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Author: Keith Selby Publisher: Springer ISBN: 1349205168 Category : Fiction Languages : en Pages : 214
Book Description
The book takes as its theme the relationship between literature and the contemporary means of production and distribution collectively termed 'the media' - in particular, film and television. The intention of the book is to explore and evaluate the mutual opportunities and restrictions in this relationship. In the grammar of our culture there seems to be an accepted opinion that print is superior in terms of cultural production to film, radio or television, that to read a book is somehow a 'higher' cultural activity than seeing a play on television or seeing a film. By the same token, a novel is a 'superior' work of art to film or television. The longer perspective reveals that traditionally there always is a greater respect paid to the previous mode of literary production - poetry was superior to drama, poetic drama was superior to the novel, and film attained cult and classic status initially over television.
Author: Keith Selby Publisher: Springer ISBN: 1349205168 Category : Fiction Languages : en Pages : 214
Book Description
The book takes as its theme the relationship between literature and the contemporary means of production and distribution collectively termed 'the media' - in particular, film and television. The intention of the book is to explore and evaluate the mutual opportunities and restrictions in this relationship. In the grammar of our culture there seems to be an accepted opinion that print is superior in terms of cultural production to film, radio or television, that to read a book is somehow a 'higher' cultural activity than seeing a play on television or seeing a film. By the same token, a novel is a 'superior' work of art to film or television. The longer perspective reveals that traditionally there always is a greater respect paid to the previous mode of literary production - poetry was superior to drama, poetic drama was superior to the novel, and film attained cult and classic status initially over television.
Author: Richard North Patterson Publisher: Ballantine Books ISBN: 0345311396 Category : Fiction Languages : en Pages : 449
Book Description
"Thrilling.... PRIVATE SCREENING succeeds on all counts. It's a footrace of a read, daring you to put it down." ATLANTA JOURNAL & CONSTITUTION The nation is stunned silent when presidential hopeful James Kilcannon is shot dead in front of his rock-star girlfriend Stacy Tarrant. Fiercely independent attorney Tony Lord dares to defend the shooter, but the already bizarre plot takes another twist. As America watches, a mysterious and ruthless figure, known only as Phoenix, takes to the airwaves-- and takes the wife of a wealthy newspaper mogul and Stacy's manager as his hostages. Phoenix mounts a televised trial of his own--in which Stacy Tarrant and Tony Lord are helpless defendents, millions of viewers are jurors, and--unless his chilling demands are met--Pheonix is the unstoppable executioner....
Author: Gabriel Miller Publisher: Bloomsbury Publishing ISBN: 1474291635 Category : Art Languages : en Pages : 242
Book Description
Some of the most memorable movies of Hollywood's Golden Age were based on novels that never received the acclaim they deserved. No-one who saw Rod Steiger in The Pawnbroker could forget the actor's wrenching performance but does anyone remember the author of the book on which the film was based? The same can be said of Jane Fonda in They Shoot Horses, Don't They?, Greta Garbo in Susan Lenox, and Humphrey Bogart in The Treasure of the Sierra Madre. This book retrieves these novels and re-evaluates the careers of the eight neglected novelists whose works inspired eight different directors – among them Stanley Kubrick, Sidney Lumet, John Huston and Sidney Pollack. Each chapter offers detailed analysis on both the original text and the resulting movie. Taken together, the double examination of novel and film raises some important questions about the nature and problems of cinematic adaptation.
Author: Vivian Carol Sobchack Publisher: Rutgers University Press ISBN: 9780813524924 Category : Performing Arts Languages : en Pages : 356
Book Description
This text attempts to shape definitions of the American science fiction film, studying the connection between the films and social preconceptions. It covers many classic films and discusses their import, seeking to rescue the genre from the neglect of film theorists. The book should appeal to both film buff and fans of science fiction.
Author: Liora Brosh Publisher: Springer ISBN: 0230582419 Category : Literary Criticism Languages : en Pages : 175
Book Description
From Hollywood classics like Jane Eyre or Wuthering Heights to the 1990s wave of Jane Austen films, adaptations of the British Nineteenth-century novel have been sensationally popular. This book examines how British and American filmmakers used the domestic novels of the past to construct stable gender ideals for the present.
Author: W.-D. Fessner Publisher: Springer Science & Business Media ISBN: 9783540669708 Category : Science Languages : en Pages : 268
Book Description
Here, leading contributors from the forefront of this exciting technology present authoritative and timely reviews on the state of the art of biocatalysis. They cover the whole spectrum from the discovery of novel enzymes - by modern screening, evolutionary or immunological approaches - through immobilization techniques for technical processes, to their use in the asymmetric synthesis of important target compounds.
Author: Dr Rohit Mittal, Dr. Gurpreet Singh Sandhu, Mrs. Kirti M. Donga, Dr. Biresh Kumar Sarkar, Dr.Ahemadi Banu Publisher: Shashwat Publication ISBN: 9360871001 Category : Education Languages : en Pages : 259
Book Description
This text book is written to impart the knowledge on preclinical evaluation of drugs and recent experimental techniques in the drug discovery and development. The text book content helps the student and faculty member to understand the maintenance of laboratory animals as per the guidelines, basic knowledge of various in-vitro and in-vivo preclinical evaluation processes. The content of this book is written in clear and understandable language and covers the regulations and ethical requirement for the usage of experimental animals. It also describe the various animals used in the drug discovery process and good laboratory practices in maintenance and handling of experimental animals, it also describe the various newer screening methods involved in the drug discovery process.
Author: Shannon Wells-Lassagne Publisher: McFarland ISBN: 0786472308 Category : Performing Arts Languages : en Pages : 255
Book Description
Rather than limiting the cinema, as certain French New Wave critics feared, adaptation has encouraged new inspiration to explore the possibilities of the intersection of text and film. This collection of essays covers various aspects of adaptation studies--questions of genre and myth, race and gender, readaptation, and pedagogical and practical approaches.
Author: Earl G. Ingersoll Publisher: Rowman & Littlefield ISBN: 1611479711 Category : Performing Arts Languages : en Pages : 199
Book Description
As the subtitle indicates, this book has three majors concerns. The first and most important concern is an examination of the film adaptations of Woolf’s novels—To the Lighthouse, Orlando, and Mrs. Dalloway—in the order the films were released. This is the heart of the matter, a fairly conventional effort to acknowledge film reviews as well as the criticism of academicians in film or literature as a starting point for a fresh view of these three film adaptations. Since many film specialists prefer that no film ever be adapted from literary fiction and many literature specialists have similarly wished that their favorite novels had never been filmed, the effort to mediate the two sides can be challenging. Of the three films, To the Lighthouse is the least successful, tending toward the old Masterpiece Theater mode of attempting to be faithful to the “source text,” to use the term of the film theorist Robert Stam, but missing the essence of the novel. Director Sally Potter’s Orlando is cinematically the most venturesome and attractive, although some Woolf readers condemn Potter’s erasure of Woolf’s intent to celebrate her affair with Vita Sackville-West (whose son Nigel Nicolson called Woolf's Orlando “the longest and most charming love-letter in literature”). Mrs. Dalloway tends toward the Merchant/Ivory style of treating literary masterworks—indeed, the film credits include a debt of gratitude to the producer/director partnership—and is generally carried by the star power of Vanessa Redgrave, although it is difficult to imagine her having a crush on another young woman, even at eighteen. The book’s second concern is Woolf’s interest in what she would call “the cinema.” As a member of Bloomsbury, she saw and participated in the discussion of the cinema, especially avant-garde films, which she considered to be more the future of cinema than film adaptations, upon which she heaped great scorn for their ravenous, if not rapacious, consumption of vulnerable literary fiction such as Leo Tolstoy’s Anna Karenina. Woolf specialists such as Leslie Hankins proclaim her one of the earliest and most significant British film theorists for the brilliant essay “The Cinema” (1925), as film was just beginning to establish itself as art and not merely popular entertainment. The third concern is a complex effort to explore the David Hare/Stephen Daldry film adaptation of Michael Cunningham’s Pulitzer Prize–winning novel The Hours, an homage to Mrs. Dalloway in which Virginia Woolf has a starring role, as portrayed by Oscar winner Nicole Kidman. The film and Kidman’s prosthetic nose produced a violent division among the Woolfians who either commended its bringing legions of new readers to Mrs. Dalloway and potentially to “Woolf”—Mrs. Dalloway becoming the best-seller it could not have been in her lifetime—or were outraged by the film’s diminishment of probably the most important female British novelist of the 20th century. Even Nobel Laureate Doris Lessing spoke out against the travesty of a novelist she considered a foremother of later 20th-century writers.
Author: Simon Brown Publisher: University of Texas Press ISBN: 147731492X Category : Performing Arts Languages : en Pages : 237
Book Description
Since the 1970s, the name Stephen King has been synonymous with horror. His vast number of books has spawned a similar number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer’s work has been adapted over a long period within a single genre and across a variety of media—and what that can tell us about King, about adaptation, and about film and TV horror. Starting from the premise that King has transcended ideas of authorship to become his own literary, cinematic, and televisual brand, Screening Stephen King explores the impact and legacy of over forty years of King film and television adaptations. Simon Brown first examines the reasons for King’s literary success and then, starting with Brian De Palma’s Carrie, explores how King’s themes and style have been adapted for the big and small screens. He looks at mainstream multiplex horror adaptations from Cujo to Cell, low-budget DVD horror films such as The Mangler and Children of the Corn franchises, non-horror films, including Stand by Me and The Shawshank Redemption, and TV works from Salem’s Lot to Under the Dome. Through this discussion, Brown identifies what a Stephen King film or series is or has been, how these works have influenced film and TV horror, and what these influences reveal about the shifting preoccupations and industrial contexts of the post-1960s horror genre in film and TV.
Author: Keith Selby
Author: Keith Selby
Author: Richard North Patterson
Author: Gabriel Miller
Author: Vivian Carol Sobchack
Author: Liora Brosh
Author: W.-D. Fessner
Author: Dr Rohit Mittal, Dr. Gurpreet Singh Sandhu, Mrs. Kirti M. Donga, Dr. Biresh Kumar Sarkar, Dr.Ahemadi Banu
Author: Shannon Wells-Lassagne
Author: Earl G. Ingersoll
Author: Simon Brown