Schoenberg's Variations for Orchestra, Opus 31 PDF Download

Author: Carl Robert Cunningham
Publisher:
ISBN:
Category : Musical analysis
Languages : en
Pages : 368

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Author: Graham Howard Phipps
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1254

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Author: Arnold Schoenberg
Publisher:
ISBN:
Category : Variations
Languages : en
Pages :

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Author: Elizabeth Mary Catherine Arno
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Carl Dahlhaus
Publisher: Cambridge University Press
ISBN: 9780521337830
Category : Music
Languages : en
Pages : 320

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Book Description
This book is a collection of essays, by the leading German musicologist of our day, on one of the most controversial and influential composers of our century: Arnold Schoenberg. Schoenberg is considered here as a historical figure, as a thinker and theoretician and as a composer whose works may be subjected to technical analysis and/or examined in relation to the history of ideas. Above all, he is considered in the context of the 'New Music', the historical and cultural movement of the first two decades of this century which embrace musicians such as Webern, Schreker and Scriabin (all of whom are allotted individual essays), as well as Schoenberg himself. In addition to historical and analytical essays there are essays of a broader cultural-historical and even sociological import which should interest all those involved with twentieth-century music and ideas.

Author: Arnold Schoenberg
Publisher: Courier Corporation
ISBN: 0486406423
Category : Music
Languages : en
Pages : 82

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Book Description
Possessing a soloistic texture and variations in instrumental color defined by Grove's as "chamber music for full orchestra," this 1909 work demonstrates the composer's daring explorations in music that renounces motivic connections and tonality. Includes bar-numbered movements and ample margins at the bottom of each page for notes and analysis.

Author: Michiel Schuijer
Publisher: University Rochester Press
ISBN: 9781580462709
Category : Music
Languages : en
Pages : 334

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Book Description
For the past 40 years, pitch-class set theory has served as a frame of reference for the study of atonal music, through the efforts of Allan Forte, Milton Babbitt, and others. This text combines thorough discussions of musical concepts with an historical narrative.

Author: Charlotte Marie Cross
Publisher: Taylor & Francis
ISBN: 9780815328308
Category : Modernism (Music)
Languages : en
Pages : 402

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Book Description
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Arnold Schoenberg Institute
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 776

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Book Description

Author: J. Daniel Jenkins
Publisher: Oxford University Press
ISBN: 0190258209
Category : Music
Languages : en
Pages : 505

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Book Description
In 1950, as Arnold Schoenberg anticipated the publication of a collection of 15 of his most important writings, Style and Idea, he was already at work on a second volume to be called Program Notes. Inspired by this idea, Schoenberg's Program Notes and Musical Analyses can boast the most comprehensive study of the composer's writings about his own music yet published. Schoenberg's insights emerge not only in traditional program notes, but also in letters, sketch materials, pre-concert talks, public lectures, contributions to scholarly journals, newspaper articles, interviews, pedagogical materials, and publicity fliers. The editions of the texts in this collection, based almost exclusively on Schoenberg's original manuscript sources, include many items appearing in print in English for the first time, as well as more familiar texts that preserve musical and textual information eliminated from previous editions. The book also reveals how Schoenberg, desirous to communicate with and educate an audience, took every advantage of changes in technology during his lifetime, utilizing print media, radio broadcasts, record jackets--and had he lived, television--for this purpose. In addition to four chapters in which Schoenberg illuminates 42 of his own compositions, the book begins with chapters on his development and influences, his thoughts about trends in modern music, and, in a nod to the importance of the radio in providing a venue for music analysis, a chapter about Schoenberg's radio broadcasts.