Author: Gerard BieldermanPublisher:
ISBN:
Category :
Languages : en
Pages : 72
Book Description
Sandy Brown Discography
Author: Gerard BieldermanEasy Listening and Film Scoring 1948-78
Author: Jack Curtis DubowskyPublisher: Routledge
ISBN: 0429997663
Category : Music
Languages : en
Pages : 292
Book Description
Composers, arrangers, conductors, session musicians, and executives worked in easy listening and scoring, complicating an academic focus that lionizes film music while ignoring or deriding easy listening. This book documents easy listening’s connections with film music, an aspect overlooked in academic and popular literature. Fueled by the rise of the LP and home entertainment, easy listening became the largest midcentury commercial music market, generating more actual income for the record business than 7- inch singles. Easy listening roped in subgenres including classical, baroque, jazz, Latin, Polynesian, "exotica," rock, Broadway, and R&B, appropriated and reinterpreted just as they were for cinema. Easy listening provided opportunities in orchestral music for conservatory- trained composers. Major film composers such as Henry Mancini and Michel Legrand had a prodigious output of easy listening albums. Critics fault easy listening for structural racisms, overlooking its evolution and practitioners. Easy listening helped destabilize a tripartite record business that categorized product as race records, old time records, or general popular music. Charlie Parker’s with Strings records altered the direction of jazz, profoundly influencing other performers, encouraging bold crosspollinations, and making money. The influence of technology and historical contexts of music for work and leisure are explored. Original interviews and primary sources will fascinate scholars, historians, and students of cinema, television, film scoring, and midcentury popular music.
Jazz Books in the 1990s
Author: Janice Leslie Hochstat GreenbergPublisher: Scarecrow Press
ISBN: 0810869861
Category : Music
Languages : en
Pages : 232
Book Description
This annotated bibliography contains over 700 entries covering adult non-fiction books on jazz published from 1990 through 1999. Entries are organized by category, including biographies, history, individual instruments, essays and criticism, musicology, regional studies, discographies, and reference works. Three indexes—by title, author, and subject—are included.
Blowing the Blues
Author: Dick Heckstall-SmithPublisher: Clear Press Ltd
ISBN: 9781904555049
Category : Blues (Music)
Languages : en
Pages : 274
Book Description
This is the autobiography of a master musician, the King of British blues saxophone. In the 60s and 70s Dick was the cornerstone of such seminal R&B bands as Alexis Korner’s Blues Incorporated, the Graham Bond Organisation, John Mayall’s Bluesbreakers and Colosseum, paving the way for R&B-influenced rock groups like Fleetwood Mac, the Yardbirds, the Animals and the Rolling Stones. With his pithy humour, Dick describes the revolutionary founding years of British R&B - his anecdotes about Ginger Baker, Alexis Korner, Charlie Watts and the unforgettable Graham Bond alone are worth the price. An extraordinarily entertaining book, Dick’s unrelentingly honest account of his musical career also reflects on what it takes to be a full time musician, and grapples with the racism and drug abuse endemic in the music industry. In the back of the book is a CD featuring 25 minutes of previously unreleased tracks by Dick Heckstall-Smith, illustrating the sheer musical diversity of his work.
More Important Than the Music
Author: Bruce D. EppersonPublisher: University of Chicago Press
ISBN: 022606767X
Category : Music
Languages : en
Pages : 301
Book Description
Today, jazz is considered high art, America’s national music, and the catalog of its recordings—its discography—is often taken for granted. But behind jazz discography is a fraught and highly colorful history of research, fanaticism, and the intense desire to know who played what, where, and when. This history gets its first full-length treatment in Bruce D. Epperson’s More Important Than the Music. Following the dedicated few who sought to keep jazz’s legacy organized, Epperson tells a fascinating story of archival pursuit in the face of negligence and deception, a tale that saw curses and threats regularly employed, with fisticuffs and lawsuits only slightly rarer. Epperson examines the documentation of recorded jazz from its casual origins as a novelty in the 1920s and ’30s, through the overwhelming deluge of 12-inch vinyl records in the middle of the twentieth century, to the use of computers by today’s discographers. Though he focuses much of his attention on comprehensive discographies, he also examines the development of a variety of related listings, such as buyer’s guides and library catalogs, and he closes with a look toward discography’s future. From the little black book to the full-featured online database, More Important Than the Music offers a history not just of jazz discography but of the profoundly human desire to preserve history itself.
Al Fairweather Discography
Author: A. J. H. LathamPublisher:
ISBN:
Category : Jazz musicians
Languages : en
Pages : 58
Book Description
The Jazz Discography
Author: Tom LordPublisher: West Vancouver, B.C. : Lord Music Reference ; Redwood, N.Y. : North Country Distributors, c1992- .
ISBN:
Category : Music
Languages : en
Pages : 612
Book Description
Lennie Hastings Discography
Author: Norman SimpsonJazz
Author: Eddie S. MeadowsPublisher: Routledge
ISBN: 1136776028
Category : Music
Languages : en
Pages : 782
Book Description
Jazz: Research and Pedagogy is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.
Author: Norman Simpson