Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Saint Cecilia in the Renaissance PDF full book. Access full book title Saint Cecilia in the Renaissance by John A. Rice. Download full books in PDF and EPUB format.
Author: John A. Rice Publisher: University of Chicago Press ISBN: 0226817342 Category : Art Languages : en Pages : 385
Book Description
This study uncovers how Saint Cecilia came to be closely associated with music and musicians. Until the fifteenth century, Saint Cecilia was not connected with music. She was perceived as one of many virgin martyrs, with no obvious musical skills or interests. During the next two centuries, however, she inspired many musical works written in her honor and a vast number of paintings that depicted her singing or playing an instrument. In this book, John A. Rice argues that Cecilia’s association with music came about in several stages, involving Christian liturgy, visual arts, and music. It was fostered by interactions between artists, musicians, and their patrons and the transfer of visual and musical traditions from northern Europe to Italy. Saint Cecilia in the Renaissance explores the cult of the saint in Medieval times and through the sixteenth century when musicians’ guilds in the Low Countries and France first chose Cecilia as their patron. The book then turns to music and the explosion of polyphonic vocal works written in Cecilia’s honor by some of the most celebrated composers in Europe. Finally, the book examines the wealth of visual representations of Cecilia especially during the Italian Renaissance, among which Raphael’s 1515 painting, The Ecstasy of Saint Cecilia, is but the most famous example. Thoroughly researched and beautifully illustrated in color, Saint Cecilia in the Renaissance is the definitive portrait of Saint Cecilia as a figure of musical and artistic inspiration.
Author: John A. Rice Publisher: University of Chicago Press ISBN: 0226817342 Category : Art Languages : en Pages : 385
Book Description
This study uncovers how Saint Cecilia came to be closely associated with music and musicians. Until the fifteenth century, Saint Cecilia was not connected with music. She was perceived as one of many virgin martyrs, with no obvious musical skills or interests. During the next two centuries, however, she inspired many musical works written in her honor and a vast number of paintings that depicted her singing or playing an instrument. In this book, John A. Rice argues that Cecilia’s association with music came about in several stages, involving Christian liturgy, visual arts, and music. It was fostered by interactions between artists, musicians, and their patrons and the transfer of visual and musical traditions from northern Europe to Italy. Saint Cecilia in the Renaissance explores the cult of the saint in Medieval times and through the sixteenth century when musicians’ guilds in the Low Countries and France first chose Cecilia as their patron. The book then turns to music and the explosion of polyphonic vocal works written in Cecilia’s honor by some of the most celebrated composers in Europe. Finally, the book examines the wealth of visual representations of Cecilia especially during the Italian Renaissance, among which Raphael’s 1515 painting, The Ecstasy of Saint Cecilia, is but the most famous example. Thoroughly researched and beautifully illustrated in color, Saint Cecilia in the Renaissance is the definitive portrait of Saint Cecilia as a figure of musical and artistic inspiration.
Author: John A. Rice Publisher: University of Chicago Press ISBN: 0226817105 Category : Art Languages : en Pages : 385
Book Description
"How did an unmusical saint come to be portrayed as a musician and become the patron saint of musicians and music? Until the beginning of the fifteenth century, Saint Cecilia was perceived as one of many virgin martyrs, with no obvious musical skills or interests. During the next two centuries, however, she inspired many musical works written in her honor and a vast number of paintings that depicted her singing or playing an instrument. Why did so many composers start writing music that honored her as their patron saint? In this book, John A. Rice argues that Cecilia's association with music came about in several stages, involving Christian liturgy, visual arts, and music, and fostered by interactions between artists, musicians, and their patrons and the transfer of visual and musical traditions from northern Europe to Italy. The initial chapters explore the cult of the saint in Medieval times and through the sixteenth century, when, starting in 1502, the first guilds in the Low Countries and France chose Cecilia as their patron. The book then turns to the music and the explosion of polyphonic vocal works written in Cecilia's honor between 1530 and 1620 by the most celebrated composers in Europe, as well as a group of about fifty Cecilian Renaissance motets, mostly by Northern European composers, which are brought together here for the first time. The book also explores the wealth of visual representations of Saint Cecilia especially during the Italian Renaissance, among which Raphael's 1515 painting, "The Ecstasy of Saint Cecilia," is but the most famous example, and concludes with the development of the cult of Cecilia in England. Thoroughly researched and beautifully illustrated, Saint Cecilia in the Renaissance is the definitive portrait of Saint Cecilia as a figure of musical inspiration"--
Author: Prosper Gueranger Publisher: Createspace Independent Publishing Platform ISBN: 9781484817667 Category : Languages : en Pages : 0
Book Description
The Church offers, in every age, in her Saints, Apostles, and Martyrs, brilliant examples of virtue, zeal, and heroic courage. While all are holy, there are still some, whose lives present features, at once so touching and sublime, that time can detract nothing from the interest which attaches to their names in every Catholic heart. Pre-eminent among these, is St. Cecilia, the gentle queen of Sacred Song, distinguished alike for her attachment to holy Virginity, her apostolic zeal, and the unfaltering courage by which she won the martyr's crown. The author has followed with fidelity, the ancient Acts of St. Cecilia, the authenticity of which the reader will find satisfactorily defended in his pages. For less important details, he has claimed the right generally accorded to historians, of receiving probable evidence, where certain proofs cannot be ob- tained. On such authority, he has, for example, assumed with the learned Bosio and others, that the virtues of our Saint formed the crowning glory of the illustrious family of Cecilia Metella. The recital does not terminate with the death of Cecilia. The discoveries of her tomb, in the ninth and sixteenth centuries, form not the least interesting portion of the work. The description of the church which was once her dwelling, and the witness of her sufferings and triumphs, brings those scenes so vividly before us, that Cecilia seems to belong, as all the Saints of God most truly do, as much to our own day, as to the period when she still combated on earth. We will not speak of the pleasure and instruction the author has afforded by his faithful pictures of the celebrated Ways of Ancient Rome, and the sacred cities of the dead, concealed in the holy shades beneath. For this, and much other interesting information, we refer the reader to the following pages, content, if, by our own humble labors, we have contributed to the edification of our Catholic brethren, and to the glory of Him who is admirable in His Saints.
Author: Susan C. Cook Publisher: University of Illinois Press ISBN: 9780252063411 Category : History Languages : en Pages : 260
Book Description
Cecilia, a fifteenth-century Christian martyr, has long been considered the patron saint of music. In this pathbreaking volume, ten of the best known scholars in the newly emerging field of feminist musicology explore both how gender has helped shape genres and works of music and how music has contributed to prevailing notions of gender. The musical subjects include concert music, both instrumental and vocal, and the vernacular genres of ballads, salon music, and contemporary African American rap. The essays raise issues not only of gender but also of race and class, moving among musical practices of the courtly ruling class and the elite discourse of the twentieth-century modernist movement to practices surrounding marginal girls in Renaissance Venice and the largely white middle-class experiences of magazine and balladry.
Author: Cecilia Ferrazzi Publisher: University of Chicago Press ISBN: 0226244482 Category : Biography & Autobiography Languages : en Pages : 134
Book Description
Charged by the Venetian Inquisition with the conscious and cynical feigning of holiness, Cecelia Ferrazzi (1609-1684) requested and obtained the unprecedented opportunity to defend herself through a presentation of her life story. Ferrazzi's unique inquisitorial autobiography and the transcripts of her preceding testimony, expertly transcribed and eloquently translated into English, allow us to enter an unfamiliar sector of the past and hear 'another voice'—that of a humble Venetian woman who had extraordinary experiences and exhibited exceptional courage. Born in 1609 into an artisan family, Cecilia Ferrazzi wanted to become a nun. When her parents' death in the plague of 1630 made it financially impossible for her to enter the convent, she refused to marry and as a single laywoman set out in pursuit of holiness. Eventually she improvised a vocation: running houses of refuge for "girls in danger," young women at risk of being lured into prostitution. Ferrazzi's frequent visions persuaded her, as well as some clerics and acquaintances among the Venetian elite, that she was on the right track. The socially valuable service she was providing enhanced this impresssion. Not everyone, however, was convinced that she was a genuine favorite of God. In 1664 she was denounced to the Inquisition. The Inquisition convicted Ferrazzi of the pretense of sanctity. Yet her autobiographical act permits us to see in vivid detail both the opportunities and the obstacles presented to seventeenth-century women.
Author: Tess Knighton Publisher: BRILL ISBN: 9004702776 Category : Music Languages : en Pages : 583
Book Description
Listening to Confraternities offers new perspectives on the contribution of guild and devotional confraternities to the urban phonosphere based on original research and an interdisciplinary approach. Historians of art, architecture, culture, sound, music and the senses consider the ways in which, through their devotional practices, confraternities acted as patrons of music, created their identity through sound and were involved in the everyday musical experience of major cities in early modern Europe. Confraternities have been studied from many different angles, but only rarely as acoustic communities that communicated through sound and whose musical activities delimited the urban spaces in which they were active. Contributors: Nicholas Terpstra, Emanuela Vai, Ana López Suero, Henry Drummond, Ascensión Mazuela-Anguita, Ferrán Escrivà-Llorca, Noel O’Regan, Magnus Williamson, Xavier Torres Sans, Erika Honisch, Alexander Fisher, Konrad Eisenbichler, Daniele Filippi, Dylan Reid, Elisa Lessa, Antonio Ruiz Caballero, Juan Ruiz Jiménez, Sergi González González, and Tess Knighton.
Author: Catherine King Publisher: Manchester University Press ISBN: 9780719052897 Category : Architecture Languages : en Pages : 292
Book Description
This book considers how writing over the period of a century justified and was affected by the introduction and extension of British domination of India, thus demonstrating the link between writing and the ideological, economic and political climate and debates.
Author: Victoria Charles Publisher: Parkstone International ISBN: 1783104031 Category : Art Languages : en Pages : 544
Book Description
From the early Renaissance through Baroque and Romanticism to Cubism, Surrealism, and Pop, these canonical works of Western Art span eight centuries and a vast range of subjects. Here are the sacred and the scandalous, the minimalist and the opulent, the groundbreaking and the conventional. There are paintings that captured the feeling of an era and those that signaled the beginning of a new one. Works of art that were immediately recognised for their genius, and others that were at first met with resistance. All have stood the test of time and in their own ways contribute to the dialectic on what makes a painting great, how notions of art have changed, to what degree art reflects reality, and to what degree it alters it. Brought together, these great works illuminate the changing preoccupations and insights of our ancestors, and give us pause to consider which paintings from our own era will ultimately join the canon.
Author: John A. Rice
Author: John A. Rice
Author: John A. Rice
Author: Prosper Gueranger
Author: William M. Voelkle
Author: Susan C. Cook
Author: Cecilia Ferrazzi
Author: Tess Knighton
Author: Vignola
Author: Catherine King
Author: Victoria Charles