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Author: Maria Bonaria Urban Publisher: Rodopi ISBN: 9401210012 Category : History Languages : en Pages : 570
Book Description
This volume explores how Sardinians and Sardinia have been portrayed in Italian cinema from the beginning of the 20th century until now, starting from the examination of Sardinian tropes in a wide range of texts – travel writing, fictional sources, essays and academic works. The purpose is to shed light on the cultural construction of the Sardinian character and to reveal the ideology that is behind this process. Hence the volume challenges topics such as the dynamics between verbal and visual imagery, and the intertwining between discourse, images and audience. It addresses the following questions: how was the Sardinian character translated from texts into films? Which strategies were developed to define Sardinian images on screen? For whom were these images intended? Which ideology lies behind the images? Focusing on cultural images within film and literature, this volume is of interest to those working in imagology, comparative, cultural and Italian studies.
Author: Maria Bonaria Urban Publisher: Rodopi ISBN: 9401210012 Category : History Languages : en Pages : 570
Book Description
This volume explores how Sardinians and Sardinia have been portrayed in Italian cinema from the beginning of the 20th century until now, starting from the examination of Sardinian tropes in a wide range of texts – travel writing, fictional sources, essays and academic works. The purpose is to shed light on the cultural construction of the Sardinian character and to reveal the ideology that is behind this process. Hence the volume challenges topics such as the dynamics between verbal and visual imagery, and the intertwining between discourse, images and audience. It addresses the following questions: how was the Sardinian character translated from texts into films? Which strategies were developed to define Sardinian images on screen? For whom were these images intended? Which ideology lies behind the images? Focusing on cultural images within film and literature, this volume is of interest to those working in imagology, comparative, cultural and Italian studies.
Author: Amedeo D'Adamo Publisher: Routledge ISBN: 0429679645 Category : Art Languages : en Pages : 200
Book Description
Producing for the Screen is a collection of essays written by and interviews with working producers, directors, writers, and professors, exploring the business side of producing for film and television. In this book, over 30 industry professionals dispel myths about the industry and provide practical advice on topics such as how to break into the field; how to develop, nurture, and navigate business relationships; and how to do creative work under pressure. Readers will also learn about the entrepreneurial expectations in relation to marketing, strategies for contending with the emotional highs and lows of producing, and money management while pursuing producing as a profession. Written for undergraduates and graduates studying filmmaking, aspiring producers, and working producers looking to reinvent themselves, Producing for the Screen provides readers with a wealth of first-hand information that will help them create their own opportunities and pursue a career in film and television.
Author: D. Balasubramanian Publisher: Universities Press ISBN: 9788173711282 Category : Anthropology Languages : en Pages : 156
Book Description
This Is A Collection Of Articles By Experts From Different Fields. While The Focus Of Each Article Is Different From The Others, The Common Thread Of The Heritage Of India Strings Them Together To Form A Well-Represented Foray Into Various Aspects Of The Indian Human Heritage. Written By Experts In Their Respective Fields, These Articles Analyse The Health, Cultural, Linguistic And Sociological Heritage Of India. Also Included Are Articles Which Look At The Dating Of Archaeological Material, And Assess The Effects Of Climate And Geological Changes On The Indian Subcontinent As Well As On Ancient Civilisations.