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Author: R. Larry Todd Publisher: Princeton University Press ISBN: 1400863864 Category : Biography & Autobiography Languages : en Pages : 408
Book Description
We know Robert Schumann in many ways: as a visionary composer, a seasoned journalist, a cultured man of letters, and a genius who, having passed his mantle on to the young Brahms, succumbed to mental illness in 1856. Drawing on recent pathbreaking research, this collection offers new perspectives on this seminal nineteenth-century figure. In Part I, Leon Botstein and Michael P. Steinberg assess Schumann's efforts to place music at the center of German culture, in public and private sectors. Bernhard R. Appel offers a probing source study of one of Schumann's most personal works, the Album für die Jugend, Op. 68, while John Daverio considers the generic identity of Das Paradies und die Peri, and Jon W. Finson reexamines the first version of the Eichendorff Liederkreis. Gerd Nauhaus investigates Schumann's approach to the symphonic finale, and R. Larry Todd considers the intractable issue of quotations and allusions in Schumann's music. Part II presents letters and memoirs, including unpublished correspondence between Clara Schumann and Felix and Paul Mendelssohn-Bartholdy. In Part III, conflicting critical views of Schumann are juxtaposed. Some of these sources are translated into English for the first time. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: R. Larry Todd Publisher: Princeton University Press ISBN: 1400863864 Category : Biography & Autobiography Languages : en Pages : 408
Book Description
We know Robert Schumann in many ways: as a visionary composer, a seasoned journalist, a cultured man of letters, and a genius who, having passed his mantle on to the young Brahms, succumbed to mental illness in 1856. Drawing on recent pathbreaking research, this collection offers new perspectives on this seminal nineteenth-century figure. In Part I, Leon Botstein and Michael P. Steinberg assess Schumann's efforts to place music at the center of German culture, in public and private sectors. Bernhard R. Appel offers a probing source study of one of Schumann's most personal works, the Album für die Jugend, Op. 68, while John Daverio considers the generic identity of Das Paradies und die Peri, and Jon W. Finson reexamines the first version of the Eichendorff Liederkreis. Gerd Nauhaus investigates Schumann's approach to the symphonic finale, and R. Larry Todd considers the intractable issue of quotations and allusions in Schumann's music. Part II presents letters and memoirs, including unpublished correspondence between Clara Schumann and Felix and Paul Mendelssohn-Bartholdy. In Part III, conflicting critical views of Schumann are juxtaposed. Some of these sources are translated into English for the first time. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Martin Geck Publisher: University of Chicago Press ISBN: 0226284697 Category : Biography & Autobiography Languages : en Pages : 322
Book Description
Robert Schumann (1810-56) is one of the most important and representative composers of the Romantic era. Here acclaimed biographer martin Geck tells the story of this multifaceted genius, set in the context of the political and social revolutions of his time.
Author: Nancy Reich Publisher: Cornell University Press ISBN: 0801468299 Category : Biography & Autobiography Languages : en Pages : 449
Book Description
This absorbing and award-winning biography tells the story of the tragedies and triumphs of Clara Wieck Schumann (1819–1896), a musician of remarkable achievements. At once artist, composer, editor, teacher, wife, and mother of eight children, she was an important force in the musical world of her time. To show how Schumann surmounted the obstacles facing female artists in the nineteenth century, Nancy B. Reich has drawn on previously unexplored primary sources: unpublished diaries, letters, and family papers, as well as concert programs. Going beyond the familiar legends of the Schumann literature, she applies the tools of musicological scholarship and the insights of psychology to provide a new, full-scale portrait.The book is divided into two parts. In Part One, Reich follows Clara Schumann's life from her early years as a child prodigy through her marriage to Robert Schumann and into the forty years after his death, when she established and maintained an extraordinary European career while supporting and supervising a household and seven children. Part Two covers four major themes in Schumann's life: her relationship with Johannes Brahms and other friends and contemporaries; her creative work; her life on the concert stage; and her success as a teacher.Throughout, excerpts from diaries and letters in Reich's own translations clear up misconceptions about her life and achievements and her partnership with Robert Schumann. Highlighting aspects of Clara Schumann's personality and character that have been neglected by earlier biographers, this candid and eminently readable account adds appreciably to our understanding of a fascinating artist and woman.For this revised edition, Reich has added several photographs and updated the text to include recent discoveries. She has also prepared a Catalogue of Works that includes all of Clara Schumann's known published and unpublished compositions and works she edited, as well as descriptions of the autographs, the first editions, the modern editions, and recent literature on each piece. The Catalogue also notes Schumann's performances of her own music and provides pertinent quotations from letters, diaries, and contemporary reviews.
Author: Walter Schumann Publisher: Sterling Publishing Company, Inc. ISBN: 140275339X Category : Minerals Languages : en Pages : 236
Book Description
It's the classic work revised and updated! Identify over 500 of the most collectible minerals quickly and easily with this fully photographed field guide. And this new reissue makes identification easier, with new cleavability ratings for each entry alongside the handy classifications based on streak colour, Mohs' hardness and specific gravity. A complete introductory discussion of mineral forms and properties explains the essential criteria for recognition, and each of the hundreds of minerals (from Ankerite to Zinwaldite) is accompanied by information on its fracture, luster, chemical formula, aggregates, distinguishing characteristics and localities.
Author: Walter Frisch Publisher: Princeton University Press ISBN: 1400833620 Category : Music Languages : en Pages : 479
Book Description
Since its first publication in 1990, Brahms and His World has become a key text for listeners, performers, and scholars interested in the life, work, and times of one of the nineteenth century's most celebrated composers. In this substantially revised and enlarged edition, the editors remain close to the vision behind the original book while updating its contents to reflect new perspectives on Brahms that have developed over the past two decades. To this end, the original essays by leading experts are retained and revised, and supplemented by contributions from a new generation of Brahms scholars. Together, they consider such topics as Brahms's relationship with Clara and Robert Schumann, his musical interactions with the "New German School" of Wagner and Liszt, his influence upon Arnold Schoenberg and other young composers, his approach to performing his own music, and his productive interactions with visual artists. The essays are complemented by a new selection of criticism and analyses of Brahms's works published by the composer's contemporaries, documenting the ways in which Brahms's music was understood by nineteenth- and early twentieth-century audiences in Europe and North America. A new selection of memoirs by Brahms's friends, students, and early admirers provides intimate glimpses into the composer's working methods and personality. And a catalog of the music, literature, and visual arts dedicated to Brahms documents the breadth of influence exerted by the composer upon his contemporaries.
Author: Judith Chernaik Publisher: Vintage ISBN: 0451494474 Category : Music Languages : en Pages : 368
Book Description
Drawing on previously unpublished sources, this groundbreaking biography of Robert Schumann sheds new light on the great composer’s life and work. With the rigorous research of a scholar and the eloquent prose of a novelist, Judith Chernaik takes us into Schumann’s nineteenth-century Romantic milieu, where he wore many “masks” that gave voice to each corner of his soul. The son of a book publisher, he infused his pieces with literary ideas. He was passionately original but worshipped the past: Bach and Beethoven, Shakespeare and Byron. He believed in artistic freedom but struggled with constraints of form. His courtship and marriage to the brilliant pianist Clara Wieck—against her father’s wishes—is one of the great musical love stories of all time. Chernaik freshly explores his troubled relations with fellow composers Mendelssohn and Chopin, and the full medical diary—long withheld—from the Endenich asylum where he spent his final years enables her to look anew at the mystery of his early death. By turns tragic and transcendent, Schumann shows how this extraordinary artist turned his tumultuous life into music that speaks directly—and timelessly—to the heart.
Author: Robert Schumann Publisher: Courier Corporation ISBN: 0486143090 Category : Music Languages : en Pages : 226
Book Description
Includes 61 important critical pieces Schumann wrote for the Neue Zeitschrift fur Musik, 1834–1844. Perceptive evaluations of Beethoven, Chopin, Schubert, other giants; also Spohr, Moscheles, Field, other minor masters. Annotated.
Author: Eric Frederick Jensen Publisher: Oxford University Press ISBN: 0199830681 Category : Music Languages : en Pages : 390
Book Description
Robert Schumann is one of the most intriguing-and enigmatic-composers of the nineteenth century. Extraordinarily gifted in both music and literature, many of his compositions were inspired by poetry and novels. For much of his life he was better known as a music critic than as a composer. But whether writing as critic or composer, what he produced was created by him as a reflection of his often turbulent life. Best known was the tempestuous courtship of his future wife, the pianist Clara Wieck. Though marriage and family life seemed to provide a sense of constancy, he increasingly experienced periods of depression and instability. Mounting criticism of his performance as music director at Dusseldorf led to his attempted suicide in 1854. Schumann was voluntarily committed to an insane asylum near Bonn where, despite indications of improvement and dissatisfaction with his treatment, he spent the final two years of his life. Drawing on original research and newly published letters and journals from the time, author Eric Frederick Jensen presents a balanced portrait of the composer with both scholarly authority and engaging clarity. Biographical chapters alternate with discussion of Schumann's piano, chamber, choral, symphonic, and operatic works, demonstrating how the circumstances of his life helped shape the music he wrote. Chronicling the romance of Robert and Clara, Jensen offers a nuanced look at the evolution of their relationship, one that changed dramatically after marriage. He also follows Schumann's creative musical criticism, which championed the burgeoning careers of Chopin, Liszt, and Brahms and challenged the musical tastes of Europe.
Author: Robert Schumann Publisher: London : V. Gollancz ISBN: Category : Composers Languages : en Pages : 218
Book Description
"Robert Schumann was almost as important in his day for his criticism as for his compositions. His influence was great: it was thanks to him for instance that Berlioz was taken up with enthusiasm by the new romantic school in Germany when he visited the country in 1842. Schumann was one of the very first, also, to recognise the genius of Chopin, and to poke fun at German extra-musical Beethoven-worship. For ten years (1834-44) he owned, edited, and for the most part, wrote the Neue Zeitschrift fur Musik, but there has been no satisfactorily edited volume of these writings to date. A selection was translated by Fanny Raymond Ritter in 1876-79 and another translated by Paul Rosenfeld in 1946; in both cases, however, chronological order was disregarded and annotation was meagre. Moreover, the latter concentrated almost exclusively on what Schumann had written about the great masters. Henry Pleasants believes that chronological arrangement is essential to an understanding both of Schumann's progress as a writer and critic and of music in Germany during a decisive decade. He also believes that Schumann's status as a critic cannot be assessed and enjoyed simply from his glowing accounts of the greatest works, but that his views on composers such as Spohr, Hiller, Thalberg, Cramer and Sir William Sterndale Bennett (to name only a few of his contemporaries, famous then but little remembered today) are also important. Many of these composers were Schumann's friends, and his criticisms of their work tell us not only about them but also about Schumann himself. Mr. Pleasants has chosen a cross-section that reveals Schumann's critical powers as fully as possible, places him in perspective among his fellow musicians, and demonstrates his knowledge and appreciation of the composer's craft. The Neue Zeitschrift itself had a romantic beginning, late in 1833. Beethoven, Schubert and Weber were dead, and there seemed little ground for optimism about the future of music in Germany. A group of young men, eager for an advance, launched the magazine: but like many enterprises of its kind it was on the point of early dissolution when Schumann took it over. Wishing to express widely divergent views, he invented for the purpose the Davidsbundler, with Florestan and Eusebius as the principal members and master Raro as an intermediary. These names--so familiar to lovers of music and ballet, for he used two of them in his Carnaval variations--appear throughout the selection, humorously combining truth and poetry. Schumann was a sophisticated critic whose knowledge of, and sympathy with, his art and its exponents make him a model for generations to come. His selected writings, now for the first time fully annotated, are an outstanding and distinguished addition to our growing list of classics about music." --Dust jacket.
Author: R. Larry Todd
Author: R. Larry Todd
Author: Martin Geck
Author: Nancy Reich
Author: Walter Schumann
Author: Walter Frisch
Author: Judith Chernaik
Author: Robert Schumann
Author: John Daverio
Author: Eric Frederick Jensen
Author: Robert Schumann