Scultura Italiana Dall'alto Medioevo All'età Romanica PDF Download

Author: Rossana Bossaglia
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 242

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Author: Lucy Jane Freeman
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 350

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Book Description

Author: Rossana Bossaglia
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 462

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Book Description
Five distinguished Italian scholars have contributed to this volume, each with a major essay on the successive historical periods and styles: Rossana Bossaglia treats the years ranging from the early Middle Ages to the Romanesque era; Enzo Carli discusses the Gothic period, while Franco Russoli deals with the Renaissance and Valentino Martinelli with the sixteenth through eighteenth centuries (from Mannerism to the Rococo); Carlo Pirovano devotes the final section of this survey to the period ranging from Neoclassicism to contemporary trends in modern Italy. This valuable overview is supplemented by in-depth discussions of specific sculptures, individual commentaries on the works illustrated, a selected bibliography, list of plates, and index of names.

Author: Chiara Canali
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 278

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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393968
Category : Sculpture
Languages : en
Pages : 370

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Book Description
"The collection of Italian medieval sculpture in The Metropolitan Museum of Art and The Cloisters began with the acquisition in 1908 of a Romanesque column statue; today the Museum's holdings comprise more than seventy works dating from the ninth to the late fifteenth century ... The birthplaces of these works range from Sicily to Venice; some typify local styles, others illustrate the intense artistic exchanges taking place within Italy and between Italy and the wider world ... Technological advances of the last decades have made it possible to determine more precisely the materials and techniques from which works of art are made, the history of their alteration, and the mechanisms of their deterioration. Using such techniques, scholars have been able to ascertain, for example, that sculptures previously thought to be modern works carved in the medieval manner were in fact completely authentic. This innovative volume represents a watershed in the study of sculpture: a collaborative dialogue between an art historian and a conservator—between art history and art science—that deepens our understanding of the object we see, while illuminating its elusive, enigmatic history"--From publisher's description.

Author: Fritz Novotny
Publisher: Yale University Press
ISBN: 9780300053210
Category : Art
Languages : en
Pages : 488

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From the Classicism of Jacques-Louis David to the Realism of Courbet and the Early Impressionism of Renoir, this book outlines the course taken by painting and sculpture in Europe during the 19th century. Faced with the untidy sprawl of individualism which followed the French Revolution and threw up isolated geniuses like Goya, the author nevertheless charts the currents in what was predominantly a century of Naturalism and also - whilst artists were increasingly preoccupied with the inner man - of great landscape-painting when Friedrich, Corot and the Impressionists proper added light and atmosphere to the former achievements of the great Dutch masters.

Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 300

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Author: KelleyHelmstutler DiDio
Publisher: Routledge
ISBN: 1351559508
Category : Art
Languages : en
Pages : 311

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In recent years, art historians have begun to delve into the patronage, production and reception of sculptures-sculptors' workshop practices; practical, aesthetic, and esoteric considerations of material and materiality; and the meanings associated with materials and the makers of sculptures. This volume brings together some of the top scholars in the field, to investigate how sculptors in early modern Italy confronted such challenges as procurement of materials, their costs, shipping and transportation issues, and technical problems of materials, along with the meanings of the usage, hierarchies of materials, and processes of material acquisition and production. Contributors also explore the implications of these facets in terms of the intended and perceived meaning(s) for the viewer, patron, and/or artist. A highlight of the collection is the epilogue, an interview with a contemporary artist of large-scale stone sculpture, which reveals the similar challenges sculptors still encounter today as they procure, manufacture and transport their works.

Author: Frederick M. Godfrey
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 348

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Author: Claude Douglas Dickerson (III)
Publisher: Metropolitan Museum of Art
ISBN: 1588394727
Category : Artists' preparatory studies
Languages : en
Pages : 433

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Book Description
"The brilliantly expressive clay models created by Gian Lorenzo Bernini (1598-1680) as "sketches" for his works in marble offer extraordinary insights into his creative imagination. Although long admired, the terracotta models have never been the subject of such detailed examination. This publication presents a wealth of new discoveries (including evidence of the artist's fingerprints imprinted on the clay), resolving lingering issues of attribution while giving readers a vivid sense of how the artist and his assistants fulfilled a steady stream of monumental commissions. Essays describe Bernini's education as a modeler; his approach to preparatory drawings; his use of assistants; and the response to his models by 17th-century collectors. Extensive research by conservators and art historians explores the different types of models created in Bernini's workshop. Richly illustrated, Bernini transforms our understanding of the sculptor and his distinctive and fascinating working methods."--Publisher's website.