Saint Sophia at Constantinople PDF Download

Author: W. Eugene Kleinbauer
Publisher: Bauhan Pub
ISBN:
Category : Architecture
Languages : en
Pages : 100

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Clearly written and thoroughly researched, students scholars will find it invaluable

Author: Marios Philippides
Publisher: Routledge
ISBN: 1317016084
Category : History
Languages : en
Pages : 919

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Book Description
This major study is a comprehensive scholarly work on a key moment in the history of Europe, the fall of Constantinople to the Ottoman Turks in 1453. The result of years of research, it presents all available sources along with critical evaluations of these narratives. The authors have consulted texts in all relevant languages, both those that remain only in manuscript and others that have been printed, often in careless and inferior editions. Attention is also given to 'folk history' as it evolved over centuries, producing prominent myths and folktales in Greek, medieval Russian, Italian, and Turkish folklore. Part I, The Pen, addresses the complex questions introduced by this myriad of original literature and secondary sources.

Author: Dumbarton Oaks
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: William Richard Lethaby
Publisher:
ISBN:
Category : Architecture, Byzantine
Languages : en
Pages : 330

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Author: Robert S. Nelson
Publisher: University of Chicago Press
ISBN: 9780226571713
Category : Architecture
Languages : en
Pages : 316

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Hagia Sophia, the Church of Holy Wisdom, sits majestically atop the plateau that commands the straits separating Europe and Asia. Located near the acropolis of the ancient city of Byzantium, this unparalleled structure has enjoyed an extensive and colorful history, as it has successively been transformed into a cathedral, mosque, monument, and museum. In Hagia Sophia, 1850-1950, Robert S. Nelson explores its many lives. Built from 532 to 537 as the Cathedral of Constantinople, Hagia Sophia was little studied and seldom recognized as a great monument of world art until the nineteenth century, and Nelson examines the causes and consequences of the building's newly elevated status during that time. He chronicles the grand dome's modern history through a vibrant cast of characters—emperors, sultans, critics, poets, archaeologists, architects, philanthropists, and religious congregations—some of whom spent years studying it, others never visiting the building. But as Nelson shows, they all had a hand in the recreation of Hagia Sophia as a modern architectural icon. By many means and for its own purposes, the West has conceptually transformed Hagia Sophia into the international symbol that it is today. While other books have covered the architectural history of the structure, this is the first study to address its status as a modern monument. With his narrative of the building's rebirth, Nelson captures its importance for the diverse communities that shape and find meaning in Hagia Sophia. His book will resonate with cultural, architectural, and art historians as well as with those seeking to acquaint themselves with the modern life of an inspired and inspiring building.

Author: Ken Dark
Publisher: Oxbow Books Limited
ISBN: 9781789259872
Category :
Languages : en
Pages : 0

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An archaeological re-examination of the cathedral of Byzantine Constantinople, with fresh evidence about the appearance and function of the complex enabling us to reconsider what Hagia Sophia can tell us about the wider Byzantine world.

Author: Nadine Schibille
Publisher: Routledge
ISBN: 1317124154
Category : Art
Languages : en
Pages : 321

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Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium.

Author: John Albert Douglas
Publisher:
ISBN:
Category : Islam
Languages : en
Pages : 102

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Author: Antony Eastmond
Publisher: Routledge
ISBN: 1351957228
Category : History
Languages : en
Pages : 346

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Book Description
The church of Hagia Sophia in Trebizond, built by the emperor Manuel I Grand Komnenos (1238-63) in the aftermath of the fall of Constantinople to the Fourth Crusade, is the finest surviving Byzantine imperial monument of its period. Art and Identity in Thirteenth-Century Byzantium is the first investigation of the church in more than thirty years, and is extensively illustrated in colour and black-and-white, with many images that have never previously been published. Antony Eastmond examines the architectural, sculptural and painted decorations of the church, placing them in the context of contemporary developments elsewhere in the Byzantine world, in Seljuq Anatolia and among the Caucasian neighbours of Trebizond. Knowledge of this area has been transformed in the last twenty years, following the collapse of the Soviet Union. The new evidence that has emerged enables a radically different interpretation of the church to be reached, and raises questions of cultural interchange on the borders of the Christian and Muslim worlds of eastern Anatolia, the Caucasus and Persia. This study uses the church and its decoration to examine questions of Byzantine identity and imperial ideology in the thirteenth century. This is central to any understanding of the period, as the fall of Constantinople in 1204 divided the Byzantine empire and forced the successor states in Nicaea, Epiros and Trebizond to redefine their concepts of empire in exile. Art is here exploited as significant historical evidence for the nature of imperial power in a contested empire. It is suggested that imperial identity was determined as much by craftsmen and expectations of imperial power as by the emperor's decree; and that this was a credible alternative Byzantine identity to that developed in the empire of Nicaea.

Author: George P. Majeska
Publisher: Dumbarton Oaks
ISBN: 9780884021018
Category : History
Languages : en
Pages : 492

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