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Author: Monika Kopplin Publisher: Hirmer Verlag GmbH ISBN: 9783777424293 Category : Artists' marks Languages : en Pages : 0
Book Description
Monika Kopplin highlights the extraordinary variety of decorative techniques as well as the many stylistic features. The history and art history of Russia are reflected in the small format of the lacquer miniatures, painting a lively picture of the various eras. A comprehensive index of seals expands the catalogue into a reference book. Russian lacquer art can be traced back to Peter the Great, who had come to know this flourishing art and craft during his study trips in Western Europe. The first important work in this genre in the tsar's empire was completed in 1722 in the form of the Lacquer Study in his palace of Monplaisir. A second significant event followed when the Korobov workshop, which was modelled on the Braunschweig-based Stobwasser workshop, was established in 1793 near Moscow. It is better known by the name of a later owner, Lukutin. A technical and artistic alignment with the German model was followed by an increasingly independent Russian development from the 1820s onwards. At first this found expression in specific decorative techniques, and later also in specifically Russian motifs.
Author: Monika Kopplin Publisher: Hirmer Verlag GmbH ISBN: 9783777424293 Category : Artists' marks Languages : en Pages : 0
Book Description
Monika Kopplin highlights the extraordinary variety of decorative techniques as well as the many stylistic features. The history and art history of Russia are reflected in the small format of the lacquer miniatures, painting a lively picture of the various eras. A comprehensive index of seals expands the catalogue into a reference book. Russian lacquer art can be traced back to Peter the Great, who had come to know this flourishing art and craft during his study trips in Western Europe. The first important work in this genre in the tsar's empire was completed in 1722 in the form of the Lacquer Study in his palace of Monplaisir. A second significant event followed when the Korobov workshop, which was modelled on the Braunschweig-based Stobwasser workshop, was established in 1793 near Moscow. It is better known by the name of a later owner, Lukutin. A technical and artistic alignment with the German model was followed by an increasingly independent Russian development from the 1820s onwards. At first this found expression in specific decorative techniques, and later also in specifically Russian motifs.
Author: Cherry Gilchrist Publisher: Quest Books ISBN: 0835608743 Category : Religion Languages : en Pages : 202
Book Description
In the heart of Russia, old ways of perceiving the spirits of home and nature still prevail. Fairy stories, folk art, and calendar customs carry hints of the old gods and offer a now rare way of linking human life to the landscape. This is as true for city dwellers and villagers, for the Russian soul is open to the power of myth and the mysteries of the universe. This book explains how Russia's concept of soul ("dusha") and sensitivity to the landscape extends to archaeologists, scientists, and doctors in Russia, who retain an open-minded approach and a keen interest in psychic phenomena, along with folk traditions and faith healing. Author Cherry Gilchrist has traveled often to Russia and researched its traditional lore, gaining knowledge she interweaves into this book. She blends that first-hand knowledge with serious research to paint a lively picture of these remarkable magical traditions and their enduring power.
Author: Patty Wageman Publisher: Nai010 Publishers ISBN: Category : Art Languages : en Pages : 228
Book Description
"Legends, folk tales and fairy tales all had a profound impact on Russian painting of the nineteenth and early twentieth century. The Russian artists who dealt with these subjects chose sometimes to paint large canvases in which the greatness and grandeur of the Russian countryside fuses with the magical world of the imagination. The paintings of Viktor Vasnetsov, Nikolai Roerikh, and Mikhail Vrubel, the illustrations of Ivan Bilibin and Elena Polenova, and the works of Vasily Kandinsky register most impressively the worlds of fantasy and the imagination." "This book presents more than 90 illustrations of these fascinating works, while the essays shed interesting light on how these stories contributed to and influenced the visual arts. The book also contains summaries of the fairy tales depicted in these paintings, whereby the reader is given an overview of the major Russian folk tales."--BOOK JACKET.
Author: Lucy Maxym Publisher: Corners of the World, Incorporated ISBN: Category : Art Languages : en Pages : 88
Book Description
The first work published in the United States on an important twentieth-century art form -- Russian Lacquer Miniature Painting. Written by Lucy Maxym, an authority on Russian Lacquer, the book contains a comprehensive discussion of the techniques of the art as well as a history of the four villages where the artists live and work. Nineteen Russian legends and fairy tales, which are the inspiration for a majority of the paintings on the lacquer boxes and panels are illustrated with over one hundred exquisite full-color plates. Vol. 2 has thirteen tales and some background on some of the heroes of legend.
Author: Detlev Richter Publisher: Schiffer Publishing ISBN: 9780887401978 Category : Art Languages : en Pages : 0
Book Description
Exquisitely painted, small, round, papier-mfch, and lacquer boxes are sought after today for their beauty and the high level of craftsmanship they demonstrate. For the many admirers of these boxes, and students of the European cultural society in which they were made (in the early part of the nineteenth century), Detley Richter has written this careful account of the artistic, manufacturing, and commercial climates which were combined in the production of lacquered boxes.His well-researched text and over 350 illustrations are arranged into chapters which explain the manufacturing and artistic processes, important makers and their signatures, various uses, leading collections, and evolving traditions of the boxes in German, French, English, Russian, and other societies. That lacquered boxes are recognized as things of beauty is apparent in the many color pictures. That they are the products of highly sophisticated social influences becomes apparent when reading the author's analysis and conclusions. This is a wonderful new contribution to information on the decorative arts.
Author: Andrew L. Jenks Publisher: ISBN: 9780875803395 Category : Art Languages : en Pages : 264
Book Description
What did it mean to be Russian as the imperial era gave way to Soviet rule? Andrew Jenks turns to a unique art form produced in the village of Palekh to investigate how artists and craftsmen helped to reshape Russian national identity. Russia in a Box follows the development of Palekh art over two centuries as it adapted to dramatic changes in the Russian nation. As early as the sixteenth century, the peasant "masters" of Palekh painted religious icons. It was not until Russia's victory over Napoleon in 1814, however, that the village gained widespread recognition for its artistic contributions. That same year, the poet Goethe's discovery of the works of Palekh artists and craftsmen spurred interest in preserving the sacred art. The religious icons produced by Palekh masters in the nineteenth century became a source of Russian national pride. By the 1880s, some artists began to foresee their future as secular artists-a trend that was ensured by the Bolshevik Revolution. Tolerated and sometimes even encouraged by the new regime, the Palekh artists began to create finely decorated lacquered boxes that portray themes from fairy tales and idealized Russian history in exquisite miniatures. A new medium with new subject matter, these lacquered boxes became a new symbol of Russian identity during the 1920s. Palekh art endured varying levels of acceptance, denial, state control, and reliance on market-driven forces. What began as the art form of religious iconic painting, enduring for more than two centuries, was abruptly changed by the revolutionaries. Throughout the twentieth century the fate of Palekh art remained in question as Russia's political and cultural entities struggled for dominance. Ultimately capitalism and the Palekhian masters were victorious, and the famed lacquer boxes continue to be a source of Russian identity and pride.
Author: Monika Kopplin
Author: Monika Kopplin
Author: Владимир Андреевич Гуляев
Author: Lucy Maxym
Author: Cherry Gilchrist
Author: Мария Александровна Некрасова
Author: Patty Wageman
Author: Lucy Maxym
Author: Detlev Richter
Author: Andrew L. Jenks
Author: Gosudarstvennyĭ muzeĭ palekhskogo iskusstva