Author: Aurélie Aimé Publisher: Éditions Leduc ISBN: Category : Body, Mind & Spirit Languages : fr Pages : 167
Book Description
Véritable outil de protection, la fumigation est un excellent moyen de vous purifier et de nettoyer votre lieu de vie. Dans cet ouvrage, Aurélie Aimé vous révèle la puissance de la sauge, de l’encens et autre plantes magiques utilisées depuis des millénaires. Grâce à ce guide initiatique, découvrez : - L’histoire de la fumigation, cette tradition sacrée qui opère un véritable pont entre la Terre et le Ciel. - Les différentes plantes, leur utilisation et la qualité à privilégier : encens, oliban, myrrhe, benjoin, armoise, bois de santal, foin d’odeur, sauge, Palo Santo... - Comment créer vos encens et rituels sacrés : rituels de purification et de protection, pour favoriser le sommeil, retrouver l’énergie, développer votre intuition, vous relier à vos guides, célébrer la nouvelle lune... Aurélie Aimé est journaliste spécialisée en spiritualité et développement personnel. Passionnée par le monde de l’invisible, elle est aussi l’auteure de Je m’éveille à mon féminin puissant et Je m’initie au pendule.
Author: Ezra Pound Publisher: CreateSpace ISBN: 9781505374469 Category : Languages : en Pages : 210
Book Description
Ezra Pound (1885 - 1972) was an American poet and harsh critic following World War I. Pound was also a key contributor to the Modernist movement. One of Pound's most famous works is Instigations which is a series of essays critiquing a variety of writers and books.
Author: Ernest Fenollosa Publisher: Fordham Univ Press ISBN: 0823228703 Category : Literary Collections Languages : en Pages : 240
Book Description
First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North America and East Asia. Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.
Author: Antonio Del Rabina Publisher: ISBN: 9781521557563 Category : Languages : en Pages : 92
Book Description
The diabolical classic is presented here with bonus illustrations from occult antiquity. Also included are "Al-Jilwah" and "The Black Book"
Author: Emanuele Coccia Publisher: John Wiley & Sons ISBN: 1509545689 Category : Philosophy Languages : en Pages : 180
Book Description
We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life. Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body. By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.
Author: Charles Ferdinand Ramuz Publisher: ISBN: 9780987401472 Category : Fiction Languages : en Pages : 178
Book Description
What might the end of the world look like, to people who inhabit high mountains, whose lives are governed by the dependable revolution of the seasons? Perhaps the sun might slip beneath a western ridge one evening, and not return in the morning. In the first half of the 20th century, that terrifying prospect represented a mild version of hell. Real hell would be knowing in advance that it was going to happen. And so, revisiting a theme that Charles Ferdinand Ramuz had explored many times before in his fiction-notably in a short story that he wrote in 1912, on the eve of another war-he bestowed upon the villagers of Upper Saint-Martin the dreadful knowledge that the sun was sick and would soon expire, leaving them to die alone in the cold and the dark. The prophecy falls from the lips of the village sage and healer, Antoine Anzevui. The weather seems to bear him out. But the sun abandons those parts for a few months every year, so to accept the prophecy means to have faith in the prophet-to believe him when he says that the life-giving star won't return as expected in the spring. What holds for Upper Saint-Martin holds for the rest of the world, because in Ramuz's novels the village is the world and the world is the village Written in Fench as Si le soleil ne revenait pas and translated into English for the first time by Michelle Bailt-Jones, here are both the 1912 short story and the 1937 novel - What if the sun..."
Author: Aurélie Aimé
Author: Aurélie Aimé
Author: Ezra Pound
Author: Gabriel Surenne
Author: Ernest Fenollosa
Author: Antonio Del Rabina
Author: Emanuele Coccia
Author: Philostratus (the Athenian)
Author: Robert Wodrow
Author: Charles Ferdinand Ramuz