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Author: Raymond Pettibon Publisher: ISBN: Category : Languages : en Pages : 670
Book Description
Raymond Pettibon's writing embraced the expanse of social-media digital technology for his art while allowing a more intimate glimpse at the artist. Between February 2011 and February 2021, Pettibon posted something in the region of eighteen thousand digital comments on Twitter. SCKONTHIS!! is based on the entire transcripts that appear here for the first time. This eclectic collection demonstrates the range of Pettibon's thinking as he embarks on an artistic enlightenment project. Pettibon's digital rants reveal the artist in a creative-informal rather than critical-formal mode. They flesh out ideas elucidated in his artworks, none of which are represented here. The twits cover topics as varied as golf, oral, life, and art history-subjects chosen at random for broad appeal and examined with passion and insight. Raymond Pettibon's (b. 1957) influential oeuvre engages a wide spectrum of American iconography variously pulled from literature, art history, philosophy, religion, politics, sports, and alternative youth culture, among other sources. Intermixing image and text, his drawings engage the visual rhetorics of pop and commercial culture while incorporating language from mass media as well as classic texts by writers such as William Blake, Marcel Proust, John Ruskin, and Walt Whitman. Through his exploration of the visual and critical potential of drawing, Pettibon's practice harkens back to the traditions of satire and social critique in the work of eighteenth- and nineteenth-century artists and caricaturists such as William Hogarth, Gustave Doré, and Honoré Daumier, while reinforcing the importance of the medium within contemporary art and culture today. PCP Press has been a publisher of Avant-Garde art books and insurgent authors since '69.
Author: Raymond Pettibon Publisher: ISBN: Category : Languages : en Pages : 670
Book Description
Raymond Pettibon's writing embraced the expanse of social-media digital technology for his art while allowing a more intimate glimpse at the artist. Between February 2011 and February 2021, Pettibon posted something in the region of eighteen thousand digital comments on Twitter. SCKONTHIS!! is based on the entire transcripts that appear here for the first time. This eclectic collection demonstrates the range of Pettibon's thinking as he embarks on an artistic enlightenment project. Pettibon's digital rants reveal the artist in a creative-informal rather than critical-formal mode. They flesh out ideas elucidated in his artworks, none of which are represented here. The twits cover topics as varied as golf, oral, life, and art history-subjects chosen at random for broad appeal and examined with passion and insight. Raymond Pettibon's (b. 1957) influential oeuvre engages a wide spectrum of American iconography variously pulled from literature, art history, philosophy, religion, politics, sports, and alternative youth culture, among other sources. Intermixing image and text, his drawings engage the visual rhetorics of pop and commercial culture while incorporating language from mass media as well as classic texts by writers such as William Blake, Marcel Proust, John Ruskin, and Walt Whitman. Through his exploration of the visual and critical potential of drawing, Pettibon's practice harkens back to the traditions of satire and social critique in the work of eighteenth- and nineteenth-century artists and caricaturists such as William Hogarth, Gustave Doré, and Honoré Daumier, while reinforcing the importance of the medium within contemporary art and culture today. PCP Press has been a publisher of Avant-Garde art books and insurgent authors since '69.
Author: Raymond Pettibon Publisher: ISBN: Category : Languages : en Pages : 390
Book Description
A new volume in the PCP Press 'Editions Du Piràtes' poetry series explores Pettibon's Twitter poetry, written between November 27, 2012 - July 28, 2016.Appearing for the first time in a PCP Press paperback edition, my fists r free combines 186 Twitter poems from Pettibon's Twitter account. Included are such favorites as "More Oral?", "I play golf w/Truympf n OJ. Both cheaters" and "Balls Don't Lie," along with the usual Pettibon dazzle of satirical exposition, love poems, and syntactical provocations.In the landmark volume of Raymond Pettibon's monumental Twitter masterpiece, the character Raymond Pettibon moves to Twitter, where, having left his wife, he leads a solitary artistic existence. He strikes up a deep friendship with other Twitter followers, including Nietzschean intellectuals and baseball fanatics. He also tracks down major and minor figures of Western Civilization and Culture, past and present, who fascinates him deeply.my fists r free is at heart an art love story―the story of Petition falling in love with his artistic gifts. But this poetry also tells other stories: of becoming a father, of the turbulence of family life, of outrageously unsuccessful attempts at creative vacations, of the emotional strain of art gallery parties for art admirers, and of the daily frustrations, rhythms, and distractions of city life keeping him from (and filling) his gifts.This landmark publication is a brilliant work that delivers on the unlikely promise that many hundreds of pages later, readers will be left breathlessly demanding more from this unrivaled American poet. Raymond Pettibon (born Raymond Ginn; June 16, 1957, in Tucson, Arizona) is an American artist who lives and works in New York City. Pettibon came to prominence in the early 1980s in the southern California punk rock scene, creating posters and album art mainly for groups on SST Records, owned and operated by his older brother, Greg Ginn. He has subsequently become widely recognized in the fine art world for using American iconography variously pulled from literature, art history, philosophy, and religion to politics, sport, and sexuality. Lawrence Graham Williams III (born LG Williams; April 1, 1969, in Shell Knob, Missouri in The Ozarks Mountains in Northeastern Arkansas) received his B.A. from The Kansas City Art Institute, M.F.A. from University of California, Davis, and Honorary Ph.D. from Institute of Subversive Art and Analysis (ISSA), Cedar Rapids, IA.
Author: Timo Dietrich Publisher: Springer ISBN: 9811018359 Category : Business & Economics Languages : en Pages : 210
Book Description
This book brings together current innovative methods and approaches to segmentation and outlines why segmentation is needed to support more effective social marketing program design. It presents a variety of segmentation approaches alongside case studies of their application in various social marketing contexts. The book extends the use of segmentation in social marketing, which will ultimately lead to more effective and better-tailored programs that deliver change for the better. As such, it offers a detailed handbook on how to conduct state-of-the-art segmentation, and provides a valuable resource for academics, social marketers, educators, and advanced students alike.
Author: LG Williams Publisher: PCP Press ISBN: Category : Art Languages : en Pages : 210
Book Description
"EVERYONE SUCKS" by LG Williams has an apocalyptic-looking cover and a title that needs explication. The book is not an aesthetic doomsday scenario, quite the contrary, as the explanation of the title will show. Williams, who is an unemployed surfer in Beverly Hills, completed this artwork in late 2002, and in it, he explains in a logical, well-considered progression why he believes that art is at a final resting point in progressive art history, and that that future art will render humanity as less than what it could be - comfort seeking, self-involved, "men without chests." The book, which could be subtitled "I Love Art and Why You Should Too", builds on LG's idea that there could be further, progressive art. This is what LG is referring to when he says that Art has reached its end; he doesn't mean that nothing else will happen, but that the progression of art history toward a universally beneficial system of brilliant nonsense has culminated in commercial mediocrity and bureaucrats. He defines mediocrity "as a rule of art that does not recognise individual genius or freedoms from forces of control, stupidity, and domination" and he defines those rights in three classes, wrong rights, commercial rights and left rights. But he cautions that Nietzsche believed in war and conflict as a way for humanity to express its passions, and that without conflict in the Jungian sense (LG says that great artist do not attack each other), humans will become soft, meaningless, and passionless. LG does not advocate that artist become "the last artists," even though in this volume, he believes the End of Art is near.
Author: Shepard Fairey Publisher: Gingko Press Editions ISBN: Category : Art Languages : en Pages : 152
Book Description
E Pluribus Venom collects a large body of work produced by Shepard Fairey and presented at the Jonathan Levine Gallery during his massive exhibition in the summer of 2007. The title, which translates Out of many, poison is derived from E Pluribus Unum (out of many, one) an early motto adopted by the U.S. Government which appears on U.S. currency. The artists thesis is that many becoming one, or a loss of power and influence of the individual in favor of homogeny is a symptom of a society in decline. The book is comprised of artworks designed to question the symbols and methods of the American machine and American dream and also celebrate those who oppose blind nationalism and war. Some of Faireys works use currency motifs or a Norman Rockwell aesthetic to employ the graphic language of the subjects they critique. Other works use a blend of Art Nouveau, hippie, and revolutionary propaganda styles to celebrate subjects advocating peace.
Author: John Carlin Publisher: Yale University Press ISBN: 030011317X Category : Art Languages : en Pages : 341
Book Description
Presents the work of America's most popular and influential comic artists, and includes critical essays accompanying each artist's drawings.
Author: Sarah Williams Publisher: Createspace Independent Publishing Platform ISBN: 9781539710653 Category : Languages : en Pages : 314
Book Description
2nd Edition Special Anniversary Black & White Edition THE PHILOSOPHY OF OBEY (i.e. Obey Giant / Shepard Fairey) is one of the fundamental texts of 21st Century aesthetics - short, bold, candid, puzzling and remarkable in its power to stir the imagination of philosophers and artists alike. Arguably one of the most compelling works of philosophy and art written in the twentieth-first century, Philosophy of Obey is the only artistic - philosophical work that Obey has published during its campaign. Written in short, carefully crafted sentences of extremely revealing candor, it will capture the imagination of a generation of Street Artists and philosophers. For Obey, discourse is something we use to examine reality which is in itself both elusive and unobtainable. Obey famously summarized this book in the following words: I aim to bring something new to every artwork. The work is prefaced by Sarah Jaye Williams introduction to the first edition. Obey Giant (1989 2008) is regarded by many as one of the most significant street art campaigns. This book is a work of theoretical philosophy, contemporary art, and contemporary art history. Any illegal activity or actions deduced or derived from this work is entirely inappropriate and beyond the scope and intent of either the author or publisher. # # # # #
Author: Daniel Oppenheimer Publisher: University of Texas Press ISBN: 1477320156 Category : Art Languages : en Pages : 150
Book Description
Regarded as both a legend and a villain, the critic Dave Hickey has inspired generations of artists, art critics, musicians, and writers. His 1993 book The Invisible Dragon became a cult hit for its potent and provocative critique of the art establishment and its call to reconsider the role of beauty in art. His next book, 1997’s Air Guitar, introduced a new kind of cultural criticism—simultaneously insightful, complicated, vulnerable, and down-to-earth—that propelled Hickey to fame as an iconoclastic thinker, loved and loathed in equal measure, whose influence extended beyond the art world. Far from Respectable is a focused, evocative exploration of Hickey’s work, his impact on the field of art criticism, and the man himself, from his Huck Finn childhood to his drug-fueled periods as both a New York gallerist and Nashville songwriter to, finally, his anointment as a tenured professor and MacArthur Fellow. Drawing on in-person interviews with Hickey, his friends and family, and art world comrades and critics, Daniel Oppenheimer examines the controversial writer’s distinctive takes on a broad range of subjects, including Norman Rockwell, Robert Mapplethorpe, academia, Las Vegas, basketball, country music, and considers how Hickey and his vision of an “ethical, cosmopolitan paganism” built around a generous definition of art is more urgently needed than ever before.
Author: Dave Hickey Publisher: Createspace Independent Publishing Platform ISBN: 9781517287108 Category : Languages : en Pages : 586
Book Description
Between June 2014 and April 2015, Dave Hickey posted almost 3,000 digital comments on social media, prompting nearly 700,000 words in response from art lovers, acolytes, and skeptics. Wasted Words is an unedited comprehensive transcript of these exchanges. This polyphonic digital discourse reveals the range of Hickey's strong opinions, as he embarks on a crypto-enlightenment project for the benefit of "dunces" and "pricks." Dave Hickey's digital writings highlight the impact of digital technology on culture, while allowing a more intimate glimpse of their author. These writings reveal the well-known critic in a creative-informal, rather than critical-formal, mode. Not only do they flesh out many of the ideas elucidated in Hickey's essays on art, but they also cover a variety of topics, including the year 1972, Texas Eagle Scouts, and Hickey's own academic misadventures.
Author: Wayne Thiebaud Publisher: Createspace Independent Publishing Platform ISBN: 9781985865433 Category : Languages : en Pages : 272
Book Description
For four decades, the legendary painter Wayne Thiebaud taught, passionately, at the University of California Davis, until retiring aged 70. As a teacher, Thiebaud had introduced thousands of undergraduates to the delights of great art and art making. Thiebaud still refers to exercises he would assign his students when explaining the dynamics of his own works. Here, collected for the first time, are student records of Thiebaud's famous lectures, which include Beginning Drawing, Descriptive Drawing, Life Drawing, Beginning Painting, Printmaking, and Theory and Criticism. These lecture notes are, apart from everything else, delightful and vibrant. They are concrete, efficient, not the wanderings of an imported academic star who takes class off early to get to the tennis courts.
Author: Raymond Pettibon
Author: Raymond Pettibon
Author: Raymond Pettibon
Author: Timo Dietrich
Author: LG Williams
Author: Shepard Fairey
Author: John Carlin
Author: Sarah Williams
Author: Daniel Oppenheimer
Author: Dave Hickey
Author: Wayne Thiebaud