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Author: Artemy Magun Publisher: Bloomsbury Publishing ISBN: 1350430005 Category : Art Languages : en Pages : 416
Book Description
Why do we enjoy artworks that depict disasters and suffering? Is this a hangover from the Modernist impulse to break the rules of harmony? Is there actually a proper way to perform negativity in art without resorting to nihilism? The Temptation of Non-Being uses these fundamental questions to paint a picture of contemporary art as beset by an outbreak of the negative, and to construct a new theory of art as a medium of complex negativity. The negative in art is explained not as a simple negation or destruction, but as a multifaceted, polymorphous structure with a vast range of strategies and techniques from parody and pastiche to defamiliarization and non-resemblance. Charting the depth of these negative practices, Artemy Magun shows how they become progressively more complex and explicit, illustrating them with interdisciplinary examples from Lars von Trier, Jacek Malczewski, Andrei Platonov and Fyodor Dostoyevsky. At the heart of this layered, nested structure lies an understanding of Modern aesthetics that helps to answer even more questions: how can the testing, probing nature of art lead to this preoccupation with the negative? Why does this negativity emerge in the first place? What can it tell us about art itself and how it functions in society? This is an erudite and provocative analysis that enriches the ongoing evaluation of both 'high' and 'low' art.
Author: Artemy Magun Publisher: Bloomsbury Publishing ISBN: 1350430005 Category : Art Languages : en Pages : 416
Book Description
Why do we enjoy artworks that depict disasters and suffering? Is this a hangover from the Modernist impulse to break the rules of harmony? Is there actually a proper way to perform negativity in art without resorting to nihilism? The Temptation of Non-Being uses these fundamental questions to paint a picture of contemporary art as beset by an outbreak of the negative, and to construct a new theory of art as a medium of complex negativity. The negative in art is explained not as a simple negation or destruction, but as a multifaceted, polymorphous structure with a vast range of strategies and techniques from parody and pastiche to defamiliarization and non-resemblance. Charting the depth of these negative practices, Artemy Magun shows how they become progressively more complex and explicit, illustrating them with interdisciplinary examples from Lars von Trier, Jacek Malczewski, Andrei Platonov and Fyodor Dostoyevsky. At the heart of this layered, nested structure lies an understanding of Modern aesthetics that helps to answer even more questions: how can the testing, probing nature of art lead to this preoccupation with the negative? Why does this negativity emerge in the first place? What can it tell us about art itself and how it functions in society? This is an erudite and provocative analysis that enriches the ongoing evaluation of both 'high' and 'low' art.
Author: Mikhail Bulgakov Publisher: Grove/Atlantic, Inc. ISBN: 0802190510 Category : Fiction Languages : en Pages : 306
Book Description
Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly
Author: Laura Anina Zander Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3111075699 Category : History Languages : en Pages : 416
Book Description
Europe is a broad and multifaceted construct, variously understood as a geographical, political, legal, institutional, social, or cultural formation. It is characterized by numerous conflicts and processes of negotiation that have accompanied or sustained the development of normative orders and divergent conceptions of law, both in relation to individual states and to Europe as a whole. The same applies to the field of literature, language, and aesthetics; numerous myths and ideologies have shaped today’s understanding of Europe and still support it today. This volume examines how such processes were legally structured, and literarily addressed, criticized, and complemented. Its interdisciplinary perspective and open and dynamic, both dialogical and dialectical format intends to replicate the fragmented, sometimes conflicting, but always productive mosaic of voices, ideas, and concepts that have constituted and still constitute Europe, whether in the past, present, or future. Instead of resolving any of the complexities and contradictions that frame discussions on law, literature, and Europe, it aims to induce further engagement and confrontations with new and alternative visions of Europe.
Author: Edwin Gentzler Publisher: Routledge ISBN: 1317213203 Category : Language Arts & Disciplines Languages : en Pages : 232
Book Description
In Translation and Rewriting in the Age of Post-Translation Studies, Edwin Gentzler argues that rewritings of literary works have taken translation to a new level: literary texts no longer simply originate, but rather circulate, moving internationally and intersemiotically into new media and forms. Drawing on traditional translations, post-translation rewritings and other forms of creative adaptation, he examines the different translational cultures from which literary works emerge, and the translational elements within them. In this revealing study, four concise chapters give detailed analyses of the following classic works and their rewritings: A Midsummer Night’s Dream in Germany Postcolonial Faust Proust for Everyday Readers Hamlet in China. With examples from a variety of genres including music, film, ballet, comics, and video games, this book will be of special interest for all students and scholars of translation studies and contemporary literature.
Author: Artemy Magun
Author: Artemy Magun
Author: Mikhail Bulgakov
Author: Laura Anina Zander
Author: 
Author: 
Author: Ivan Sergeevich Turgenev
Author: 
Author: Edwin Gentzler
Author: Ivan Sergeevich Turgenev
Author: Ivan Sergeevich Turgenev