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Author: Molly Faries Publisher: Brepols Publishers ISBN: Category : Art Languages : en Pages : 228
Book Description
Molly Faries, Indiana University & Groningen University, Re-reading the Evidence: Perspectives on Technical Studies of Early Netherlandish Painting Ron Spronk, Harvard University Art Museum, Standing on the Shoulders of Giants: The Early Years of Conservation and Technical Examinations of Netherlandish Paintings at the Fogg Art Museum J.R.J. Van Asperen de Boer, Professor Emeritus, Groningen University, Slowly towards Improved Infrared Reflectography Equipment Peter Klein, University of Hamburg, Dendrochronological Analyses of Netherlandish Paintings E. Melanie Gifford, Susana Halpne and Suzanne Quillen Lomax, National Gallery of Art, Issues surrounding the painting medium: a case study of a pre-Eyckian altarpiece Teri Hensick, Harvard University Art Museums, The Fogg's Copy After a Lost Van Eyck: Conservation History, Resent Treatment and Technical Examination of the Woman at Her Toilet Gianfranco Pocobene and Ron Spronk, Harvard University Art Museums, The Fogg's Virgin and Child from the Workshop of Dirck Bouts: Findings from Technical Examinations and Recent Conservation Treatment Henry Lie, Harvard University Art Museums, Digital Imaging for the Study of Paintings: Experiences at the Straus Center for Conservation Maryan W. Ainsworth, Metropolitan Museum of Art, What's in a name? The Question of Attribution in Early Netherlandish Painting "The volume brings together the connoisseurship and experience of outstanding scholars and leading scientists. It will highly benefit to all working in the field of technical examination." (H. Verougstraete in Sehepunkte, 5 (2005), nr. 2, 15.02.2005)u
Author: Maryan W. Ainsworth Publisher: Metropolitan Museum of Art ISBN: 1588390101 Category : Art Languages : en Pages : 132
Book Description
The nine papers collected in this publication- which comprises the third and latest edition to the symposium volumes by the Metropolitan Museum of Art - were first presented in conjunction with the Museum's exhibition of Early Netherlandish painting culled from its own holdings in 1998. The essays, by an international roster of leading specialists, together uncover the circumstances underlying the creation of works of art and shed new light on their meaning, in the context of the growing interdisciplinary activity and burgeoning scholarship in the field. The importance of archival research into the socio-economic factors that existed in the late fifteenth and early sixteenth centuries is emphasized- especially, the impact of art markets on the production of paintings as well as sculpture. Much new material has surfaced as a result of advances in the technical investigation of works of art, underscoring the premise that the clues to the meaning of a work are often found not only in its method of manufacture but also in the specific audience for which it was intended and in the function that it originally served for that audience. -- Publisher description.
Author: Publisher: National Academies Press ISBN: 0309096251 Category : Technology & Engineering Languages : en Pages : 254
Book Description
Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.
Author: National Gallery of Art (U.S.) Publisher: Cambridge University Press ISBN: 9780894680939 Category : Art Languages : en Pages : 296
Book Description
The volume contains entries for paintings in the National gallery that were produced in the fifteenth and sixteenth centuries by artists from the Netherlands. The entries are arranged alphabetically by artist; a short biography and bibliography for each artist is followed by individual entries on the paintings, each in order of acquisition. The authors address traditional questions of attributes and iconography; in addition, they examine the social, economic, and religious context in which the individual work of art functioned. The volume is also probable the first museum catalogue to include the results of examination by infrared reflectography and dendrochronological analysis.
Author: Susie Nash Publisher: OUP Oxford ISBN: 0191540021 Category : Art Languages : en Pages : 384
Book Description
This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, it examines everything from panel paintings to carved altarpieces. While many little-known works are foregrounded, Susie Nash also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, by considering the social and economic context of their creation and reception. Throughout, Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that Northern art, and particularly that of the Southern Netherlands, dominated visual culture throughout Europe in this crucial period.
Author: Janet Marstine Publisher: Routledge ISBN: 1317416651 Category : Social Science Languages : en Pages : 585
Book Description
Curating Art provides insight into some of the most socially and politically impactful curating of historical and contemporary art since the late 1990s. It offers up a museological framework for understanding watershed developments of curating in art museums. Representing the plurality of theory and practice around the expanded field of relational curating, the book focuses on curating that prioritises the quality of relationships between people and objects, between institutions and people and among people. It has wide international breadth, with particularly strong representation in East and Southeast Asia, including four papers never before translated into English. This Asian cluster illuminates the globalisation of the field and challenges dichotomies of East and West while acknowledging distinctions within specific, but often transnational, cultural spheres. The compelling philosophical perspectives and case studies included within Curating Art will be of interest to students and researchers studying curating, exhibition development and art museums. The book will also inspire current and emerging curators to pose challenging but important questions about their own practice and the relationships that this work sustains.
Author: W.Stanley Jr. Taft Publisher: Springer Science & Business Media ISBN: 038721741X Category : Art Languages : en Pages : 236
Book Description
The physics and materials science behind paintings: the pigments, binders, canvas, and varnish that go into making a painting appear the way it does. The text discusses the physical principles behind the colors seen and how these change with illumination, the various types of paint and binders used in both old and modern paintings, and the optics and microscopic structure of paint films. Chapters on dating, binders, and dendochronology have been contributed by experts in the respective fields.