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Author: Joel Schechter Publisher: ISBN: Category : Humor Languages : en Pages : 208
Book Description
In this entertaining and provocative new work, Joel Schechter selectively surveys political satire covering a wide range of periods and events from Aristophanes to the present. His absorbing essays focus on the satires of Jonathan Swift, Charlie Chaplin, Will Rogers, Dario Fo, and the Guerrilla Girls, among others. Schechter furthermore examines how the histrionic behavior of some politicians and world leaders has prompted them to become unwitting contributors to political satire. He argues that these politicians are as theatrical, if not as comic, as the plays, pamphlets, and films in which they are satirically impersonated. As examples, he cites Hitler, Stalin, and Reagan as performers whose "acts" rival anything a satirist could invent and any impersonation a comedian could stage. In Schechter's view, satiric impersonation is not only an art form through which one living person appears to be another, it is also an act that reveals that the person imitated is an imposter. For example, he comments that "while Hitler conquered Europe, Chaplin [in his film The Great Dictator] in his own way conquered Hitler; adding him to a repertoire that included the Little Tramp and (later) Bluebeard." Schechter approaches satire with candor and humor, personalizing his text by concluding with a memoir of his own brief career as an actor-politician.
Author: Joel Schechter Publisher: ISBN: Category : Humor Languages : en Pages : 208
Book Description
In this entertaining and provocative new work, Joel Schechter selectively surveys political satire covering a wide range of periods and events from Aristophanes to the present. His absorbing essays focus on the satires of Jonathan Swift, Charlie Chaplin, Will Rogers, Dario Fo, and the Guerrilla Girls, among others. Schechter furthermore examines how the histrionic behavior of some politicians and world leaders has prompted them to become unwitting contributors to political satire. He argues that these politicians are as theatrical, if not as comic, as the plays, pamphlets, and films in which they are satirically impersonated. As examples, he cites Hitler, Stalin, and Reagan as performers whose "acts" rival anything a satirist could invent and any impersonation a comedian could stage. In Schechter's view, satiric impersonation is not only an art form through which one living person appears to be another, it is also an act that reveals that the person imitated is an imposter. For example, he comments that "while Hitler conquered Europe, Chaplin [in his film The Great Dictator] in his own way conquered Hitler; adding him to a repertoire that included the Little Tramp and (later) Bluebeard." Schechter approaches satire with candor and humor, personalizing his text by concluding with a memoir of his own brief career as an actor-politician.
Author: Matthew J. Kinservik Publisher: Bucknell University Press ISBN: 9780838755129 Category : History Languages : en Pages : 316
Book Description
Focusing on the playwriting careers of Henry Fielding, Samuel Foote, and Charles Macklin, the three most controversial and heavily censored satiric dramatists of the century, Disciplining Satire pays particular attention to what type of satiric expression the law encouraged, not just to what it prohibited."--BOOK JACKET.
Author: Majken Jul Sørensen Publisher: Lulu.com ISBN: 9188061019 Category : Business & Economics Languages : en Pages : 607
Book Description
A group of anti-conscription activists break into a prison, demanding to be jailed together with their friend already locked up because of his beliefs. Clowns from the rebel clown army mimic police sent to control political protests. Visiting Santas hand out presents taken from shop shelves without the approval of the shopping centre management. These are examples of humorous political stunts - public actions, hoaxes and happenings that confront systems of power. This book contains many amusing stories of such stunts, showing the boldness and creativity of the activists. Interviews and documents are used to show how humour can facilitate outreach, mobilisation and a culture of resistance. Humorous Political Stunts combines insights from the fields of nonviolence and humour studies and makes theoretical contributions to each area.
Author: Joel Schechter Publisher: Bloomsbury Publishing ISBN: 1350140090 Category : Performing Arts Languages : en Pages : 193
Book Description
Satire reconsiders the entertainment, political dissent and comic social commentary created by innovative writers and directors since this theatrical form took the stage in ancient Athens. From Aristophanes to the 18th-century plays of John Gay and Henry Fielding, to the creations of Joan Littlewood, Bertolt Brecht, Vsevolod Meyerhold, Erika Mann, Brendan Behan and Dario Fo, practitioners of theatrical satire have prompted audiences to laugh at corruption, greed, injustice and abusive authority. In the theatre these artists jested at prominent citizens, scandals and fashions. In retrospect it can be seen that their topical references, allegories and impersonations also promoted intervention in public discourse and events outside the theatre, as satire extended its reach beyond the stage into society. Satire focuses on three exemplary satiric plays: The Knights by Aristophanes, The Beggar's Opera by John Gay and The Hostage by Brendan Behan under Joan Littlewood's direction. Detailed discussion of these three innovative works reveals both changes and continuities in stage satire over the course of its long, hilarious history. The survey concludes with a discussion of stage satire as an endangered art in need of preservation by actors, directors and theatre historians.
Author: David O'Shaughnessy Publisher: Cambridge University Press ISBN: 1108853579 Category : Drama Languages : en Pages : 281
Book Description
This collection reveals the wide-ranging impact of the Stage Licensing Act of 1737 on literary and theatrical culture in Georgian Britain. Demonstrating the differing motivations of the state in censoring public performances of plays after the Stage Licensing Act of 1737 and until the Theatres Act 1843, chapters cover a wide variety of theatrical genres across a century and show how the mechanisms of formal censorship operated under the Lord Chamberlain's Examiner of Plays. They also explore the effects of informal censorship, whereby playwrights, audiences and managers internalized the censorship regime. As such, the volume moves beyond a narrow focus on erasures and emendations visible on manuscripts to elucidate censorship's wide-ranging significance across the long eighteenth century. Demonstrating theatre archives' potency as a resource for historical research, this volume is of exceptional value for researchers interested in the evolving complexities of Georgian society, its politics and mores.
Author: Martin M. Winkler Publisher: Cambridge University Press ISBN: 1108127436 Category : History Languages : en Pages : 425
Book Description
Martin M. Winkler argues for a new approach to various creative affinities between ancient verbal and modern visual narratives. He examines screen adaptations of classical epic, tragedy, comedy, myth, and history, exploring, for example, how ancient rhetorical principles regarding the emotions apply to moving images and how Aristotle's perspective on thrilling plot-turns can recur on screen. He also interprets several popular films, such as 300 and Nero, and analyzes works by international directors, among them Pier Paolo Pasolini (Oedipus Rex, Medea), Jean Cocteau (The Testament of Orpheus), Mai Zetterling (The Girls), Lars von Trier (Medea), Arturo Ripstein (Such Is Life), John Ford (westerns), Alfred Hitchcock (Psycho), and Spike Lee (Chi-Raq). The book demonstrates the undiminished vitality of classical myth and literature in our visual media, as with screen portrayals of Helen of Troy. It is important for all classicists and scholars and students of film, literature, and history.
Author: Nicola McCartney Publisher: Bloomsbury Publishing ISBN: 1786724723 Category : Art Languages : en Pages : 364
Book Description
There exists a series of contemporary artists who continually defy the traditional role of the artist/author, including Art & Language, Guerrilla Girls, Bob and Roberta Smith, Marvin Gaye Chetwynd and Lucky PDF. In Death of the Artist, Nicola McCartney explores their work and uses previously unpublished interviews to provoke a vital and nuanced discussion about contemporary artistic authorship. How do emerging artists navigate intellectual property or work collectively and share the recognition? How might a pseudonym aid 'artivism'? Most strikingly, she demonstrates how an alternative identity can challenge the art market and is symptomatic of greater cultural and political rebellion. As such, this book exposes the art world's financially incentivised infrastructures, but also examines how they might be reshaped from within. In an age of cuts to arts funding and forced self-promotion, this offers an important analysis of the pressing need for the artistic community to construct new ways to reinvent itself and incite fresh responses to its work.
Author: Marilyn DeLaure Publisher: NYU Press ISBN: 147987096X Category : Art Languages : en Pages : 481
Book Description
A collaboration of political activism and participatory culture seeking to upend consumer capitalism, including interviews with The Yes Men, The Guerrilla Girls, among others. Coined in the 1980s, “culture jamming” refers to an array of tactics deployed by activists to critique, subvert, and otherwise “jam” the workings of consumer culture. Ranging from media hoaxes and advertising parodies to flash mobs and street art, these actions seek to interrupt the flow of dominant, capitalistic messages that permeate our daily lives. Employed by Occupy Wall Street protesters and the Russian feminist punk band Pussy Riot alike, culture jamming scrambles the signal, injects the unexpected, and spurs audiences to think critically and challenge the status quo. The essays, interviews, and creative work assembled in this unique volume explore the shifting contours of culture jamming by plumbing its history, mapping its transformations, testing its force, and assessing its efficacy. Revealing how culture jamming is at once playful and politically transgressive, this accessible collection explores the degree to which culture jamming has fulfilled its revolutionary aims. Featuring original essays from prominent media scholars discussing Banksy and Shepard Fairey, foundational texts such as Mark Dery’s culture jamming manifesto, and artwork by and interviews with noteworthy culture jammers including the Guerrilla Girls, The Yes Men, and Reverend Billy, Culture Jamming makes a crucial contribution to our understanding of creative resistance and participatory culture.
Author: L.M. Bogad Publisher: Routledge ISBN: 1317291786 Category : Performing Arts Languages : en Pages : 301
Book Description
Praise for the First Edition: 'A major contribution to performance studies. If cynicism and political quietism have quelled your impulse to rage against this sorry state of affairs, Bogad demonstrates, with wit and verve, that it is possible to expose the sham and, through a variety of performative tactics, make a meaningful contribution to democracy.' Modern Drama 'A compelling and urgent read. Bogad’s passion for the topic reminds the reader of the exhilaration of live performance and the importance of engagement in democratic life.' Theatre Journal 'Delightfully written and wonderfully provocative ... Valuable reading for any scholar of social movements.' Mobilization 'As a guide to both theory and action, it is insightful, entertaining and indispensable.' Andrew Boyd, Wrangler-in-Chief, Beautiful Trouble 'Beautifully contextualized within social movement theory, this book enlivens the debate about performative interventions into power.'Jan Cohen-Cruz, Editor, Public, A Journal of Imagining America 'Electoral Guerrilla Theatre deals a refreshing wild card in the repertoire of resistance.' Baz Kershaw, Emeritus Professor, University of Warwick, and author of The Radical In Performance. In liberal democracies across the globe, where the right to vote is framed as both civil right and civic duty, disillusioned creative activists run for public office on satiric, ironic and iconoclastic platforms. With little intention of "winning" in the conventional sense, they use drag, camp and stand-up comedy to undermine the legitimacy of their opponents and sometimes the electoral system itself. This revised and updated edition of Electoral Guerrilla Theatre explores the phenomenon of the satirical election campaign, and questions the purpose of such public political performances. Drawing on extensive archival and ethnographic research, this is an entertaining and illuminating read that will be invaluable to students and scholars working across a variety of disciplines, including performance studies, the social sciences, cultural studies and politics. New case studies for this edition include: Reverend Billy’s run for Mayor of New York City in 2009; Stephen Colbert’s run for President in 2012; Candidates including Superbarrio, the Best Party, Antanas Mockus, and Einstein the Dog.
Author: Gary Taylor Publisher: Routledge ISBN: 1135957754 Category : Social Science Languages : en Pages : 326
Book Description
Castration is a lively history of the meaning, function, and act of castration from its place in the early church to its secular reinvention in the Renaissance as a spiritualized form of masculinity in its 20th century position at the core of psychoanalysis.
Author: Joel Schechter
Author: Joel Schechter
Author: Matthew J. Kinservik
Author: Majken Jul Sørensen
Author: Joel Schechter
Author: David O'Shaughnessy
Author: Martin M. Winkler
Author: Nicola McCartney
Author: Marilyn DeLaure
Author: L.M. Bogad
Author: Gary Taylor