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Author: James H. Billington Publisher: Wipf and Stock Publishers ISBN: 1725220849 Category : History Languages : en Pages : 296
Book Description
When the Soviet communist empire was overthrown by the Russians themselves in August 1991, the change was more clearly anticipated by humanistic students of creativity than by economic and political scientists surrounded by statistics and information. Does the Russian pattern of creativity provide any hints as to how the Russians might solve problems today? Having borrowed the democratic political model of their erstwhile American enemy, will they be able to create a distinctive Russian variant that can endure? Or will they end up destroying their own experiment at accountable, constitutional government and returning to their long tradition of authoritarianism? The Face of Russia--a companion book to the corresponding PBS series--addresses these questions. This is a dazzling and forward-looking history of the Russian people as told through their art--from one of the world's great experts on Russian culture. The story covers eight hundred years of Russian creativity, and introduces us to the new art forms that burst onto the Russian scene and became the vehicles for expressing the creative aspirations of an age as well as the enduring Russian quest to find salvation and entertainment in art.
Author: James H. Billington Publisher: Wipf and Stock Publishers ISBN: 1725220849 Category : History Languages : en Pages : 296
Book Description
When the Soviet communist empire was overthrown by the Russians themselves in August 1991, the change was more clearly anticipated by humanistic students of creativity than by economic and political scientists surrounded by statistics and information. Does the Russian pattern of creativity provide any hints as to how the Russians might solve problems today? Having borrowed the democratic political model of their erstwhile American enemy, will they be able to create a distinctive Russian variant that can endure? Or will they end up destroying their own experiment at accountable, constitutional government and returning to their long tradition of authoritarianism? The Face of Russia--a companion book to the corresponding PBS series--addresses these questions. This is a dazzling and forward-looking history of the Russian people as told through their art--from one of the world's great experts on Russian culture. The story covers eight hundred years of Russian creativity, and introduces us to the new art forms that burst onto the Russian scene and became the vehicles for expressing the creative aspirations of an age as well as the enduring Russian quest to find salvation and entertainment in art.
Author: Vilis Vitols Publisher: Mosaic Press ISBN: 1771613637 Category : History Languages : en Pages : 212
Book Description
While there are many books published in English about Russia, the vast majority of them are written from the perspective of Western academics and journalists. Very few studies are conducted by people who live at the frontiers of this newly constituted Russian empire, under the leadership of Vladamir Putin. Face to Face with Russia offers this critical perspective to English-speaking audiences worldwide.
Author: Carol Adlam Publisher: A&C Black ISBN: 0567105318 Category : Literary Criticism Languages : en Pages : 396
Book Description
So far, in the West, the dissemination of Bakhtinian thought has proceeded with little or no awareness of contemporary approaches to Bakhtin in his homeland. This collection offers unprecedented access to leading Russian research in juxtaposition with important Western scholarship on Bakhtin. Taking its cue from Bakhtin as founder of dialogical criticism, Face to Face aims to stimulate dialogue across disciplines and national boundaries.
Author: Michael Tapper Publisher: Columbia University Press ISBN: 0231851219 Category : Performing Arts Languages : en Pages : 253
Book Description
The 1976 premiere of Face to Face came at the height of director-screenwriter Ingmar Bergman's career. Prestigious awards and critical acclaim had made him into a leading name in European art cinema, yet today Face to Face is a largely overlooked and dismissed work. This book tells the story of its rise and fall. It presents a new portrait of Bergman as a political artist exploring a new medium with huge public impact: television. Inspired by Henrik Ibsen, feminism, and alternative psychotherapy, he made a series of portraits of the modern bourgeois family focusing on the plight of women; Face to Face followed in the tracks of The Lie (1970) and Scenes from a Marriage (1973). By his workbooks, engagement planners, and other archival material, we can trace his investigation into the heart of repressive family structures to eventually glimpse a way out. This volume culminates in an extensive study of the two-year process from the first outlines of the screenplay to the reception and aftermath of Face to Face. It thus offers a unique insight into Bergman's world, his ideas and artistry during a turbulent time in cinema history.
Author: Marvin Kalb Publisher: Brookings Institution Press ISBN: 0815738978 Category : Biography & Autobiography Languages : en Pages : 355
Book Description
A personal journey through some of the darkest moments of the cold war and the early days of television news Marvin Kalb, the award-winning journalist who has written extensively about the world he reported on during his long career, now turns his eye on the young man who became that journalist. Chosen by legendary broadcaster Edward R. Murrow to become one of what came to be known as the Murrow Boys, Kalb in this newest volume of his memoirs takes readers back to his first days as a journalist, and what also were the first days of broadcast news. Kalb captures the excitement of being present at the creation of a whole new way of bringing news immediately to the public. And what news. Cold War tensions were high between Eisenhower's America and Khrushchev's Soviet Union. Kalb is at the center, occupying a unique spot as a student of Russia tasked with explaining Moscow to Washington and the American public. He joins a cast of legendary figures along the way, from Murrow himself to Eric Severeid, Howard K. Smith, Richard Hottelet, Charles Kuralt, and Daniel Schorr among many others. He finds himself assigned as Moscow correspondent of CBS News just as the U2 incident—the downing of a US spy plane over Russian territory—is unfolding. As readers of his first volume, The Year I Was Peter the Great, will recall, being the right person, in the right place, at the right time found Kalb face to face with Khrushchev. Assignment Russia sees Kalb once again an eyewitness to history—and a writer and analyst who has helped shape the first draft of that history.
Author: Masha Gessen Publisher: Penguin ISBN: 159463453X Category : History Languages : en Pages : 530
Book Description
WINNER OF THE 2017 NATIONAL BOOK AWARD IN NONFICTION FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS WINNER OF THE NEW YORK PUBLIC LIBRARY'S HELEN BERNSTEIN BOOK AWARD NAMED A BEST BOOK OF 2017 BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, WASHINGTON POST, BOSTON GLOBE, SEATTLE TIMES, CHRISTIAN SCIENCE MONITOR, NEWSWEEK, PASTE, and POP SUGAR The essential journalist and bestselling biographer of Vladimir Putin reveals how, in the space of a generation, Russia surrendered to a more virulent and invincible new strain of autocracy. Award-winning journalist Masha Gessen's understanding of the events and forces that have wracked Russia in recent times is unparalleled. In The Future Is History, Gessen follows the lives of four people born at what promised to be the dawn of democracy. Each of them came of age with unprecedented expectations, some as the children and grandchildren of the very architects of the new Russia, each with newfound aspirations of their own--as entrepreneurs, activists, thinkers, and writers, sexual and social beings. Gessen charts their paths against the machinations of the regime that would crush them all, and against the war it waged on understanding itself, which ensured the unobstructed reemergence of the old Soviet order in the form of today's terrifying and seemingly unstoppable mafia state. Powerful and urgent, The Future Is History is a cautionary tale for our time and for all time.
Author: Keir Giles Publisher: Brookings Institution Press ISBN: 0815735758 Category : Political Science Languages : en Pages : 258
Book Description
From Moscow, the world looks different. It is through understanding how Russia sees the world—and its place in it—that the West can best meet the Russian challenge. Russia and the West are like neighbors who never seem able to understand each other. A major reason, this book argues, is that Western leaders tend to think that Russia should act as a “rational” Western nation—even though Russian leaders for centuries have thought and acted based on their country's much different history and traditions. Russia, through Western eyes, is unpredictable and irrational, when in fact its leaders from the czars to Putin almost always act in their own very predictable and rational ways. For Western leaders to try to engage with Russia without attempting to understand how Russians look at the world is a recipe for repeated disappointment and frequent crises. Keir Giles, a senior expert on Russia at Britain's prestigious Chatham House, describes how Russian leaders have used consistent doctrinal and strategic approaches to the rest of the world. These approaches may seem deeply alien in the West, but understanding them is essential for successful engagement with Moscow. Giles argues that understanding how Moscow's leaders think—not just Vladimir Putin but his predecessors and eventual successors—will help their counterparts in the West develop a less crisis-prone and more productive relationship with Russia.
Author: Andrea Alessandrini Publisher: ISBN: Category : Languages : en Pages : 31
Book Description
A MEDICAL BOOK THAT IS RICH ON IMAGES AND INFORMATION SPECIFICALLY ELABORATED FOR AND AIMED AT THOSE PROFESSIONALS SPECIALIZING IN AESTHETIC CORRECTIONS OF THE FACE • I dedicate this text, which is the result of many years od work, to all those who, like me, operate in the wonderful world of Aesthetic Medicine and Surgery. For a better understanding of the text,it is useful for me to illustrate my professional past. • It was 1982 when I injected my first phial of filler: it was bovine collagen. • From the initial small corrections, which I effected overcoming fears and worries, i performed wider corrections in various areas of the face, acquiring more and more confidence and awareness about what I was doing( this confidence was due to my knowledge of anatomy, whithout which I wouold have felt “naked”). • Now, in 2014, I still am, as I have always been in all this time, in search of slightly invasive techniques,more and more consolidating my knowledge in order to obtain the best and above all the most natural results. • I held, and am still holding, courses in various parts of the world, proposing to my colleagues all my knowledge acquired in these years, in particular the secrets, the points of attention, the correct therapeutic approach, the global vision of problems and possible limits. All that with the aim of working correctly and reaching the utmost results. • I take part in national and international congresses, where I illustrate my techniques and the new approaches in the field and I compare the colleagues’ experiences with mine with the humbleness of a person who is always willing to learn. • My experience, acquired also through teaching on corpses, has led me not only to a deeper knowledge of anatomy, but also to developing new personal techniques. • In consequence of the continous and appreciated request of material for consultation by Italian and foreign colleagues, I decided to undertake the onerous project of presenting, in this first volume, the anatomy and the noble structures, of which we must have a specific knowledge in order to better understand and assimilate the operative guide-lines used by me, which are going to be dealt with in the second volume. • This text has some peculiar characteristics that can be synthetized in two words: clarity and immediateness in consultation. As we well know, in order to be able to undertake a targeted therapeutic program, regardless of the substance used, a deep knowledge of the anatomy of the face is needed.
Author: Yuri Slezkine Publisher: Cornell University Press ISBN: 1501703307 Category : History Languages : en Pages : 475
Book Description
For over five hundred years the Russians wondered what kind of people their Arctic and sub-Arctic subjects were. "They have mouths between their shoulders and eyes in their chests," reported a fifteenth-century tale. "They rove around, live of their own free will, and beat the Russian people," complained a seventeenth-century Cossack. "Their actions are exceedingly rude. They do not take off their hats and do not bow to each other," huffed an eighteenth-century scholar. They are "children of nature" and "guardians of ecological balance," rhapsodized early nineteenth-century and late twentieth-century romantics. Even the Bolsheviks, who categorized the circumpolar foragers as "authentic proletarians," were repeatedly puzzled by the "peoples from the late Neolithic period who, by virtue of their extreme backwardness, cannot keep up either economically or culturally with the furious speed of the emerging socialist society."Whether described as brutes, aliens, or endangered indigenous populations, the so-called small peoples of the north have consistently remained a point of contrast for speculations on Russian identity and a convenient testing ground for policies and images that grew out of these speculations. In Arctic Mirrors, a vividly rendered history of circumpolar peoples in the Russian empire and the Russian mind, Yuri Slezkine offers the first in-depth interpretation of this relationship. No other book in any language links the history of a colonized non-Russian people to the full sweep of Russian intellectual and cultural history. Enhancing his account with vintage prints and photographs, Slezkine reenacts the procession of Russian fur traders, missionaries, tsarist bureaucrats, radical intellectuals, professional ethnographers, and commissars who struggled to reform and conceptualize this most "alien" of their subject populations.Slezkine reconstructs from a vast range of sources the successive official policies and prevailing attitudes toward the northern peoples, interweaving the resonant narratives of Russian and indigenous contemporaries with the extravagant images of popular Russian fiction. As he examines the many ironies and ambivalences involved in successive Russian attempts to overcome northern—and hence their own—otherness, Slezkine explores the wider issues of ethnic identity, cultural change, nationalist rhetoric, and not-so European colonialism.
Author: James H. Billington
Author: James H. Billington
Author: Vilis Vitols
Author: Masha Gessen
Author: Carol Adlam
Author: Michael Tapper
Author: Marvin Kalb
Author: Masha Gessen
Author: Keir Giles
Author: Andrea Alessandrini
Author: Yuri Slezkine