Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 42
Book Description
Sacramental Meditations on the Twenty-Seventh Psalm. [With the Text.]
Psalm 27, Victory in God's Presence
Author: John Carlson
Publisher: Lulu.com
ISBN: 132908179X
Category : Religion
Languages : en
Pages : 59
Book Description
The presence of God is real, personal and meaningful. God is everywhere and so always with us. The key is in seeking God's face in order to live in a greater realization of His transformational presence. Psalm 27 dives deep into King David's experience of living in the context of the presence of the Lord. This volume examines what it is to Seek God's face, pursue intimacy with the Lord, as well as challenges to help the reader work through the doubts and distractions that will inevitably arise. This book also includes questions to help the reader understand and reflect on how these things may be learned and applied more effectively.
Publisher: Lulu.com
ISBN: 132908179X
Category : Religion
Languages : en
Pages : 59
Book Description
The presence of God is real, personal and meaningful. God is everywhere and so always with us. The key is in seeking God's face in order to live in a greater realization of His transformational presence. Psalm 27 dives deep into King David's experience of living in the context of the presence of the Lord. This volume examines what it is to Seek God's face, pursue intimacy with the Lord, as well as challenges to help the reader work through the doubts and distractions that will inevitably arise. This book also includes questions to help the reader understand and reflect on how these things may be learned and applied more effectively.
Twelve Meditations and twelve Spiritual Songs on the Twenty-Third Psalm. By James Paton. [With the text.]
British Museum
Author: British Museum (Londen)
Publisher:
ISBN:
Category :
Languages : en
Pages : 930
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 930
Book Description
Sacramental Meditations and Advices, grounded upon Scripture [sic], etc
Nineteenth Century Short-title Catalogue: phase 1. 1816-1870
General Catalogue of Printed Books to 1955
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1288
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1288
Book Description
Catalogue of the Printed Books in the Library of the British Museum
The British Museum Catalogue of Printed Books, 1881-1900
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 924
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 924
Book Description
A Reading of Edward Taylor
Author: Thomas M. Davis
Publisher: University of Delaware Press
ISBN: 9780874134285
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
"A Reading of Edward Taylor is a study of Taylor's poetry in the sense that Thomas M. Davis is interested in how the nature of the poems evolves during the nearly fifty years Taylor served as minister in Westfield, Massachusetts. The first part of the book examines the long doctrinal poem, Gods Determinations, as the poem in which Taylor emerges as an accomplished poet. The final section of the poem, the "Choral Epilogue," with its emphasis on praising God in song, leads directly to the initial poems of the Preparatory Meditations, the more than two hundred meditative poems that Taylor wrote over the next forty years." "The early poems in Series 1 exhibit only loosely organized sequences; some are directly prompted by the Lord's Supper, but many are related in only indirect ways to the Sacrament. These poems, in their range and celebration of the joys of grace, are some of Taylor's best. In Meditations 19-22, he writes four interlocked poems dealing with the relation of his poetry to his spiritual condition. Despite Taylor's disclaimers about the quality of his poetry, in these poems he also makes his most elevated claim about his ability to praise." "What reservations he has about his ability to praise adequately are relatively minor in subsequent Meditations. But after the death of his wife, Elizabeth, Taylor reexamines the nature of his poetry and the relationship of grace to his ability to write in praise of Christ. And he begins to equate shoddy poetry with his own sin. In the central Meditations in this process, Meditations 39 and 40, the intense examination of his sinful state ("My Sin! my Sin, My God, these Cursed Dregs. . .") leads him to beg Christ to destroy his (Taylor's) sins so that his "rough Feet shall [Christ's] smooth praises sing." By the end of Series 1, he has come to accept a more limited view of the possibility of writing praise commensurate with Christ's glory. He acknowledges that until he receives the Crown of Life "I cannot sing, my tongue is tide. / Accept this Lisp till I am glorifide."" "He then turns at the beginning of Series 2 to the poems on typology. These poems are often mechanical, particularly those where he is too strictly bound by the large number of typological parallels. He also recognizes these limitations and moves increasingly to other texts, particularly those from the Canticles. In the allegory of the Song, Taylor finds the openness and sensuous imagery that allow him to express as fully as is possible his love of Christ and his passionate desire to be with the Bridegroom in the heavenly Garden. The more than forty Meditations based on Canticles texts near the end of Series 2 reveal Taylor's sense of drawing closer and closer to being in the Garden itself, and of replacing his "lisp" with the true voice of the glorified."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: University of Delaware Press
ISBN: 9780874134285
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
"A Reading of Edward Taylor is a study of Taylor's poetry in the sense that Thomas M. Davis is interested in how the nature of the poems evolves during the nearly fifty years Taylor served as minister in Westfield, Massachusetts. The first part of the book examines the long doctrinal poem, Gods Determinations, as the poem in which Taylor emerges as an accomplished poet. The final section of the poem, the "Choral Epilogue," with its emphasis on praising God in song, leads directly to the initial poems of the Preparatory Meditations, the more than two hundred meditative poems that Taylor wrote over the next forty years." "The early poems in Series 1 exhibit only loosely organized sequences; some are directly prompted by the Lord's Supper, but many are related in only indirect ways to the Sacrament. These poems, in their range and celebration of the joys of grace, are some of Taylor's best. In Meditations 19-22, he writes four interlocked poems dealing with the relation of his poetry to his spiritual condition. Despite Taylor's disclaimers about the quality of his poetry, in these poems he also makes his most elevated claim about his ability to praise." "What reservations he has about his ability to praise adequately are relatively minor in subsequent Meditations. But after the death of his wife, Elizabeth, Taylor reexamines the nature of his poetry and the relationship of grace to his ability to write in praise of Christ. And he begins to equate shoddy poetry with his own sin. In the central Meditations in this process, Meditations 39 and 40, the intense examination of his sinful state ("My Sin! my Sin, My God, these Cursed Dregs. . .") leads him to beg Christ to destroy his (Taylor's) sins so that his "rough Feet shall [Christ's] smooth praises sing." By the end of Series 1, he has come to accept a more limited view of the possibility of writing praise commensurate with Christ's glory. He acknowledges that until he receives the Crown of Life "I cannot sing, my tongue is tide. / Accept this Lisp till I am glorifide."" "He then turns at the beginning of Series 2 to the poems on typology. These poems are often mechanical, particularly those where he is too strictly bound by the large number of typological parallels. He also recognizes these limitations and moves increasingly to other texts, particularly those from the Canticles. In the allegory of the Song, Taylor finds the openness and sensuous imagery that allow him to express as fully as is possible his love of Christ and his passionate desire to be with the Bridegroom in the heavenly Garden. The more than forty Meditations based on Canticles texts near the end of Series 2 reveal Taylor's sense of drawing closer and closer to being in the Garden itself, and of replacing his "lisp" with the true voice of the glorified."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved