluid of essentially zero viscosity. This fluid is structured in filaments, not discrete particles. This structure is seen from the microscopic to the telescopic. Nebulae seen in the night sky are not universes of billions of suns, but are seen by reflected sunlight. This also applies to the Milky Way. The mechanics of this space fluid not only accounts for the physical world we see, but also for the phenomena of electricity, magnetism, light, heat, and pressure. These phenomena are characteristics of the Earth's space field. The indicated space pressure near the Earth is in the vicinity of one hundred billion pounds per square inch. There is only one source of available energy, and this source is differential space pressure. There exists electrodynamic space fields in size from a single cell to planetary nebulae. An atomic blast creates an instantaneous space field. The Earth's space field has optical properties. We can never know with exactness the size, position, or distance of any object in space until these factors are applied. The true nature of the "rid shift" is primarily due to light being refracted by the Earth's space field. A constantly compensating equilibrium is maintained among all the objects in the solar system. The calamitous misinterpretation of the MichelsonaEUR"Morley experiment. The real interpretation. The factors that make the Sun hot make the Earth relatively warm. The surface of the Earth would be frozen at hundreds of degrees below zero if the Earth's only source of heat was radiation from the Sun. The objections to the currently supposed size of the universe and the distances to celestial objects. Why there is the spectrum displacement toward the red. There is no positive evidence that any object seen in space is a Sun similar to our own or a collector of suns. He mentions possible exceptions. The probable anatomy of what we see in space is shown in figure 164.