Author: Ellen Gruber Garvey
Publisher: Oxford University Press
ISBN: 0199986355
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
Men and women 150 years ago grappled with information overload by making scrapbooks-the ancestors of Google and blogging. From Abraham Lincoln to Susan B. Anthony, African American janitors to farmwomen, abolitionists to Confederates, people cut out and pasted down their reading. Writing with Scissors opens a new window into the feelings and thoughts of ordinary and extraordinary Americans. Like us, nineteenth-century readers spoke back to the media, and treasured what mattered to them. In this groundbreaking book, Ellen Gruber Garvey reveals a previously unexplored layer of American popular culture, where the proliferating cheap press touched the lives of activists and mourning parents, and all who yearned for a place in history. Scrapbook makers documented their feelings about momentous public events such as living through the Civil War, mediated through the newspapers. African Americans and women's rights activists collected, concentrated, and critiqued accounts from a press that they did not control to create "unwritten histories" in books they wrote with scissors. Whether scrapbook makers pasted their clippings into blank books, sermon collections, or the pre-gummed scrapbook that Mark Twain invented, they claimed ownership of their reading. They created their own democratic archives. Writing with Scissors argues that people have long had a strong personal relationship to media. Like newspaper editors who enthusiastically "scissorized" and reprinted attractive items from other newspapers, scrapbook makers passed their reading along to family and community. This book explains how their scrapbooks underlie our present-day ways of thinking about information, news, and what we do with it.
Writing with Scissors
Author: Ellen Gruber Garvey
Publisher: Oxford University Press
ISBN: 0199986355
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
Men and women 150 years ago grappled with information overload by making scrapbooks-the ancestors of Google and blogging. From Abraham Lincoln to Susan B. Anthony, African American janitors to farmwomen, abolitionists to Confederates, people cut out and pasted down their reading. Writing with Scissors opens a new window into the feelings and thoughts of ordinary and extraordinary Americans. Like us, nineteenth-century readers spoke back to the media, and treasured what mattered to them. In this groundbreaking book, Ellen Gruber Garvey reveals a previously unexplored layer of American popular culture, where the proliferating cheap press touched the lives of activists and mourning parents, and all who yearned for a place in history. Scrapbook makers documented their feelings about momentous public events such as living through the Civil War, mediated through the newspapers. African Americans and women's rights activists collected, concentrated, and critiqued accounts from a press that they did not control to create "unwritten histories" in books they wrote with scissors. Whether scrapbook makers pasted their clippings into blank books, sermon collections, or the pre-gummed scrapbook that Mark Twain invented, they claimed ownership of their reading. They created their own democratic archives. Writing with Scissors argues that people have long had a strong personal relationship to media. Like newspaper editors who enthusiastically "scissorized" and reprinted attractive items from other newspapers, scrapbook makers passed their reading along to family and community. This book explains how their scrapbooks underlie our present-day ways of thinking about information, news, and what we do with it.
Publisher: Oxford University Press
ISBN: 0199986355
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
Men and women 150 years ago grappled with information overload by making scrapbooks-the ancestors of Google and blogging. From Abraham Lincoln to Susan B. Anthony, African American janitors to farmwomen, abolitionists to Confederates, people cut out and pasted down their reading. Writing with Scissors opens a new window into the feelings and thoughts of ordinary and extraordinary Americans. Like us, nineteenth-century readers spoke back to the media, and treasured what mattered to them. In this groundbreaking book, Ellen Gruber Garvey reveals a previously unexplored layer of American popular culture, where the proliferating cheap press touched the lives of activists and mourning parents, and all who yearned for a place in history. Scrapbook makers documented their feelings about momentous public events such as living through the Civil War, mediated through the newspapers. African Americans and women's rights activists collected, concentrated, and critiqued accounts from a press that they did not control to create "unwritten histories" in books they wrote with scissors. Whether scrapbook makers pasted their clippings into blank books, sermon collections, or the pre-gummed scrapbook that Mark Twain invented, they claimed ownership of their reading. They created their own democratic archives. Writing with Scissors argues that people have long had a strong personal relationship to media. Like newspaper editors who enthusiastically "scissorized" and reprinted attractive items from other newspapers, scrapbook makers passed their reading along to family and community. This book explains how their scrapbooks underlie our present-day ways of thinking about information, news, and what we do with it.
Writing with Scissors
Author: Ellen Gruber Garvey
Publisher: Oxford University Press, USA
ISBN: 0199927693
Category : Art
Languages : en
Pages : 315
Book Description
Featuring over 50 rare and hard-to-find illustrations, 'Writing with Scissors' presents a fascinating cultural history of scrapbooks in America.
Publisher: Oxford University Press, USA
ISBN: 0199927693
Category : Art
Languages : en
Pages : 315
Book Description
Featuring over 50 rare and hard-to-find illustrations, 'Writing with Scissors' presents a fascinating cultural history of scrapbooks in America.
Lee's Tigers
Author: Terry L. Jones
Publisher: LSU Press
ISBN: 0807151629
Category : History
Languages : en
Pages : 326
Book Description
Sometimes called the "wharf rats from New Orleans" and the "lowest scrapings of the Mississippi," Lee's Tigers were the approximately twelve thousand Louisiana infantrymen who served in the Confederate Army of Northern Virginia from the time of the campaign at First Manassas to the final days of the war at Appomattox. Terry L. Jones offers a colorful, highly readable account of this notorious group of soldiers renowned not only for their drunkenness and disorderly behavior in camp but for their bravery in battle. It was this infantry that held back the initial Federal onslaught at First Manassas, made possible General Stonewall Jackson's famed Valley Campaign, contained the Union breakthrough at Spotsylvania's Bloody Angle, and led Lee's last offensive actions at Fort Stedman and Appomattox.Despite all their vices, Lee's Tigers emerged from the Civil War with one of the most respected military records of any group of southern soldiers. According to Jones, the unsavory reputation of the Tigers was well earned, for Louisiana probably had a higher percentage of criminals, drunkards, and deserters in its commands than any other Confederate state. The author spices his narrative with well-chosen anecdotes-among them an account of one of the stormiest train rides in military history. While on their way to Virginia, the enlisted men of Coppens' Battalion uncoupled their officers' car from the rest of the train and proceeded to partake of their favorite beverages. Upon arriving in Montgomery, the battalion embarked upon a drunken spree of harassment, vandalism, and robbery. Meanwhile, having commandeered another locomotive, the officers arrived and sprang from their train with drawn revolvers to put a stop to the disorder. "The charge of the Light Brigade," one witness recalled, "was surpassed by these irate Creoles." Lee's Tigers is the first study to utilize letters, diaries, and muster rolls to provide a detailed account of the origins, enrollments, casualties, and desertion rates of these soldiers. Jones supplies the first major work to focus solely on Louisiana's infantry in Lee's army throughout the course of the war. Civil War buffs and scholars alike will find Lee's Tigers a valuable addition to their libraries.
Publisher: LSU Press
ISBN: 0807151629
Category : History
Languages : en
Pages : 326
Book Description
Sometimes called the "wharf rats from New Orleans" and the "lowest scrapings of the Mississippi," Lee's Tigers were the approximately twelve thousand Louisiana infantrymen who served in the Confederate Army of Northern Virginia from the time of the campaign at First Manassas to the final days of the war at Appomattox. Terry L. Jones offers a colorful, highly readable account of this notorious group of soldiers renowned not only for their drunkenness and disorderly behavior in camp but for their bravery in battle. It was this infantry that held back the initial Federal onslaught at First Manassas, made possible General Stonewall Jackson's famed Valley Campaign, contained the Union breakthrough at Spotsylvania's Bloody Angle, and led Lee's last offensive actions at Fort Stedman and Appomattox.Despite all their vices, Lee's Tigers emerged from the Civil War with one of the most respected military records of any group of southern soldiers. According to Jones, the unsavory reputation of the Tigers was well earned, for Louisiana probably had a higher percentage of criminals, drunkards, and deserters in its commands than any other Confederate state. The author spices his narrative with well-chosen anecdotes-among them an account of one of the stormiest train rides in military history. While on their way to Virginia, the enlisted men of Coppens' Battalion uncoupled their officers' car from the rest of the train and proceeded to partake of their favorite beverages. Upon arriving in Montgomery, the battalion embarked upon a drunken spree of harassment, vandalism, and robbery. Meanwhile, having commandeered another locomotive, the officers arrived and sprang from their train with drawn revolvers to put a stop to the disorder. "The charge of the Light Brigade," one witness recalled, "was surpassed by these irate Creoles." Lee's Tigers is the first study to utilize letters, diaries, and muster rolls to provide a detailed account of the origins, enrollments, casualties, and desertion rates of these soldiers. Jones supplies the first major work to focus solely on Louisiana's infantry in Lee's army throughout the course of the war. Civil War buffs and scholars alike will find Lee's Tigers a valuable addition to their libraries.
Remembering Dixie
Author: Susan T. Falck
Publisher: Univ. Press of Mississippi
ISBN: 1496824431
Category : History
Languages : en
Pages : 375
Book Description
Nearly seventy years after the Civil War, Natchez, Mississippi, sold itself to Depression-era tourists as a place “Where the Old South Still Lives.” Tourists flocked to view the town’s decaying antebellum mansions, hoopskirted hostesses, and a pageant saturated in sentimental Lost Cause imagery. In Remembering Dixie: The Battle to Control Historical Memory in Natchez, Mississippi, 1865–1941, Susan T. Falck analyzes how the highly biased, white historical memories of what had been a wealthy southern hub originated from the experiences and hardships of the Civil War. These collective narratives eventually culminated in a heritage tourism enterprise still in business today. Additionally, the book includes new research on the African American community’s robust efforts to build historical tradition, most notably, the ways in which African Americans in Natchez worked to create a distinctive postemancipation identity that challenged the dominant white structure. Using a wide range of late nineteenth- and early twentieth-century sources—many of which have never been fully mined before—Falck reveals the ways in which black and white Natchezians of all classes, male and female, embraced, reinterpreted, and contested Lost Cause ideology. These memory-making struggles resulted in emotional, internecine conflicts that shaped the cultural character of the community and impacted the national understanding of the Old South and the Confederacy as popular culture. Natchez remains relevant today as a microcosm for our nation’s modern-day struggles with Lost Cause ideology, Confederate monuments, racism, and white supremacy. Falck reveals how this remarkable story played out in one important southern community over several generations in vivid detail and richly illustrated analysis.
Publisher: Univ. Press of Mississippi
ISBN: 1496824431
Category : History
Languages : en
Pages : 375
Book Description
Nearly seventy years after the Civil War, Natchez, Mississippi, sold itself to Depression-era tourists as a place “Where the Old South Still Lives.” Tourists flocked to view the town’s decaying antebellum mansions, hoopskirted hostesses, and a pageant saturated in sentimental Lost Cause imagery. In Remembering Dixie: The Battle to Control Historical Memory in Natchez, Mississippi, 1865–1941, Susan T. Falck analyzes how the highly biased, white historical memories of what had been a wealthy southern hub originated from the experiences and hardships of the Civil War. These collective narratives eventually culminated in a heritage tourism enterprise still in business today. Additionally, the book includes new research on the African American community’s robust efforts to build historical tradition, most notably, the ways in which African Americans in Natchez worked to create a distinctive postemancipation identity that challenged the dominant white structure. Using a wide range of late nineteenth- and early twentieth-century sources—many of which have never been fully mined before—Falck reveals the ways in which black and white Natchezians of all classes, male and female, embraced, reinterpreted, and contested Lost Cause ideology. These memory-making struggles resulted in emotional, internecine conflicts that shaped the cultural character of the community and impacted the national understanding of the Old South and the Confederacy as popular culture. Natchez remains relevant today as a microcosm for our nation’s modern-day struggles with Lost Cause ideology, Confederate monuments, racism, and white supremacy. Falck reveals how this remarkable story played out in one important southern community over several generations in vivid detail and richly illustrated analysis.
America's Joan of Arc
Author: J. Matthew Gallman
Publisher: Oxford University Press
ISBN: 0195161459
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
One of the most celebrated women of her time, Anna Elizabeth Dickinson was a charismatic orator, writer, and actress, who rose to fame during the Civil War. In "America's Joan of Arc," Gallman offers the first full-length biography of Dickinson to appear in over half a century.
Publisher: Oxford University Press
ISBN: 0195161459
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
One of the most celebrated women of her time, Anna Elizabeth Dickinson was a charismatic orator, writer, and actress, who rose to fame during the Civil War. In "America's Joan of Arc," Gallman offers the first full-length biography of Dickinson to appear in over half a century.
Georgia Civil War Manuscript Collections
Author: David H. Slay
Publisher: University of Alabama Press
ISBN: 0817317449
Category : History
Languages : en
Pages : 297
Book Description
This book provides historians and genealogists with a one-stop guide to every Civil War–related manuscript collection stored in Georgia’s many repositories. With this guide in hand, researchers will no longer spend countless hours pouring through online catalogs, emailing archivists, and wondering if they have exhausted every lead in their pursuit of firsthand information about the war and the experiences of those who lived through and were impacted by it. In assembling the first state-specific bibliography to be compiled since the Indiana and Illinois bibliographies were assembled for the Civil War Centennial in the 1960s, David Slay has expanded the scope of this survey to include works relating to women, African Americans, and social history, as well as the letters and diaries of soldiers who fought in the war, reflecting society’s evolving understanding and interest in this defining period of American life. In addition, this compilation is not confined to material produced from 1861 to 1865, but also includes collections spanning the lives of prominent Civil War figures, making it an invaluable source for biographers. Organized by institution, Georgia Civil War Manuscript Collections has many time-saving features, all designed to increase efficiency of research. Each collection description contains the title and catalog number used in the holding institution. Where possible, collection descriptions have been improved upon, providing the researcher with information beyond what is listed in the holding institution’s card catalog and finding aid. It also cross-references duplicate collections that are held in two or more institutions as microfilm or photocopies. Simply put, Georgia Civil War Manuscript Collections takes the mystery out of Civil War research in Georgia.
Publisher: University of Alabama Press
ISBN: 0817317449
Category : History
Languages : en
Pages : 297
Book Description
This book provides historians and genealogists with a one-stop guide to every Civil War–related manuscript collection stored in Georgia’s many repositories. With this guide in hand, researchers will no longer spend countless hours pouring through online catalogs, emailing archivists, and wondering if they have exhausted every lead in their pursuit of firsthand information about the war and the experiences of those who lived through and were impacted by it. In assembling the first state-specific bibliography to be compiled since the Indiana and Illinois bibliographies were assembled for the Civil War Centennial in the 1960s, David Slay has expanded the scope of this survey to include works relating to women, African Americans, and social history, as well as the letters and diaries of soldiers who fought in the war, reflecting society’s evolving understanding and interest in this defining period of American life. In addition, this compilation is not confined to material produced from 1861 to 1865, but also includes collections spanning the lives of prominent Civil War figures, making it an invaluable source for biographers. Organized by institution, Georgia Civil War Manuscript Collections has many time-saving features, all designed to increase efficiency of research. Each collection description contains the title and catalog number used in the holding institution. Where possible, collection descriptions have been improved upon, providing the researcher with information beyond what is listed in the holding institution’s card catalog and finding aid. It also cross-references duplicate collections that are held in two or more institutions as microfilm or photocopies. Simply put, Georgia Civil War Manuscript Collections takes the mystery out of Civil War research in Georgia.
Pictorial Illusionism
Author: J. A. Sokalski
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773560297
Category : Art
Languages : en
Pages : 336
Book Description
Drawing together a wealth of primary sources, J.A. Sokalski examines the aims, inventions, and methods of the pictorial style that defined MacKaye's art. Sokalski shows how MacKaye's famous Madison Square Theatre, which featured a double stage reminiscent of an elevator, created whirling pictorial illusions for fashionable New York. He argues that MacKaye's infamous failure, the colossal Spectatorium theatre for the 1893 Chicago World's Fair, was the most complete realization of this illusionary aesthetic. Sokalski also explores MacKaye's influence on Buffalo Bill Cody and how civil war cycloramas expanded his concept of pictorial space.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773560297
Category : Art
Languages : en
Pages : 336
Book Description
Drawing together a wealth of primary sources, J.A. Sokalski examines the aims, inventions, and methods of the pictorial style that defined MacKaye's art. Sokalski shows how MacKaye's famous Madison Square Theatre, which featured a double stage reminiscent of an elevator, created whirling pictorial illusions for fashionable New York. He argues that MacKaye's infamous failure, the colossal Spectatorium theatre for the 1893 Chicago World's Fair, was the most complete realization of this illusionary aesthetic. Sokalski also explores MacKaye's influence on Buffalo Bill Cody and how civil war cycloramas expanded his concept of pictorial space.
A Course of Study for the Preparation of Rural School Teachers, Nature Study, Elementary Agriculture, Sanitary Science, and Applied Chemistry
Author: David Eugene Smith
Publisher:
ISBN:
Category : Agricultural education
Languages : en
Pages : 766
Book Description
Publisher:
ISBN:
Category : Agricultural education
Languages : en
Pages : 766
Book Description
Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 602
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 602
Book Description
Shades of Green
Author: Ryan W. Keating
Publisher: Fordham University Press
ISBN: 0823276627
Category : History
Languages : en
Pages : 328
Book Description
Drawing on records of about 5,500 soldiers and veterans, Shades of Green traces the organization of Irish regiments from the perspective of local communities in Connecticut, Illinois, and Wisconsin and the relationships between soldiers and the home front. Research on the impact of the Civil War on Irish Americans has traditionally fallen into one of two tracks, arguing that the Civil War either further alienated Irish immigrants from American society or that military service in defense of the Union offered these men a means of assimilation. In this study of Irish American service, Ryan W. Keating argues that neither paradigm really holds, because many Irish Americans during this time already considered themselves to be assimilated members of American society. This comprehensive study argues that the local community was often more important to ethnic soldiers than the imagined ethnic community, especially in terms of political, social, and economic relationships. An analysis of the Civil War era from this perspective provides a much clearer understanding of immigrant place and identity during the nineteenth century. With a focus on three regiments not traditionally studied, the author provides a fine-grained analysis revealing that ethnic communities, like other types of communities, are not monolithic on a national scale. Examining lesser-studied communities, rather than the usual those of New York City and Boston, Keating brings the local back into the story of Irish American participation in the Civil War, thus adding something new and valuable to the study of the immigrant experience in America’s bloodiest conflict. Throughout this rich and groundbreaking study, Keating supports his argument through advanced quantitative analysis of military-service records and an exhaustive review of a massive wealth of raw data; his use of quantitative methods on a large dataset is an unusual and exciting development in Civil War studies. Shades of Green is sure to “shake up” several fields of study that rely on ethnicity as a useful category for analysis; its impressive research provides a significant contribution to scholarship.
Publisher: Fordham University Press
ISBN: 0823276627
Category : History
Languages : en
Pages : 328
Book Description
Drawing on records of about 5,500 soldiers and veterans, Shades of Green traces the organization of Irish regiments from the perspective of local communities in Connecticut, Illinois, and Wisconsin and the relationships between soldiers and the home front. Research on the impact of the Civil War on Irish Americans has traditionally fallen into one of two tracks, arguing that the Civil War either further alienated Irish immigrants from American society or that military service in defense of the Union offered these men a means of assimilation. In this study of Irish American service, Ryan W. Keating argues that neither paradigm really holds, because many Irish Americans during this time already considered themselves to be assimilated members of American society. This comprehensive study argues that the local community was often more important to ethnic soldiers than the imagined ethnic community, especially in terms of political, social, and economic relationships. An analysis of the Civil War era from this perspective provides a much clearer understanding of immigrant place and identity during the nineteenth century. With a focus on three regiments not traditionally studied, the author provides a fine-grained analysis revealing that ethnic communities, like other types of communities, are not monolithic on a national scale. Examining lesser-studied communities, rather than the usual those of New York City and Boston, Keating brings the local back into the story of Irish American participation in the Civil War, thus adding something new and valuable to the study of the immigrant experience in America’s bloodiest conflict. Throughout this rich and groundbreaking study, Keating supports his argument through advanced quantitative analysis of military-service records and an exhaustive review of a massive wealth of raw data; his use of quantitative methods on a large dataset is an unusual and exciting development in Civil War studies. Shades of Green is sure to “shake up” several fields of study that rely on ethnicity as a useful category for analysis; its impressive research provides a significant contribution to scholarship.