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Author: David King Publisher: Tate ISBN: 9781849760195 Category : Art Languages : en Pages : 0
Book Description
"Russian Revolutionary Posters tells the story of the development of the Soviet poster, from the revolutionary period through to the death of Stalin, revealing the way in which tumultuous events within the Soviet Union were matched by equally dramatic shifts in graphic art and design. Written and designed by David King, one of the world's foremost experts on Soviet art and himself an internationally acclaimed graphic designer, the publication features posters drawn from his unparalleled collection, well known to visitors to Tate Modern in London. The book is arranged chronologically. Captions accompany each poster, explaining the historical and artistic context in which it was produced. Constructivist posters, socialist advertising, film posters of the 1920s, classic photomontage, the heroic posters of the Great Patriotic War, biting political satire and the cult of personality of the Stalin years are all here. The great names of Soviet poster design, including Alexander Rodchenko, El Lissitzky, Gustav Klutsis, Dmitrii Moor, Viktor Deni and Nina Vatolina, all feature. However, some of the most arresting posters reproduced were created anonymously or by scarcely known artists whose work will be a revelation to many. King takes us behind the scenes, explaining the process involved in the commissioning of the posters and the key figures who coordinated poster campaigns, providing personal histories of the art directors and creative directors whose vision played such a vital role in Soviet poster design. With an insightful introduction and over 165 images, some of which have never been seen before, this beautifully produced book will be the definitive survey of the subject for many years to come"--Publisher description.
Author: David King Publisher: Tate ISBN: 9781849760195 Category : Art Languages : en Pages : 0
Book Description
"Russian Revolutionary Posters tells the story of the development of the Soviet poster, from the revolutionary period through to the death of Stalin, revealing the way in which tumultuous events within the Soviet Union were matched by equally dramatic shifts in graphic art and design. Written and designed by David King, one of the world's foremost experts on Soviet art and himself an internationally acclaimed graphic designer, the publication features posters drawn from his unparalleled collection, well known to visitors to Tate Modern in London. The book is arranged chronologically. Captions accompany each poster, explaining the historical and artistic context in which it was produced. Constructivist posters, socialist advertising, film posters of the 1920s, classic photomontage, the heroic posters of the Great Patriotic War, biting political satire and the cult of personality of the Stalin years are all here. The great names of Soviet poster design, including Alexander Rodchenko, El Lissitzky, Gustav Klutsis, Dmitrii Moor, Viktor Deni and Nina Vatolina, all feature. However, some of the most arresting posters reproduced were created anonymously or by scarcely known artists whose work will be a revelation to many. King takes us behind the scenes, explaining the process involved in the commissioning of the posters and the key figures who coordinated poster campaigns, providing personal histories of the art directors and creative directors whose vision played such a vital role in Soviet poster design. With an insightful introduction and over 165 images, some of which have never been seen before, this beautifully produced book will be the definitive survey of the subject for many years to come"--Publisher description.
Author: Anita Pisch Publisher: ANU Press ISBN: 176046063X Category : Design Languages : en Pages : 538
Book Description
From 1929 until 1953, Iosif Stalin’s image became a central symbol in Soviet propaganda. Touched up images of an omniscient Stalin appeared everywhere: emblazoned across buildings and lining the streets; carried in parades and woven into carpets; and saturating the media of socialist realist painting, statuary, monumental architecture, friezes, banners, and posters. From the beginning of the Soviet regime, posters were seen as a vitally important medium for communicating with the population of the vast territories of the USSR. Stalin’s image became a symbol of Bolshevik values and the personification of a revolutionary new type of society. The persona created for Stalin in propaganda posters reflects how the state saw itself or, at the very least, how it wished to appear in the eyes of the people. The ‘Stalin’ who was celebrated in posters bore but scant resemblance to the man Iosif Vissarionovich Dzhugashvili, whose humble origins, criminal past, penchant for violent solutions and unprepossessing appearance made him an unlikely recipient of uncritical charismatic adulation. The Bolsheviks needed a wise, nurturing and authoritative figure to embody their revolutionary vision and to legitimate their hold on power. This leader would come to embody the sacred and archetypal qualities of the wise Teacher, the Father of the nation, the great Warrior and military strategist, and the Saviour of first the Russian land, and then the whole world. This book is the first dedicated study on the marketing of Stalin in Soviet propaganda posters. Drawing on the archives of libraries and museums throughout Russia, hundreds of previously unpublished posters are examined, with more than 130 reproduced in full colour. The personality cult of Stalin in Soviet posters, 1929–1953 is a unique and valuable contribution to the discourse in Stalinist studies across a number of disciplines.
Author: Daniela Büchten Publisher: Forlaget Press ISBN: 9788275476447 Category : Labor movement in art Languages : en Pages : 0
Book Description
Posters were vehicles of mass communication that set their mark on the country's streets and urban spaces. At the same time the poster genre became a key arena for the Russian avant-garde, which dreamed of an art that united form and function, the masses and the elite. The poster - "produced by the millions for the masses and posted on the streets - brings art to the people", proclaimed Vyacheslav Polonsky. In Norway, artists, advertisers, and political activists were inspired by the Soviet propaganda. This book brings together a broad selection of outstanding Russian poster art, from the constructivists' formal experiments to the socialist realism of the 1930s. It also includes some of the most important Norwegian posters inspired by Soviet posters. 0Exhibition: National Library, Oslo, Norway (28.2.-25.5.2013).
Author: Victoria E. Bonnell Publisher: Univ of California Press ISBN: 9780520924062 Category : History Languages : en Pages : 404
Book Description
Masters at visual propaganda, the Bolsheviks produced thousands of vivid and compelling posters after they seized power in October 1917. Intended for a semi-literate population that was accustomed to the rich visual legacy of the Russian autocracy and the Orthodox Church, political posters came to occupy a central place in the regime's effort to imprint itself on the hearts and minds of the people and to remold them into the new Soviet women and men. In this first sociological study of Soviet political posters, Victoria Bonnell analyzes the shifts that took place in the images, messages, styles, and functions of political art from 1917 to 1953. Everyone who lived in Russia after the October revolution had some familiarity with stock images of the male worker, the great communist leaders, the collective farm woman, the capitalist, and others. These were the new icons' standardized images that depicted Bolshevik heroes and their adversaries in accordance with a fixed pattern. Like other "invented traditions" of the modern age, iconographic images in propaganda art were relentlessly repeated, bringing together Bolshevik ideology and traditional mythologies of pre-Revolutionary Russia. Symbols and emblems featured in Soviet posters of the Civil War and the 1920s gave visual meaning to the Bolshevik worldview dominated by the concept of class. Beginning in the 1930s, visual propaganda became more prescriptive, providing models for the appearance, demeanor, and conduct of the new social types, both positive and negative. Political art also conveyed important messages about the sacred center of the regime which evolved during the 1930s from the celebration of the heroic proletariat to the deification of Stalin. Treating propaganda images as part of a particular visual language, Bonnell shows how people "read" them—relying on their habits of seeing and interpreting folk, religious, commercial, and political art (both before and after 1917) as well as the fine art traditions of Russia and the West. Drawing on monumental sculpture and holiday displays as well as posters, the study traces the way Soviet propaganda art shaped the mentality of the Russian people (the legacy is present even today) and was itself shaped by popular attitudes and assumptions. Iconography of Power includes posters dating from the final decades of the old regime to the death of Stalin, located by the author in Russian, American, and English libraries and archives. One hundred exceptionally striking posters are reproduced in the book, many of them never before published. Bonnell places these posters in a historical context and provides a provocative account of the evolution of the visual discourse on power in Soviet Russia.
Author: Maria Lafont Publisher: Prestel Publishing ISBN: 9783791337524 Category : Posters, Soviet Languages : en Pages : 0
Book Description
This massive book of Soviet propaganda posters, many rare and never before published, is at once a revealing historical document and a sublime example of graphic art at its best. Dating from 1917 to the beginning of the Cold War, the posters in this book feature the work of such major Russian ground-breaking avant-garde designers as El Lissitzky and Alexander Rodchenko as well as extraordinary works by anonymous artists. Presented in full color, the 250 posters gathered here range in themes from warnings about the dangers of alcohol abuse and the creeping Nazi menace to illustrations of utopian harmony and the Soviet industrial machine. A brief illustrated introduction offers a chronological overview of the period that produced such eloquent art, which has long been a major source of inspiration to artists and designers.
Author: Aleks Ṿard Publisher: ISBN: Category : Antiques & Collectibles Languages : en Pages : 216
Book Description
'Power to the People' presents the Israel Museum's major collection of propaganda posters from the early years of the Soviet Union, documenting one of the most interesting chapters in 20th-century graphic design.
Author: Mary Ginsberg Publisher: ISBN: 9781789142068 Category : Art Languages : en Pages : 0
Book Description
One of the common features of communist regimes is the use of art for revolutionary means. Posters in particular have served as beacons of propaganda--vehicles of coercion, instruction, censure and debate--in every communist nation. They have promoted the authority of state and revolution, but have also been used as an effective means of protest. By their nature, posters are ephemeral, tied to time and place, but many have had far-reaching, long-lasting impact. They are imbued with both artistic integrity and personal conviction--Bolshevik posters, for example, are among the most vibrant, passionate graphics in art history. This is the first truly global survey of the history and variety of communist poster art. Each chapter is written by an expert in the field, and examines a different region of the world: Russia, China, Mongolia, Eastern Europe, North Korea, Vietnam and Cuba. This beautifully illustrated, comprehensive survey examines the broad range of political and visual cultures of communist posters, and will appeal to a wide audience interested in art, history and politics.
Author: David King
Author: David King
Author: Kodjo Crobsen
Author: Kristina Toland
Author: Anita Pisch
Author: Daniela Büchten
Author: Victoria E. Bonnell
Author: Stephen White
Author: Maria Lafont
Author: Aleks Ṿard
Author: Mary Ginsberg