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Author: Juvenal Publisher: Cambridge University Press ISBN: 9780521356671 Category : History Languages : en Pages : 336
Book Description
A new commentary on the first book of satires of the Roman satirist Juvenal. The essays on each of the poems together with the overview of Book I in the Introduction present the first integrated reading of the Satires as an organic structure.
Author: Dan Geddes Publisher: ISBN: 9789081999700 Category : American wit and humor Languages : en Pages : 192
Book Description
"Enjoy this hilarious collection of satires, reviews, news, poems, and short stories from The Satirist: America's Most Critical Journal."--P. [4] of cover.
Author: Juvenal Publisher: Cambridge University Press ISBN: 9780521356671 Category : History Languages : en Pages : 336
Book Description
A new commentary on the first book of satires of the Roman satirist Juvenal. The essays on each of the poems together with the overview of Book I in the Introduction present the first integrated reading of the Satires as an organic structure.
Author: Meredith McNeill Hale Publisher: Oxford University Press ISBN: 0192573314 Category : Political Science Languages : en Pages : 300
Book Description
Political satire has been a primary weapon of the press since the eighteenth century and is still intimately associated with one of the most important values of western democratic society: the right of individuals to free speech. This study documents one of the most important moments in the history of printed political imagery, when political print became what we would recognise as modern political satire. Contrary to conventional historical and art historical narratives, which place the emergence of political satire in the news-driven coffee-house culture of eighteenth-century London, Meredith M. Hale locates the birth of the genre in the late seventeenth-century Netherlands in the contentious political milieu surrounding William III's invasion of England known as the 'Glorious Revolution'. The satires produced between 1688 and 1690 by the Dutch printmaker Romeyn de Hooghe on the events surrounding William III's campaigns against James II and Louis XIV establish many of the qualities that define the genre to this day: the transgression of bodily boundaries; the interdependence of text and image; the centrality of dialogic text to the generation of meaning; serialized production; and the emergence of the satirist as a primary participant in political discourse. This study, the first in-depth analysis of De Hooghe's satires since the nineteenth century, considers these prints as sites of cultural influence and negotiation, works that both reflected and helped to construct a new relationship between the government and the governed.
Author: Nīlakaṇṭha Dīkṣita Publisher: NYU Press ISBN: 0814788149 Category : Literary Collections Languages : en Pages : 403
Book Description
Three different representations of satirical writing are collected here in another fine edition from the bilingual Sanskrit-English series published by NYUP.
Author: Daniel Hooley Publisher: John Wiley & Sons ISBN: 0470777087 Category : Literary Criticism Languages : en Pages : 204
Book Description
This compact and critically up-to-date introduction to Roman satire examines the development of the genre, focusing particularly on the literary and social functionality of satire. It considers why it was important to the Romans and why it still matters. Provides a compact and critically up-to-date introduction to Roman satire. Focuses on the development and function of satire in literary and social contexts. Takes account of recent critical approaches. Keeps the uninitiated reader in mind, presuming no prior knowledge of the subject. Introduces each satirist in his own historical time and place – including the masters of Roman satire, Lucilius, Horace, Persius, and Juvenal. Facilitates comparative and intertextual discussion of different satirists.
Author: Vincent Carretta Publisher: University of Georgia Press ISBN: 0820331244 Category : History Languages : en Pages : 414
Book Description
King George III inherited two legacies from the restoration of the monarchy in 1660: his crown and a tradition of regal satire. As the last British monarch who fully ruled as well as reigned and as the last king of America, George III was the target of constant satiric attacks even before he came to the throne in 1760 and for years after his death in 1820. An interdisciplinary and intercontinental study, this book examines the political satiric poetry and political graphic prints of Britain and Colonial America during the late Georgian period--a tumultuous era that witnessed the American and French revolutions, the Napoleonic wars, and the birth of the Romantic movement. Using George III as his focal point, Vincent Carretta draws on a wide range of verbal and visual sources to illuminate the development of satire from the work of Charles Churchill and William Hogarth to Lord Byron and George Cruikshank. Extending the argument from his earlier book, The Snarling Muse, which dealt with satire during the first half of the eighteenth century, Carretta demonstrates that the satiric line of descent from the early decades of the 1700s through the 1820s is much more direct than most scholars have recognized. Throughout the book, Carretta examines not only how the monarchy was reflected in satire but how satire in turn may have influenced the regal institution. In the 1790s, for example, British satirists discovered that their earlier attacks on the king for not being kingly enough had brought an unanticipated consequence: they had created the basis for the fictional commoner-king, Farmer George, which the king's supporters used with great rhetorical effectiveness against the threat of revolutionary French ideas. Enhanced by more than 160 illustrations, George III and the Satirists effectively demonstrates how a wide range of materials, verbal and visual, literary and nonliterary, can be marshaled in an interdisciplinary pursuit that crosses conventional fields and periods, repositioning artists and authors who are too often approached outside their original contexts.
Author: Jonathan Greenberg Publisher: Cambridge University Press ISBN: 1107030188 Category : Humor Languages : en Pages : 335
Book Description
Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.
Author: Kevin Rulo Publisher: Liverpool University Press ISBN: 1949979903 Category : Literary Criticism Languages : en Pages : 288
Book Description
In this book, Kevin Rulo reveals the crucial linkages between satire and modernism. He shows how satire enables modernist authors to evaluate modernity critically and to explore their ambivalence about the modern. Through provocative new readings of familiar texts and the introduction of largely unknown works, Satiric Modernism exposes a larger satiric mentality at work in well-known authors like T.S. Eliot, James Joyce, Wyndham Lewis, Ezra Pound, Virginia Woolf, and Ralph Ellison and in less studied figures like G.S. Street, the Sitwells, J.J. Adams, and Herbert Read, as well as in the literature of migration of Sam Selvon and John Agard, in the films of Paolo Sorrentino, and in the drama of Sarah Kane. In so doing, Rulo remaps the last hundred years as an era marked distinctively by a new kind of satiric critique of and aesthetic engagement with the temporal fissures, logics, and regimes of modernity. This ambitious, expansive study reshapes our understanding of modernist literary history and will be of interest to scholars of twentieth century and contemporary literature as well as of satire.
Author: Al Gini Publisher: Rowman & Littlefield ISBN: 1538129728 Category : Performing Arts Languages : en Pages : 207
Book Description
Political humor and satire are, perhaps, as old as comedy itself, and they are crucial to our society and our collective sense of self. Satire is confrontational. It’s about pushback, dissent, discord, disappointment, and demonstrating the absurdity of the status quo. This book is an attempt to explore how these aspects of satire help secure our sanity. Aristotle famously said that humans are naturally political animals. We need political community to flourish and live good lives. But politics also entails unpopular decisions, oppression, and power struggles. Satire is a vehicle through which we reflect on and challenge the irrational, incomprehensible, and intolerable nature of our lives without becoming totally despondent or depressed. In a poignant, pithy, but not ponderous manner, Al Gini and Abraham Singer delve into the history of satire to rejoice in its triumphs and watch its development from ancient graffiti to the latest late-night TV talk show.
Author: Juvenal
Author: Dan Geddes
Author: Juvenal
Author: James Hannay
Author: Meredith McNeill Hale
Author: Nīlakaṇṭha Dīkṣita
Author: Daniel Hooley
Author: Vincent Carretta
Author: Jonathan Greenberg
Author: Kevin Rulo
Author: Al Gini