Author: Dumbarton Oaks
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Saint Sophia in Istanbul
Saint Sophia at Constantinople
Author: W. Eugene Kleinbauer
Publisher: Bauhan Pub
ISBN:
Category : Architecture
Languages : en
Pages : 100
Book Description
Clearly written and thoroughly researched, students scholars will find it invaluable
Publisher: Bauhan Pub
ISBN:
Category : Architecture
Languages : en
Pages : 100
Book Description
Clearly written and thoroughly researched, students scholars will find it invaluable
Hagia Sophia
Author: Rev. Kenneth M. Dos Santos
Publisher:
ISBN: 9781596145528
Category : God (Christianity)
Languages : en
Pages : 97
Book Description
Hagia Sophia: The Wisdom of God as Offered to the Modern World presents a "collection of essays that explore and focus upon God as Wisdom Itself."--Publisher description.
Publisher:
ISBN: 9781596145528
Category : God (Christianity)
Languages : en
Pages : 97
Book Description
Hagia Sophia: The Wisdom of God as Offered to the Modern World presents a "collection of essays that explore and focus upon God as Wisdom Itself."--Publisher description.
Hagia Sophia and the Byzantine Aesthetic Experience
Author: Nadine Schibille
Publisher: Routledge
ISBN: 1317124154
Category : Art
Languages : en
Pages : 321
Book Description
Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium.
Publisher: Routledge
ISBN: 1317124154
Category : Art
Languages : en
Pages : 321
Book Description
Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium.
Mosaics of Hagia Sophia, Istanbul
Author: Natalia Teteriatnikov
Publisher: Dumbarton Oaks Research Library & Collection
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 80
Book Description
Publisher: Dumbarton Oaks Research Library & Collection
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 80
Book Description
Hagia Sophia, 1850-1950
Author: Robert S. Nelson
Publisher: University of Chicago Press
ISBN: 9780226571713
Category : Architecture
Languages : en
Pages : 316
Book Description
Hagia Sophia, the Church of Holy Wisdom, sits majestically atop the plateau that commands the straits separating Europe and Asia. Located near the acropolis of the ancient city of Byzantium, this unparalleled structure has enjoyed an extensive and colorful history, as it has successively been transformed into a cathedral, mosque, monument, and museum. In Hagia Sophia, 1850-1950, Robert S. Nelson explores its many lives. Built from 532 to 537 as the Cathedral of Constantinople, Hagia Sophia was little studied and seldom recognized as a great monument of world art until the nineteenth century, and Nelson examines the causes and consequences of the building's newly elevated status during that time. He chronicles the grand dome's modern history through a vibrant cast of characters—emperors, sultans, critics, poets, archaeologists, architects, philanthropists, and religious congregations—some of whom spent years studying it, others never visiting the building. But as Nelson shows, they all had a hand in the recreation of Hagia Sophia as a modern architectural icon. By many means and for its own purposes, the West has conceptually transformed Hagia Sophia into the international symbol that it is today. While other books have covered the architectural history of the structure, this is the first study to address its status as a modern monument. With his narrative of the building's rebirth, Nelson captures its importance for the diverse communities that shape and find meaning in Hagia Sophia. His book will resonate with cultural, architectural, and art historians as well as with those seeking to acquaint themselves with the modern life of an inspired and inspiring building.
Publisher: University of Chicago Press
ISBN: 9780226571713
Category : Architecture
Languages : en
Pages : 316
Book Description
Hagia Sophia, the Church of Holy Wisdom, sits majestically atop the plateau that commands the straits separating Europe and Asia. Located near the acropolis of the ancient city of Byzantium, this unparalleled structure has enjoyed an extensive and colorful history, as it has successively been transformed into a cathedral, mosque, monument, and museum. In Hagia Sophia, 1850-1950, Robert S. Nelson explores its many lives. Built from 532 to 537 as the Cathedral of Constantinople, Hagia Sophia was little studied and seldom recognized as a great monument of world art until the nineteenth century, and Nelson examines the causes and consequences of the building's newly elevated status during that time. He chronicles the grand dome's modern history through a vibrant cast of characters—emperors, sultans, critics, poets, archaeologists, architects, philanthropists, and religious congregations—some of whom spent years studying it, others never visiting the building. But as Nelson shows, they all had a hand in the recreation of Hagia Sophia as a modern architectural icon. By many means and for its own purposes, the West has conceptually transformed Hagia Sophia into the international symbol that it is today. While other books have covered the architectural history of the structure, this is the first study to address its status as a modern monument. With his narrative of the building's rebirth, Nelson captures its importance for the diverse communities that shape and find meaning in Hagia Sophia. His book will resonate with cultural, architectural, and art historians as well as with those seeking to acquaint themselves with the modern life of an inspired and inspiring building.
Hagia Sophia
Author: Bissera V. Pentcheva
Publisher: Penn State University Press
ISBN: 9780271077260
Category : Byzantine chants
Languages : en
Pages : 0
Book Description
Examines the aesthetic principles and spiritual operations at work in Hagia Sophia. Drawing on art and architectural history, liturgy, musicology, and acoustics, explores the Byzantine paradigm of animation.
Publisher: Penn State University Press
ISBN: 9780271077260
Category : Byzantine chants
Languages : en
Pages : 0
Book Description
Examines the aesthetic principles and spiritual operations at work in Hagia Sophia. Drawing on art and architectural history, liturgy, musicology, and acoustics, explores the Byzantine paradigm of animation.
The Hagia Sophia
Author: Charles River Charles River Editors
Publisher: CreateSpace
ISBN: 9781501046865
Category :
Languages : en
Pages : 56
Book Description
*Includes pictures *Includes contemporary accounts of the construction of the Hagia Sophia and its appearance *Includes a bibliography for further reading "So the church has been made a spectacle of great beauty, stupendous to those who see it and altogether incredible to those who hear of it...Its breadth and length have been so fittingly proportioned that it may without impropriety be described as being both very long and extremely broad. And it boasts of an ineffable beauty, for it subtly combines its mass with the harmony of its proportions, having neither any excess nor any deficiency, inasmuch as it is more pompous than ordinary [buildings] and considerably more decorous than those which are huge beyond measure; and it abounds exceedingly in gleaming sunlight. You might say that the [interior] space is not illuminated by the sun from the outside, but that the radiance is generated within, so great an abundance of light bathes this shrine all round." - Procopius The Hagia Sophia, built from 532-537, is inarguably the masterpiece of Byzantine architecture and one of the greatest buildings ever constructed. Upon its completion, the Hagia Sophia remained the largest enclosed space in the world for nearly a thousand years, a reign that only ended after the rebuilding of St. Peter's in Rome. Fittingly, the rebuilding of St. Peter's was partly inspired by the conversion of Hagia Sophia into a mosque in 1453. The building of Hagia Sophia itself was shocking and transformational. Beginning with Procopius of Caesarea, Justinian's court historian, visitor after visitor noted that the giant dome seems to hover on air, and it's unquestionably true that the arches, vaults, semidomes, and domes add up for an otherworldly, ethereal effect. The surfaces are enriched by colored marble and elaborate mosaics, and when viewing from the aisles and galleries, looking into the nave is dramatic thanks to all the interconnecting layered spaces and repeating, complex curved forms. Interestingly, however, the brick exterior of the building was left unadorned, representing a shell that houses a magnificent interior. The Hagia Sophia examines the history of one of the world's most famous religious sites and analyzes the religion and politics that shaped its fate.
Publisher: CreateSpace
ISBN: 9781501046865
Category :
Languages : en
Pages : 56
Book Description
*Includes pictures *Includes contemporary accounts of the construction of the Hagia Sophia and its appearance *Includes a bibliography for further reading "So the church has been made a spectacle of great beauty, stupendous to those who see it and altogether incredible to those who hear of it...Its breadth and length have been so fittingly proportioned that it may without impropriety be described as being both very long and extremely broad. And it boasts of an ineffable beauty, for it subtly combines its mass with the harmony of its proportions, having neither any excess nor any deficiency, inasmuch as it is more pompous than ordinary [buildings] and considerably more decorous than those which are huge beyond measure; and it abounds exceedingly in gleaming sunlight. You might say that the [interior] space is not illuminated by the sun from the outside, but that the radiance is generated within, so great an abundance of light bathes this shrine all round." - Procopius The Hagia Sophia, built from 532-537, is inarguably the masterpiece of Byzantine architecture and one of the greatest buildings ever constructed. Upon its completion, the Hagia Sophia remained the largest enclosed space in the world for nearly a thousand years, a reign that only ended after the rebuilding of St. Peter's in Rome. Fittingly, the rebuilding of St. Peter's was partly inspired by the conversion of Hagia Sophia into a mosque in 1453. The building of Hagia Sophia itself was shocking and transformational. Beginning with Procopius of Caesarea, Justinian's court historian, visitor after visitor noted that the giant dome seems to hover on air, and it's unquestionably true that the arches, vaults, semidomes, and domes add up for an otherworldly, ethereal effect. The surfaces are enriched by colored marble and elaborate mosaics, and when viewing from the aisles and galleries, looking into the nave is dramatic thanks to all the interconnecting layered spaces and repeating, complex curved forms. Interestingly, however, the brick exterior of the building was left unadorned, representing a shell that houses a magnificent interior. The Hagia Sophia examines the history of one of the world's most famous religious sites and analyzes the religion and politics that shaped its fate.
Union with God
Author: Gabriel Of St. Mary Magdalen
Publisher: Sophia Institute Press
ISBN: 1622828593
Category : Religion
Languages : en
Pages : 150
Book Description
Christian perfection consists in the twofold way of charity: service of neighbor and our direct quest for God's love. Many of us discover ways to love our neighbor, but few achieve intimacy with God. Why? Because we don't know how to prepare ourselves properly to reach this exalted goal. In these pages, Father Gabriel of St. Mary Magdalen lays out for us a time-tested path toward achieving complete intimacy with God, the path first mapped out centuries ago by the Church's acclaimed master of the contemplative life, St. John of the Cross (1542-1591). St. John showed that God hungers for union with each of us but also requires arduous efforts on our part, the many details of which Father Gabriel explains in these enlightening pages. Do you perceive holiness as an unattainable goal for you? Or is fear of the fatigue of such an effort holding you back? Absorb this book, and allow gentle St. John to take you by the hand and lead you — as he has led so many others — to true intimacy with our Lord.
Publisher: Sophia Institute Press
ISBN: 1622828593
Category : Religion
Languages : en
Pages : 150
Book Description
Christian perfection consists in the twofold way of charity: service of neighbor and our direct quest for God's love. Many of us discover ways to love our neighbor, but few achieve intimacy with God. Why? Because we don't know how to prepare ourselves properly to reach this exalted goal. In these pages, Father Gabriel of St. Mary Magdalen lays out for us a time-tested path toward achieving complete intimacy with God, the path first mapped out centuries ago by the Church's acclaimed master of the contemplative life, St. John of the Cross (1542-1591). St. John showed that God hungers for union with each of us but also requires arduous efforts on our part, the many details of which Father Gabriel explains in these enlightening pages. Do you perceive holiness as an unattainable goal for you? Or is fear of the fatigue of such an effort holding you back? Absorb this book, and allow gentle St. John to take you by the hand and lead you — as he has led so many others — to true intimacy with our Lord.
Russian Architecture and the West
Author: Dmitriĭ Olegovich Shvidkovskiĭ
Publisher: Yale University Press
ISBN: 0300109121
Category : Architecture
Languages : en
Pages : 474
Book Description
This is the first book to show the development of Russian architecture over the past thousand years as a part of the history of Western architecture. Dmitry Shvidkovsky, Russia’s leading architectural historian, departs from the accepted notion that Russian architecture developed independent of outside cultural influences and demonstrates that, to the contrary, the influence of the West extends back to the tenth century and continues into the present. He offers compelling assessments of all the main masterpieces of Russian architecture and frames a radically new architectural history for Russia. The book systematically analyzes Russian buildings in relation to developments in European art, pointing out where familiar European features are expressed in Russian projects. Special attention is directed toward decorations based on Byzantine models; the heritage of Italian master builders and carvers; the impact of architects and others sent by Elizabeth I; the formation of the Russian Imperial Baroque; the Enlightenment in Russian art; and 19th- and 20th-century European influences. With over 300 specially commissioned photographs of sites throughout Russia and western Europe, this magnificent book is both beautiful and groundbreaking.
Publisher: Yale University Press
ISBN: 0300109121
Category : Architecture
Languages : en
Pages : 474
Book Description
This is the first book to show the development of Russian architecture over the past thousand years as a part of the history of Western architecture. Dmitry Shvidkovsky, Russia’s leading architectural historian, departs from the accepted notion that Russian architecture developed independent of outside cultural influences and demonstrates that, to the contrary, the influence of the West extends back to the tenth century and continues into the present. He offers compelling assessments of all the main masterpieces of Russian architecture and frames a radically new architectural history for Russia. The book systematically analyzes Russian buildings in relation to developments in European art, pointing out where familiar European features are expressed in Russian projects. Special attention is directed toward decorations based on Byzantine models; the heritage of Italian master builders and carvers; the impact of architects and others sent by Elizabeth I; the formation of the Russian Imperial Baroque; the Enlightenment in Russian art; and 19th- and 20th-century European influences. With over 300 specially commissioned photographs of sites throughout Russia and western Europe, this magnificent book is both beautiful and groundbreaking.