Author: Art Institute of ChicagoPublisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 112
Book Description
Sargent, Whistler, and Mary Cassatt
Author: Art Institute of ChicagoPublisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 112
Book Description
Sargent, Whistler and Mary Cassatt. By Frederick A. Sweet. The Art Institute of Chicago, January ... February 1954. The Metropolitan Museum of Art, March ... May ... 1954. [An exhibition catalogue. With reproductions.].
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Author: Art Institute of ChicagoPublisher:
ISBN:
Category :
Languages : en
Pages : 101
Book Description
Sargent, Whistler and Mary Cassatt: the Art Institute of Chicago, January 14 Through February 25, 1954: the Metropolitan Museum of Art, March 25 Through May 23, 1954
Author: Frederick A. SweetSargent Whistler and Mary Cassatt /cby Frederick A. Sweet
Author: Sweet Frederick A.Publisher:
ISBN:
Category : Painters
Languages : en
Pages :
Book Description
Sargent, Whistler, and Mary Cassatt
Author: Art Institute of ChicagoPublisher:
ISBN:
Category :
Languages : en
Pages : 101
Book Description
Sargent, Whistler and Mary Cassatt
Author: Frederick A. SweetPublisher:
ISBN:
Category : Exposition Sargent (John), Whistler (James) et Cassatt (Mary). 1954
Languages : en
Pages : 101
Book Description
Whistler to Cassatt
Author: Timothy J. StandringPublisher: Yale University Press
ISBN: 0300254458
Category : Art
Languages : en
Pages : 130
Book Description
A revelatory look at an underexplored chapter of American art, which took place not on American soil but in France In the late nineteenth and early twentieth centuries, American artists flocked to France in search of instruction, critical acclaim, and patronage. Some, including James McNeill Whistler, John Singer Sargent, and Mary Cassatt, became highly regarded in the French press, advancing their careers on both sides of the Atlantic. Others, notably William Merritt Chase, John Twachtman, Childe Hassam, and Thomas Wilmer Dewing--part of the association known as The Ten--found success working in the style of the French Impressionists, while Henry Ossawa Tanner, Cecilia Beaux, and Elizabeth Jane Gardner focused on genre and history subjects. This richly illustrated volume offers a sophisticated examination of cultural and aesthetic exchange as it highlights many figures, including artists of color and women, who were left out of previous histories. Celebrated scholars from both American and French institutions detail the complex history and diverse styles of these expatriate artists--styles ranging from conservative academic modes to Tonalism--and provide original perspectives on this fertile period of creativity, expanding our understanding of what constitutes American art.
Mary Cassatt, James A. McNeill Whistler, John Singer Sargent
Author: Addison Gallery of American ArtPublisher:
ISBN:
Category : Art
Languages : en
Pages : 10
Book Description
Whistler to Cassatt
Author: Timothy J. StandringPublisher: Yale University Press
ISBN: 0300254458
Category : Art
Languages : en
Pages : 130
Book Description
A revelatory look at an underexplored chapter of American art, which took place not on American soil but in France In the late nineteenth and early twentieth centuries, American artists flocked to France in search of instruction, critical acclaim, and patronage. Some, including James McNeill Whistler, John Singer Sargent, and Mary Cassatt, became highly regarded in the French press, advancing their careers on both sides of the Atlantic. Others, notably William Merritt Chase, John Twachtman, Childe Hassam, and Thomas Wilmer Dewing--part of the association known as The Ten--found success working in the style of the French Impressionists, while Henry Ossawa Tanner, Cecilia Beaux, and Elizabeth Jane Gardner focused on genre and history subjects. This richly illustrated volume offers a sophisticated examination of cultural and aesthetic exchange as it highlights many figures, including artists of color and women, who were left out of previous histories. Celebrated scholars from both American and French institutions detail the complex history and diverse styles of these expatriate artists--styles ranging from conservative academic modes to Tonalism--and provide original perspectives on this fertile period of creativity, expanding our understanding of what constitutes American art.
Author: