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Author: Cecily Devereux Publisher: Wilfrid Laurier Univ. Press ISBN: 1771125888 Category : Performing Arts Languages : en Pages : 264
Book Description
Salomania and the Representation of Race and Gender in Modern Erotic Dance situates the 1908 dance craze, which The New York Times called “Salomania,” as a crucial event and a turning point in the history of the modern business of erotic dance. Framing Salomania with reference to imperial ideologies of motherhood and race, it works toward better understanding the increasing value of the display of the undressed female body in the 19th and early 20th centuries. This study turns critical attention to cultures of maternity in the late 19th century, primarily with reference to the ways in which women are defined in relation to their genitals as patriarchal property and space and are valued according to reproduction as their primary labour. Erotic dance as it takes shape in the modern representation of Salome insists both that the mother is and is not visible in the body of the dancer, a contradiction this study characterizes as reproductive fetishism. Looking at a range of media, the study traces the modern figure of Salome through visual art, writing, early psychoanalysis and dance, from "hootchie kootch" to the performances dancer Maud Allan called “mimeo-dramatic” to mid-20th-century North American films such as Billy Wilder's Sunset Boulevard and Charles Lamont's Salome, Where She Danced to the 21st-century HBO series The Sopranos.
Author: Cecily Devereux Publisher: Wilfrid Laurier Univ. Press ISBN: 1771125888 Category : Performing Arts Languages : en Pages : 264
Book Description
Salomania and the Representation of Race and Gender in Modern Erotic Dance situates the 1908 dance craze, which The New York Times called “Salomania,” as a crucial event and a turning point in the history of the modern business of erotic dance. Framing Salomania with reference to imperial ideologies of motherhood and race, it works toward better understanding the increasing value of the display of the undressed female body in the 19th and early 20th centuries. This study turns critical attention to cultures of maternity in the late 19th century, primarily with reference to the ways in which women are defined in relation to their genitals as patriarchal property and space and are valued according to reproduction as their primary labour. Erotic dance as it takes shape in the modern representation of Salome insists both that the mother is and is not visible in the body of the dancer, a contradiction this study characterizes as reproductive fetishism. Looking at a range of media, the study traces the modern figure of Salome through visual art, writing, early psychoanalysis and dance, from "hootchie kootch" to the performances dancer Maud Allan called “mimeo-dramatic” to mid-20th-century North American films such as Billy Wilder's Sunset Boulevard and Charles Lamont's Salome, Where She Danced to the 21st-century HBO series The Sopranos.
Author: Amber Dean Publisher: Wilfrid Laurier Univ. Press ISBN: 1771123788 Category : Social Science Languages : en Pages : 294
Book Description
In Feminist Praxis Revisited, Women’s and Gender Studies (WGS) practitioners reflect on how the field has sought to integrate its commitment to activism and social change with community-based learning in post-secondary institutions. Teaching about and for social change has been a core value of the field since its inception, and co-op, practica, and internships have long been part of the curriculum in the professional schools. However, liberal arts faculties are increasingly under pressure to integrate community engagement practices and respond to labour market demands for greater student “employability.” That demand creates challenges and possibilities as WGS programs and instructors adapt to changing post-secondary agendas. This book examines how WGS programs can continue to prioritize the foundational critiques of inequality, power, privilege, and identity in the face of a post-secondary push toward praxis as resumé building, skills acquisition, and the bridging of town-and-gown differences. It pushes students to reflect critically on their own experiences with feminist praxis through critical reflections offered by the contributors along with examples of practical approaches to community-based/experiential learning.
Author: Taille Publisher: Wilfrid Laurier Univ. Press ISBN: 088920120X Category : Drama Languages : en Pages : 93
Book Description
Jean de La Taille's play Les Corrivaus is the comical story of the rivalry between Filadelfe and Euverte for the lovely Fleurdelys. Difficulties are resolved symmetrically, and matrimony is the order at the end of the day--though, in the best Renaissance tradition, the difficulties had appeared grave indeed. The play should appeal to anyone interested in the theatre, but it is of considerable importance to historians of Renaissance drama, since it is generally accepted as the earliest surviving French humanist comedy written in prose, and the first to be based on Italian models. In particular, La Taille draws heavily upon Le Maçon's translation of Boccaccio's Decameron. The play also amplifies understanding of numerous conventions of Renaissance drama--especially those related to stagecraft, plot, and thematic treatment--yet La Taille transcends mere conventionality in his skilled treatment of character and plot. He also manages to accomplish his didactic purpose, informing his audience of the foibles of lovers, with a minimum of sententious moralizing.
Author: Allana C. Lindgren Publisher: Wilfrid Laurier Univ. Press ISBN: 1771124849 Category : Performing Arts Languages : en Pages : 297
Book Description
Moving Together: Dance and Pluralism in Canada explores how dance intersects with the shifting concerns of pluralism in a variety of racial and ethnic communities across Canada. Focusing on the twentieth and twenty-first centuries, contributors examine a broad range of dance styles used to promote diversity and intercultural collaborations. Examples include Fijian dance in Vancouver; Japanese dance in Lethbridge; Danish, Chinese, Kathak, and Flamenco dance in Toronto; African and European contemporary dance styles in Montréal; and Ukrainian dance in Cape Breton. Interviews with Indigenous and Middle Eastern dance artists along with an artist statement by a Bharata Natyam and contemporary dance choreographer provide valuable artist perspectives. Contributors offer strategies to decolonize dance education and also challenge longstanding critiques of multiculturalism. Moving Together demonstrates that dance is at the cutting edge of rethinking the contours of race and ethnicity in Canada and is necessary reading for scholars, students, dance artists and audiences, and everyone interested in thinking about the future of racial and ethnic pluralism in Canada.
Author: Nellie L. McClung Publisher: Wilfrid Laurier Univ. Press ISBN: 1554589940 Category : Fiction Languages : en Pages : 398
Book Description
Painted Fires, first published in 1925, narrates the trials and tribulations of Helmi Milander, a Finnish immigrant, during the years approaching the First World War. The novel serves as a vehicle for McClung’s social activism, especially in terms of temperance, woman suffrage, and immigration policies that favour cultural assimilation. In her afterword, Cecily Devereux situates Painted Fires in the context of McClung’s feminist fiction and her interest in contemporary questions of immigration and “naturalization.” She also considers how McClung’s representation of Helmi Milander’s story draws on popular culture narratives.
Author: Naila Keleta-Mae Publisher: Wilfrid Laurier Univ. Press ISBN: 1771124814 Category : Social Science Languages : en Pages : 115
Book Description
Performing Female Blackness examines race, gender, and nation in Black life using critical race, feminist and performance studies methodologies. This book examines what private and public performances of female blackness reveal about race, gender, and nation and considers how the land widely known as Canada shapes these performances. By exploring Black expressive culture in familial, literary, and performance settings, Naila Keleta-Mae theorizes that “perpetual performance” forces people who are read as female and Black to always be figuratively on stage regardless of cultural, political, or historical contexts. Written in poetry, prose, and journal form and drawing from the author’s own life and artistic works, Performing Female Blackness is ideal not only for scholars, educators, and students of the humanities, social sciences, and fine arts but also for artists and the general public too.
Author: Priscilla Peña Ovalle Publisher: Latinidad: Transnational Cultu ISBN: 9780813548814 Category : Performing Arts Languages : en Pages : 178
Book Description
Dance and the Hollywood Latina asks why every Latina star in Hollywood history began as a dancer or danced onscreen. Introducing the concepts of ""inbetween-ness"" and ""racial mobility"" to further illuminate how racialized sexuality and the dancing female body operate in film, this book focuses on the careers of Dolores Del Rio, Rita Hayworth, Carmen Miranda, Rita Moreno, and Jennifer Lopez and helps readers better understand how the United States grapples with race, gender, and sexuality through dancing bodies on screen.
Author: Cecily Devereux Publisher: McGill-Queen's Press - MQUP ISBN: 0773573046 Category : Literary Criticism Languages : en Pages : 185
Book Description
Cecily Devereux reconsiders the extent to which McClung's enduring legacy of crusading for women's rights is founded on the ideas of British eugenicists such as Francis Galton and Caleb Saleeby and implicated in the passage of eugenical legislation in Canada. In a critical study of Painted Fires, the Pearlie Watson books, and several short stories, Devereux attempts to understand McClung's fiction in terms of its engagement with a politics of "race" and nation and constructions of specifically "racial" impurities that many women saw themselves as uniquely able to "cure."
Author: Winnie Tomm Publisher: Wilfrid Laurier Univ. Press ISBN: 0889205825 Category : Social Science Languages : en Pages : 229
Book Description
This multi-disciplinary anthology is about hermeneutical issues pertaining to gender ideology in university scholarship. The authors provide, from their own discipline, an extensive examination of the issues raised in the Social Sciences and Humanities Research Council of Canada pamphlet, "On the Treatment of the Sexes in Research," by Margrit Eichler and Jeanne Lapointe (1985). Gender bias is described and evaluated in the light of possible alternative perspectives which would alter the content and shape of research, including women as subjects of research and as researchers. The authors underscore the importance of acknowledging underlying gender imagery in the selection, interpretation, and communication of research data. They explore the notion of research as a social construction which is strongly aligned with the socially constructed notion of male and dissociated from the socially constructed notion of female. The focus is on refraining research ideology to include both female- and male-constructed imagery. Contributors include Marlene Mackie (sociology), Carolyn Larsen (psychology), Estelle Dansereau (literary criticism), Gisele Thibault (education), Alice Mansell (art), Eliane Leslau Silverman (history), Yvonne Lefebvre (biochemistry), Petra von Morstein (philosophy), and Naomi Black (political science).
Author: Colin Starnes Publisher: Wilfrid Laurier Univ. Press ISBN: 0889205957 Category : Philosophy Languages : en Pages : 137
Book Description
Colin Starnes radical interpretation of the long-recognized affinity of Thomas More’s Utopia and Plato’s Republic confirms the intrinsic links between the two works. Through commentary on More’s own introduction to Book I, the author shows the Republic is everywhere present as the model of the “best commonwealth,” which More must first discredit as the root cause of the dreadful evils in the collapsing political situation of sixteenth-century Europe. Starnes demonstrates how More, once having shorn the Republic of what was applicable to a society that had for a thousand years accepted and been moved by the Christian revelation, then “Christianized” it to arrive at one of the earliest and most coherent accounts of the ideal modern state: the description of Utopia in Book II. Knowing this radically new view of a long-recognized position may be questioned, the author has included a criticism and appreciation of the other major lines of interpretation concerning More’s Utopia.
Author: Cecily Devereux
Author: Cecily Devereux
Author: Amber Dean
Author: Taille
Author: Allana C. Lindgren
Author: Nellie L. McClung
Author: Naila Keleta-Mae
Author: Priscilla Peña Ovalle
Author: Cecily Devereux
Author: Winnie Tomm
Author: Colin Starnes