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Author: Peter Macardle Publisher: Rodopi ISBN: 9042023465 Category : Art Languages : en Pages : 462
Book Description
The early-fourteenth-century St Gall Passion Play comes from the Central Rhineland. Unfortunately its music (over one hundred Latin and German chants) is given in the manuscript only as brief incipits, without any musical notation. This interdisciplinary study reconstructs the musical stratum of the play. It is the first full-scale musical reconstruction of a large German Passion play in recent times, using the latest available scholarly data in drama, liturgy and music. It draws conclusions about performance practice and forces, and offers a sound basis for an authentic performance of the play. The study applies musical and liturgical data to the problem of localizing the play (the first time this has been systematically attempted), and assesses how applicable this might be to other plays. It presents a detailed study of the distinctive medieval liturgical uses of three German dioceses, Mainz, Speyer and Worms. The comparative approach suggests how the music of other plays might be reconstructed and understood, and shows that a better understanding of the music of medieval drama has much to teach us about other aspects of the genre. The book should be of interest to literary scholars, theatre historians, musicologists, liturgical scholars, and those involved in the performance of early drama.
Author: Peter Macardle Publisher: Rodopi ISBN: 9042023465 Category : Art Languages : en Pages : 462
Book Description
The early-fourteenth-century St Gall Passion Play comes from the Central Rhineland. Unfortunately its music (over one hundred Latin and German chants) is given in the manuscript only as brief incipits, without any musical notation. This interdisciplinary study reconstructs the musical stratum of the play. It is the first full-scale musical reconstruction of a large German Passion play in recent times, using the latest available scholarly data in drama, liturgy and music. It draws conclusions about performance practice and forces, and offers a sound basis for an authentic performance of the play. The study applies musical and liturgical data to the problem of localizing the play (the first time this has been systematically attempted), and assesses how applicable this might be to other plays. It presents a detailed study of the distinctive medieval liturgical uses of three German dioceses, Mainz, Speyer and Worms. The comparative approach suggests how the music of other plays might be reconstructed and understood, and shows that a better understanding of the music of medieval drama has much to teach us about other aspects of the genre. The book should be of interest to literary scholars, theatre historians, musicologists, liturgical scholars, and those involved in the performance of early drama.
Author: Larry E. West Publisher: Edwin Mellen Press ISBN: 9780773486980 Category : Drama Languages : en Pages : 766
Book Description
This translation and introduction is intended to fill a crucial void in German literary and linguistic scholarship by 1) making the play available to an English-speaking audience; 2) examining its origins, development, staging, and unique contributions to the genre; and 3) providing a companion text for students of late Middle High German. The Alsfeld Passion Play represents the culmination, and perhaps the most complex stage of development of the German Passion Play tradition. The Alsfeld play was a three-day play, with performances in 1501, 1511, and 1517. With roles for 188 players it was presented on the open market square, and was conspicuous for its extensive devils' scenes, portrayal of Mary Magdalene before her conversion, and lengthy disputation scenes. At present there are no known translations of the Alsfeld play, in modern German or in English. The original manuscript, preserved at the Landesbibliothek in Kassel, contains 8095 lines of dialogue along with incipits, stage directions, and a rich variety of liturgical songs. Text and translations appear on facing pages. This book is available at a special text price. Call (716) 754-2788 for information on text orders.
Author: John D. Martin Publisher: Peter Lang ISBN: 9783039107186 Category : History Languages : en Pages : 264
Book Description
It is commonly held that medieval Christians viewed medieval Jews in exclusively negative terms. This is certainly the dominant opinion in much twentieth-century scholarship, and it is not wholly without justification. It is, however, an opinion that does not accurately reflect the breadth of medieval German Christian thinking about medieval German Jews. Drawing on Passion plays, hagiographical narratives and didactic literature, this monograph reveals a hitherto largely unacknowledged diversity in medieval German representations of Jews. In many of the best-attested texts from the late medieval and early modern periods, Jews appear in German literature as sympathetic, even morally exemplary figures.
Book Description
Cyclic Form and the English Mystery Plays is centred upon the five extant English mystery cycles with a view to examining the cyclic form they share. It is based upon consideration of the differences between the texts and upon the underlying assumptions governing this dramatic form. The cycles are extensively compared with practices in the cyclic dramas of France, the German-speaking areas, Italy, the Netherlands, and Spain in the late middle ages and the early modern period. There is also a unique and innovative bridging with iconographical material from a range of artistic modes giving further insight into the structure and organisation of cyclic form. Cyclic Form and the English Mystery Plays should be of interest to undergraduate students and to more experienced researchers in the early drama and the study of visual images and artefacts.
Author: Peter Macardle
Author: Peter Macardle
Author: West
Author: Larry E. West
Author: John D. Martin
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Author: Peter Happé
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Author: Library of Congress. Copyright Office
Author: Library of Congress
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