Author: John GrahamPublisher:
ISBN:
Category : Songs, Scots
Languages : en
Pages : 126
Book Description
Scottish National Melodies
Author: John GrahamPublisher:
ISBN:
Category : Songs, Scots
Languages : en
Pages : 126
Book Description
Seventy Scottish Songs
Author: Helen HopekirkPublisher:
ISBN:
Category : Folk music
Languages : en
Pages : 218
Book Description
The National Melodies of Scotland; united to the songs of Robert Burns, Allan Ramsay, and other eminent lyric poets; with symphonies and accompaniments for the piano forte, by Haydn, Pleyel, Kozeluch, etc. [Selected from George Thomson's"Select Collection of original Scottish Airs".]
Author: Original National Melodies of Scotland
Author: Dorothea Ruggles BrisePublisher: BoD – Books on Demand
ISBN: 338557577X
Category : Fiction
Languages : en
Pages : 246
Book Description
Reprint of the original, first published in 1838.
The Traditional and National Music of Scotland
Author: Francis CollinsonPublisher:
ISBN:
Category : Folk music, Scottish
Languages : en
Pages : 294
Book Description
Scottish national melodies
Author: John Graham (active)The Traditional and National Music of Scotland
Author: Francis M. CollinsonPublisher: Routledge/Thoemms Press
ISBN:
Category : Music
Languages : en
Pages : 336
Book Description
Scottish National Melodies
Author: John GrahamPublisher:
ISBN:
Category : National songs
Languages : en
Pages : 110
Book Description
A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880–1951
Author: Karen E. McAulayPublisher: Taylor & Francis
ISBN: 1040216501
Category : History
Languages : en
Pages : 221
Book Description
Late Victorian Scotland had a flourishing music publishing trade, evidenced by the survival of a plethora of vocal scores and dance tune books; and whether informing us what people actually sang and played at home, danced to, or enjoyed in choirs, or reminding us of the impact of emigration from Britain for both emigrants and their families left behind, examining this neglected repertoire provides an insight into Scottish musical culture and is a valuable addition to the broader social history of Scotland. The decline of the music trade by the mid-twentieth century is attributable to various factors, some external, but others due to the conservative and perhaps somewhat parochial nature of the publishers’ output. What survives bears witness to the importance of domestic and amateur music-making in ordinary lives between 1880 and 1950. Much of the music is now little more than a historical artefact. Nonetheless, Karen E. McAulay shows that the nature of the music, the song and fiddle tune books’ contents, the paratext around the collections, its packaging, marketing and dissemination all document the social history of an era whose everyday music has often been dismissed as not significant or, indeed, properly ‘old’ enough to merit consideration. The book will be valuable for academics as well as folk musicians and those interested in the social and musical history of Scotland and the British Isles.
Author: