Santiago de Murcia's Thorough-bass Treatise for Baroque Guitar PDF Download

Author: Santiago de Murcia
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Santiago de Murcia
Publisher:
ISBN:
Category : Continuo
Languages : en
Pages : 534

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Author: Frank Koonce
Publisher: Mel Bay Publications
ISBN: 160974621X
Category : Music
Languages : en
Pages : 177

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A substantial amount of early music for the guitar remains unknown to modern performers and audiences. In recent years, however, musicologists, scholars and performers on period instruments have provided a wealth of accessible new source materials which players can now begin to interpret in convincing and effective ways. Nevertheless, many still feel intimidated by the prospect of sorting through and learning to use these resources for the first time. for the uninitiated, just knowing where to start can be difficult.This anthology contains representative selections from the publications and manuscripts of four important Spanish Baroque guitarists: Gaspar Sanz, Antonio de Santa Cruz, Francisco Guerau, and Santiago de Murcia. In addition to being fun and entertaining music for all to enjoy, this collection is intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance on the modern guitar.

Author: Stanley Yates
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 202

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Author: Joseph de Torres
Publisher: Indiana University Press
ISBN: 9780253213853
Category : Music
Languages : en
Pages : 328

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This work was the first in Spain to deal specifically and completely with thorough bass accompaniment at the keyboard. This bilingual edition presents a readily legible transcription of the full Spanish text of the 1736 edition with the original pagination.

Author: Santiago de Murcia
Publisher: A-R Editions, Inc.
ISBN: 9780895796783
Category : Music
Languages : en
Pages : 156

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xlvi + 106 pp. URL: https://www.areditions.com/rr/rrb/b167.html

Author: Jon Paul Yerby
Publisher:
ISBN:
Category : Music
Languages : en
Pages :

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ABSTRACT: This treatise serves as both a brief amalgamation of historical continuo methodology as well as a working continuo method for the advanced guitar student. The first portion of the treatise informs the reader of figured bass practice with regard to stringed instruments such as the lute and theorbo in a historical context. A discussion of continuo practice on these intended instruments leads to the proposition of an application for continuo realization on the modern classical guitar. The second half of the treatise is a method composed of a series of exercises designed to gradually familiarize the reader with figured bass realizations on the classical guitar. Most of the exercises involving figured bass realization are derived from Santiago de Murcia's Resumen de Acompañar la Parte con la Guitarra.

Author: Neil D. Pennington
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 344

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Spanien im 17./18. Jh.: kultureller Hintergrund, Musikleben; Typologie der spanischen Barockgitarre: Instrument, Notation, Stimmung, Spieltechnik, Ornamentation; spanische Quellen für Barockgitarre; der "musikalische Zirkel" und das"musikalische Labyrint"; die "Passacalles y obras..." (1732); Rolle der Barockgitarre in der spanischen Gesellschaft; Transkription rechnet mit "bordones", gibt aber bei "campanella"-Passagen die höhere Oktave in runder Klammer an; gegenwärtig die umfassendste Studie des spanischen Quellenmaterials für Barockgitarre

Author: James Tyler
Publisher: OUP Oxford
ISBN: 0191518514
Category : Music
Languages : en
Pages : 349

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Following on from James Tyler's The Early Guitar: A History and Handbook(OUP 1980) tthis collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its music from the Renaissance to the dawn of the Classical era. Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of the period. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers and scholars alike. Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history—notably c.1759-c.1800—which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central to music-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-string instrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.

Author: Craig H. Russell
Publisher:
ISBN:
Category : Continuo
Languages : en
Pages : 744

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