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Author: Samuel Beckett Publisher: Grove/Atlantic, Inc. ISBN: 0802198376 Category : Fiction Languages : en Pages : 193
Book Description
Samuel Beckett, the recipient of the 1969 Nobel Prize for Literature and one of the greatest writers of our century, first published these ten short stories in 1934; they originally formed part of an unfinished novel. They trace the career of the first of Beckett’s antiheroes, Belacqua Shuah. Belacqua is a student, a philanderer, and a failure, and Beckett portrays the various aspects of his troubled existence: he studies Dante, attempts an ill-fated courtship, witnesses grotesque incidents in the streets of Dublin, attends vapid parties, endures his marriage, and meets his accidental death. These early stories point to the qualities of precision, restraint, satire, and poetry found in Beckett’s mature works, and reveal the beginning stages of Beckett’s underlying theme of bewilderment in the face of suffering.
Author: Samuel Beckett Publisher: Grove/Atlantic, Inc. ISBN: 0802198376 Category : Fiction Languages : en Pages : 193
Book Description
Samuel Beckett, the recipient of the 1969 Nobel Prize for Literature and one of the greatest writers of our century, first published these ten short stories in 1934; they originally formed part of an unfinished novel. They trace the career of the first of Beckett’s antiheroes, Belacqua Shuah. Belacqua is a student, a philanderer, and a failure, and Beckett portrays the various aspects of his troubled existence: he studies Dante, attempts an ill-fated courtship, witnesses grotesque incidents in the streets of Dublin, attends vapid parties, endures his marriage, and meets his accidental death. These early stories point to the qualities of precision, restraint, satire, and poetry found in Beckett’s mature works, and reveal the beginning stages of Beckett’s underlying theme of bewilderment in the face of suffering.
Author: Samuel Beckett Publisher: Grove/Atlantic, Inc. ISBN: 0802198368 Category : Fiction Languages : en Pages : 207
Book Description
Murphy, Samuel Beckett’s first published novel, is set in London and Dublin, during the first decades of the Irish Republic. The title character loves Celia in a “striking case of love requited” but must first establish himself in London before his intended bride will make the journey from Ireland to join him. Beckett comically describes the various schemes that Murphy employs to stretch his meager resources and the pastimes that he uses to fill the hours of his days. Eventually Murphy lands a job as a nurse at Magdalen Mental Mercyseat hospital, where he is drawn into the mad world of the patients which ends in a fateful game of chess. While grounded in the comedy and absurdity of much of daily life, Beckett’s work is also an early exploration of themes that recur throughout his entire body of work including sanity and insanity and the very meaning of life.
Author: Michael Coffey Publisher: OR Books ISBN: 9781944869595 Category : FICTION Languages : en Pages : 206
Book Description
A powerful, genre-defying meditation, with Beckett at its origin, that touches on mysteries as varied as literary celebrity, baseball, and why we feel the need to be cruel to one another Following the schema of Samuel Beckett's unpublished "Long Observation of the Ray," of which only six manuscript pages exist, poet and critic Michael Coffey interleaves multiple narratives according to an arithmetic sequence laid out by Beckett in his notes. This rhythm of themes and genres--involving personal memoir, literary criticism, Beckett studies, contemporary political reportage and accounts of state-sponsored torture in appropriated texts, plus an Arabian Tale and even a baseballplay-by-play--produce a work at once sculptural, theatrical, mathematical and above all lyrical, a new form of narrative answering to a freshened rule set. In executing Beckett's most radical undertaking--one scholar referred to "Long Observation of the Ray" as a "monument to extinction"--Coffey gives readers access to an open field in which ruminations on writing mix with an engagement with Beckett scholarship as well as the unsettling chaos in today's world. Although Beckett, like any writer, had his share of abandoned works, he was in the habit of "unabandoning" on occasion. Coffey's effort here salvages a Beckett project from a half-century ago and brings it to the surface, with the contemporary markings of its hauling.
Author: Samuel Beckett Publisher: Grove/Atlantic, Inc. ISBN: 080219835X Category : Fiction Languages : en Pages : 225
Book Description
In prose possessed of the radically stripped-down beauty and ferocious wit that characterize his work, this early novel by Nobel Prize winner Samuel Beckett recounts the grotesque and improbable adventures of a fantastically logical Irish servant and his master. Watt is a beautifully executed black comedy that, at its core, is rooted in the powerful and terrifying vision that made Beckett one of the most influential writers of the twentieth century.
Author: Samuel Beckett Publisher: Faber & Faber ISBN: 0571358063 Category : Literary Criticism Languages : en Pages : 242
Book Description
Beckett's first 'literary landmark' ( St Petersburg Times) is a wonderfully savoury introduction to the Nobel Prize-winning author. Written in 1932, when the twenty-six-year-old Beckett was struggling to make ends meet, the novel offers a rare and revealing portrait of the artist as a young man. When submitted to several publishers, all of them found it too literary, too scandalous or too risky; it was only published posthumously in 1992. As the story begins, Belacqua - a young version of Molloy, whose love is divided between two women, Smeraldina-Rima and the little Alba - 'wrestles with his lusts and learning across vocabularies and continents, before a final "relapse into Dublin"' ( New Yorker). Youthfully exuberant and Joycean in tone, Dream is a work of extraordinary virtuosity.
Author: Samuel Beckett Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 232
Book Description
It was as a poet that Samuel Beckett launched himself in the little reviews of 1930s Paris, and as a poet that he ended his career. This new selection, from Whoroscope (1930) to ‘what is the word’ (1988), describes a lifetime’s arc of writing. It was as a poet moreover that Beckett made his first breakthrough into writing in French, and the Selected Poems represents work in both languages, including the sequence of brief but highly crafted mirlitonnades, which did so much to usher in the style of his late prose, and come as close as anything he wrote to honouring the ambition to ‘bore one hole after another in language, until what lurks behind it – be it something or nothing – begins to seep through.’ Also included are several of Beckett’s translations from contemporaries – Apollinaire, Eluard, Michaux, Montale – in versions which count among his own poetic achievements. my way is in the sand flowingbetween the shingle and the dunethe summer rain rains on my lifeon me my life harrying fleeingto its beginning to its end‘The best of it speaks, or rather whispers, to the inner ear . . . Like the prose, with which they have so much else in common, the poems are instantly striking and mysteriously persistent in the mind and even the nerves. Graphic and vivid, they are also intensely musical: theatrical, too, and continuous with the work for stage, radio and other media . . . Not inexpressive, as their author might have wished, but expressive of a rare vision.’ – Derek Mahon
Author: Paul Davies Publisher: Fairleigh Dickinson Univ Press ISBN: 9780838635179 Category : Literary Criticism Languages : en Pages : 284
Book Description
In The Ideal Real, Paul Davies argues that Beckett saw this potential self emerging in the world of imagination and symbol, especially in this age where language alone has come to be seen as the vehicle of education and the determiner of identity.
Author: Wimbush Andy Publisher: BoD – Books on Demand ISBN: 3838213696 Category : Philosophy Languages : en Pages : 292
Book Description
In the 1930s, a young Samuel Beckett confessed to a friend that he had been living his life according to an ‘abject self-referring quietism’. Andy Wimbush argues that ‘quietism’—a philosophical and religious attitude of renunciation and will-lessness—is a key to understanding Beckett’s artistic vision and the development of his career as a fiction writer from his early novels Dream of Fair to Middling Women and Murphy to late short prose texts such as Stirrings Still and Company. Using Beckett’s published and archival material, Still: Samuel Beckett’s Quietism shows how Beckett distilled an understanding of quietism from the work of Arthur Schopenhauer, E.M. Cioran, Thomas à Kempis, Fyodor Dostoevsky, and André Gide, before turning it into an aesthetic that would liberate him from the powerful literary traditions of nineteenth-century realism and early twentieth-century high modernism. Quietism, argues Andy Wimbush, was for Beckett a lifelong preoccupation that shaped his perspectives on art, relationships, ethics, and even notions of salvation. But most of all it showed Beckett a way to renounce authorial power and write from a position of impotence, ignorance, and incoherence so as to produce a new kind of fiction that had, in Molloy’s words, the ‘tranquility of decomposition’.
Author: Robert Scanlan Publisher: Routledge ISBN: 1351628712 Category : Performing Arts Languages : en Pages : 199
Book Description
In Principles of Dramaturgy, Robert Scanlan explains the invariant principles behind the construction of stage and performance events of any style or modality. This book contains all that is essential for training a professional stage director and/or dramaturg, including the "plot-bead" technique for analyzing play scripts developed by Scanlan. It details all the steps for the full implementation of "Production Dramaturgy" as it is practiced in professional theatres, and treats form and action as foundational cornerstones of all performance, rather than "story" elements – a frequent and debilitating misprision in theatre practice. Scanlan’s unique approach offers practical training that is supported by detailed diagrams and contextualized instructions, making this the missing text for classes in dramaturgy. Serving stage directors, dramaturgs, actors, designers, and playwrights, Principles of Dramaturgy is a comprehensive guide that puts the training of capable practitioners above all else.
Author: Samuel Beckett
Author: Samuel Beckett
Author: Samuel Beckett
Author: Samuel Beckett
Author: Michael Coffey
Author: Samuel Beckett
Author: Samuel Beckett
Author: Samuel Beckett
Author: Paul Davies
Author: Wimbush Andy
Author: Robert Scanlan